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The limits of lovemaking and community: infertility in "Their eyes were watching God"

Abstract

Janie Crawford, the protagonist in Zora Neale Hurston‟s Their Eyes Were Watching God (1937), never fully grows up or integrates completely into any of the communities of which she is a part in the novel. She therefore remains “infertile” in several relationships and communities that showcase diverse kinds of “fertility,” whether that fertility is Logan Killicks‟s productivity with his farmland, Jody Starks‟s successes in building Eatonville, or even Tea Cake‟s skills at gambling and guitar-playing. No matter her environment, Janie remains outside of systems of fertility, more child-like than adult, which means that the blossoming pear tree image that surrounds her, and which seems to epitomize sexuality and fertility, is wasted on Janie, because she refuses to grow up and become fertile either by procreating or by contributing creatively to the communities in which she lives.

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The limits of lovemaking and community: infertility in "Their eyes were watching God"

Author: Harris, Trudier
Publisher: Universidad de Sevilla
Year: 2017
Source: https://idus.us.es/bitstreams/48438e8c-da3d-4158-869d-71b095708885/download
Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187
THE LIMITS OF LOVEMAKING AND
COMMUNITY: INFERTILITY IN
THEIR EYES WERE WATCHING GOD
TRUDIER HARRIS
Uni e si y o Alabama
ha is13@ua. edu
Recei ed 20 July 2017
Accep ed 1 No embe 2017
KEYWORDS
Pea ee; e ili y; in e ili y; sexuali y; p egnancy; o sp ing; g ow h;
communi y; esponsibili y; dys unc ionali y.
PALABRAS CLAVE
Pe al; e ilidad; in e ilidad; sexualidad; emba azo; descendencia;
c ecimien o; comunidad; esponsabilidad; dis uncionalidad.
ABSTRACT
Janie C aw o d, he p o agonis in Zo a Neale Hu s on‟s Thei Eyes
We e Wa ching God (1937), ne e ully g ows up o in eg a es
comple ely in o any o he communi ies o which she is a pa in he
no el. She he e o e emains “in e ile” in se e al ela ionships and
communi ies ha showcase di e se kinds o “ e ili y,” whe he ha
e ili y is Logan Killicks‟s p oduc i i y wi h his a mland, Jody
S a ks‟s successes in building Ea on ille, o e en Tea Cake‟s skills a
gambling and gui a -playing. No ma e he en i onmen , Janie
emains ou side o sys ems o e ili y, mo e child-like han adul ,
which means ha he blossoming pea ee image ha su ounds
he , and which seems o epi omize sexuali y and e ili y, is was ed
on Janie, because she e uses o g ow up and become e ile ei he
by p oc ea ing o by con ibu ing c ea i ely o he communi ies in
which she li es.
RESUMEN
Janie C aw o d, la p o agonis a de Sus ojos mi aban a Dios (1937),
de Zo a Neale Hu s on, nunca se hace del odo adul a ni se in eg a
comple amen e en ninguna de las comunidades de las que o ma
pa e en la no ela. Po an o, pe manece “es é il” en a ias
elaciones y comunidades que son emblemá icas de di e en es ipos
de “ e ilidad,” sea es a e ilidad la p oduc i idad de Logan Killicks
con su g anja, los éxi os de Jody S a ks en la cons ucción de
Ea on ille, o incluso las habilidades de Tea Cake pa a el juego y la
170 T udie Ha is
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gui a a. En cualquie a que sea su en o no, Janie pe manece ue a
de los sis emas de e ilidad, más in an il que adul a, lo que signi ica
que la imagen del pe al en lo que la acompaña, y que pa ece se el
epí ome de la sexualidad y la e ilidad, se despe dicia en el caso de
Janie, ya que ella se niega a c ece y a con e i se en é il ya sea
p oc eando o con ibuyendo de o ma c ea i a a las comunidades en
las que i e.
Le ‟s s a wi h he blossoming pea ee, which is whe e mos
schola s begin when hey wan o discuss sexuali y—and by
ex ension, e ili y—in Zo a Neale Hu s on‟s classic no el, Thei Eyes
We e Wa ching God (1937). F om he momen hose a ching calyxes
ise o mee he pollina ing bee, Hu s on o e s images o budding
and un ep essed sexuali y and g ow h implici ly i no explici ly
h oughou he ex . When p o agonis Janie C aw o d is so s i ed
by ha na u al pollina ion ha she kisses he no-coun Johnny
Taylo in ull iew o he g andmo he , sexuali y looms o e he ex .
G andmo he Nanny wan s Janie o ge ma ied igh away because
she senses ha ans o ma i e sexual changes a e upon Janie.
Ra he han un he isk o a wildly sexual Janie b inging an
illegi ima e child in o he home, Nanny de e mines ha Janie should
ma y Logan Killicks, a neighbo ing a me , and con ain he
po en ially explosi e sexuali y wi hin a ma iage bed. Well, we know
how ha u ns ou . Janie is bo ed ou o he skull wi h Logan‟s
un oman ic body and beha io s, as well as his smelly ee , and she
ca es no hing o his s a us o six y ac es o land and an o gan in he
pa lo . Wha is e en mo e s iking is ha a no el ha begins in such
wond ous sensuali y and po en ial e ili y de ol es in o ba enness
and innuendo a he han explici culmina ion o he sexual opic
Hu s on has in oduced. The Zo a Neale Hu s on who is so
iconoclas ic in p ac ically e e y hing else she does abandons
sensuali y, sexuali y, and e ili y in a o o ba ely oman icized
adeo s o in ima e engagemen .
I use e ili y in his discussion, i s , o e e o biological
p oc ea i i y and hen o e e o p oduc i e g ow h o con ibu ions
o amilial o social ins i u ions. Cha ac e s whom I e e ence as
in e ile, hen, yield no biological ep oduc ion du ing he cou se o
he na a i e; in o he wo ds, he majo cha ac e s in he no el,
including Janie, Logan, Jody, and Tea Cake, nei he mo he no
a he child en. No do hey seem o ha e any in e es in doing so.
Among he hings ha eade s migh conside hei p io i ies,
The Limi s o Lo emaking and Communi y… 171
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p egnancy and child en ha e no anking a all. In e ili y does no
mean ha he cha ac e s canno ha e child en; i means ha he e
is no indica ion wha soe e ha hey desi e child en o e en hink
abou hem. Second, despi e his conspicuous biological lack, he e
a e a ious kinds o e ili y in he na a i e, including na u al
(plan s, ees, he a ming ha Logan does), social (building he own
o Ea on ille), cul u al (abundan olk ma e ials ha sus ain and
en e ain), poli ical (Jody S a ks‟s en u es as mayo ), comme cial
(Jody‟s building he s o e and s a ing he pos o ice, among o he s),
and in e pe sonal (Tea Cake, o example, eaching Janie how o play
checke s, ish, and shoo ). In a sou he n wo ld lush wi h plan -li e
and p oduc i e people, Janie, who is a woman wi hou child en and
who is locked ou side he in ima e in e wo kings o mos o he
communi ies in which she esides, is su p isingly in e ile.
While I use in e ili y o e e o he biological lack o ha ing
child en, I u he use i o e e o he psychological, emo ional, and
social s a es o cha ac e s, pa icula ly Janie. I posi ha amily
uni s and socie ies in he ex a e based upon he willing
pa icipa ion o a ious o hei membe s in o de o ensu e o de ly
unc ioning. When membe s a e physically wi hin such uni s and
socie ies bu a e ou side o hem psychologically o e use o
con ibu e o hem, hen a s a e o in e ili y exis s. Fo example, a
husband migh easonably expec a wi e o con ibu e o he success
o he household, as Logan does wi h Janie. I she does no , hen a
s a e o dys unc ionali y eigns, a s a e ha I e e o as in e ili y. A
he socie al le el, o icials migh easonably expec ha ci izens o a
pa icula ci y will pay hei ai sha e in axes so ha essen ial
se ices such as wa e and sewage and oad epai can be
main ained. I e enues a e insu icien , hen he ci y canno ope a e
e ec i ely. The esul ing dys unc ionali y alls unde my de ini ion o
in e ili y; he ci y s agna es, ax-paying ci izens become disg un led,
and he s a e could bo de on chaos. The e can be li le p oduc i e
g ow h ( e ili y) o mo emen o wa d gi en hese ci cums ances.
These expec a ions mani es hemsel es in Ea on ille when ci izens
join Mayo Jody S a ks in con ibu ing hogs o he ba becue o
celeb a e he lamp ligh ing as well as when hey con ibu e swea
equi y o clea ing/building a oad. By joining in he hea y wo k, he
disg un led ew a e social in e ili y and hus p e en communal
s agna ion.
I also use in e ili y o e e speci ically o Janie‟s seeming
p e e ence o emain in a childlike s a e ins ead o p og essing
172 T udie Ha is
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owa d ma u i y and becoming a p oduc i e membe o wha e e
ins i u ion o communi y o which she is a pa . As I will illus a e,
mo e o en han no , Janie inds he sel esis ing wha e e g own-up,
adul ac ions migh be equi ed o he and looking backwa d o he
s a e o innocence, a s a e ha ge s iconized in he ex wi h he
blossoming pea ee. I onically, he image o e ili y ha in o ms
he image ha mos in luences Janie is simul aneously he image o
which Janie can ne e li e up, ha is, gi ing he sel wholly o
na u al impulses and joining in c ea ion. Fu he , Janie ep esen s
in e ili y in he ways in which she is/allows he sel o be posi ioned
in ela ion o he men in he li e, especially o Jody. Janie is
c ammed in o spaces whe e she will no o canno espond by
becoming a e ile, ha is, con ibu ing membe o a uni o socie y.
Ins ead, she is o ced ou side o he socie y, in o he ba en in e ili y
o isola ion om he membe s o he e y communi y in Ea on ille o
which she so despe a ely wan s o be a pa and inally om Jody
himsel . Ini ially by choice and hen by social/spousal con ol, Janie
leads a ba en exis ence in he mids o p oc ea i i y and g ow h all
a ound he .
Again—le ‟s begin a he beginning. The sexuali y ha Nanny
hough would be Janie‟s lo a e wa ching he kiss Johnny Taylo is
nowhe e o be ound in Janie‟s ela ionship wi h Logan Killicks. O
cou se Janie does no conside Logan pa icula ly a ac i e.
Howe e , i she is such an un es ained sexual being, hen ce ainly
he e could be a leas one scene in he ex o illus a e how ha
plays i sel ou in a momen o passion—o e en how i does no play
ou . Ins ead, Hu s on allows Janie o slip in o a ma iage, complain
abou i , and e en depa om i wi hou e e ha ing shown any
inkling o he sexual in imacy o ha ma iage. Mo e impo an —and
wha becomes an issue h oughou he ex —is ha he p esumably
sensual, sexual Janie C aw o d Killicks ne e once men ions menses
o e en emo ely conside s he ealis ic possibili y o p egnancy.
Janie ope a es du ing he ma iage o Logan Killicks as i she is on a
pe manen o m o bi h con ol, o , pe haps mo e nai ely, as i she
doesn‟ know whe e babies come om. When Nanny asks i she is
p egnan , Janie dismisses he idea so quickly ha i seems as i she
does no ecognize he body as being capable o p egnancy. She
mo es om a leas gi ing he idea a passing hough by saying,
blushingly, “No‟m, Ah don‟ hink so anyhow” o absolu e ce ain y
ha she is no p egnan : “Ah‟m all igh da way. Ah know „ ain‟
The Limi s o Lo emaking and Communi y… 173
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no hin‟ de e” (Hu s on 21). How is i , hen, ha a p esumably
heal hy young woman, po ayed in a pe iod when bi h con ol was
p ac ically unhea d o in he communi y, can engage in p egnancy-
p oo sex no jus h ough one ma iage bu h ough h ee?
Equally as s iking, why is i ha no one o Janie‟s husbands
is conce ned abou o sp ing? This is especially ema kable wi h
Logan Killicks, who is ope a ing in an his o ical ime pe iod when
A ican Ame icans we e linked o he soil and a ming, indeed when
many o hem we e bound o sha ec opping, and du ing which
ha ing as many o sp ing as possible was no only a pleasu able
engagemen bu an economic necessi y. Ye Logan only a emp s—
bunglingly so— o ge a mule o Janie o plow ins ead o b oaching
he subjec o a he ing an o sp ing o assis him in his wo k. We
migh easonably expec ha Jody S a ks, who wo ks so diligen ly o
acqui e huge amoun s o land and p ope y, would wan a son o
inhe i bo h ins ead o being con en wi h Hezekiah o se e as his
deli e y boy. Ye , i is no ewo hy ha Jody ne e men ions babies
o p egnancy, and he e is ne e a momen in he no el when he and
Janie sha e in ima e momen s in bed. S ikingly, e en on hei
wedding nigh , hey a e con en o ac like a sexless old ma ied
couple ins ead o making mad—o a leas passiona e—lo e. Hu s on
w i es o hei ac i i y ollowing hei ma iage ce emony: “They sa
on he boa ding house po ch and saw he sun plunge in o he same
c ack in he ea h om which he nigh eme ged” (Hu s on 31). The
nex sen ence, which begins a new chap e , is ha hey a e on a
ain on hei way o Mai land. The an icipa ed blossoming pea ees
and blooms ha Jody‟s p esence p omised ini ially ge pushed in o
he backg ound in a o o espec abili y and hen in a o o a
capi alis ic agenda. Jody may be e ile—imp essi ely so—in
nu u ing and g owing he own o Ea on ille economically and
socially, bu he is woe ully lacking in any e ili y in he bed oom.
Janie‟s amous insul o Jody— ha , when he akes down his pan s,
he looks like he change o li e (Hu s on 75)—is pe haps he ul ima e
condemna ion in his in e ili y heme. Wha is change o li e bu he
absence o he abili y o p oc ea e? E en mo e insul ing is ha Janie
applies a concep usually associa ed wi h emales o he apidly-
declining Jody and hus sha e s his blus e ing male ego. The
inciden highligh s his in e ili y so insul ingly ha he can only slap
Janie in esponse.
E en he p ized Tea Cake, whom Janie conside s he long-
awai ed bee o he blossom, is no he leas conce ned abou

174 T udie Ha is
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a he ing child en and es ablishing a li ing legacy. We could a gue
ha his i ine an li es yle makes him he leas o he h ee husbands
who would be in e es ed in ha possibili y; howe e , his supposed
passion o Janie migh easonably be expec ed o include a
componen de o ed o hei u u e and any li ing legacy he couple
migh lea e behind. As wi h Janie‟s ma iage o Jody, on Janie‟s and
Tea Cake‟s wedding nigh , Janie and Tea Cake spend i in a cu ious
way— hey “ es ed ha nigh ” (Hu s on 112), Hu s on asse s,
hough he e had been “hugging and kissing and ca ying on”
(Hu s on 112) upon Janie‟s a i al in Jackson ille. The nex day
Janie and Tea Cake go ou sigh seeing. O cou se we can ead
be ween he syllables o ha es ing, o we know ha hey engaged
in sexual ela ions be o e hei ma iage (Hu s on 109), so na u ally
hose ela ions would con inue. None heless, i is wo hy o no e ha
no in e es in o sp ing de elops du ing he cou se o he no el o
any o he h ee husbands; hey li e in he he e and now, pe o ming
pe unc o y sexual du ies and sho ci cui ing any claims o
biological e ili y—e en hough hey migh be qui e e ile in wo king
he land, as Logan is, o conduc ing business, as wi h Jody, o e en
gambling, as wi h Tea Cake.
Janie, as no ed, is equally unin e es ed in babies, p egnancy,
and li ing legacy. She comes om a u al backg ound and wan s o
pa icipa e in ac i i ies, such as olk ale elling and sha ing lies, ha
she iden i ies as being olk and possibly a pa o he soil, ye she
emains, in he wo ds o Jean Toome in speaking o his cha ac e
Kabnis, his misplaced No he ne in sou he n e i o y, “suspended a
ew ee abo e he soil whose ouch would esu ec [he ],”
1
which
means ha she is in he a ious en i onmen s bu no uly o hem.
In o he wo ds, like Kabnis, Janie is physically, socially, and
psychologically ba en in he mids o e ili y. How, hen, do we as
eade s and schola s accoun o ha se o ci cums ances? In
sea ching o an explana ion, schola s poin ou inely o Hu s on‟s
supe imposi ion o he own biog aphy and desi es upon he
p o agonis o explain he physical ba enness. Wi hou child en
he sel , and wi hou he desi e o ha e hem o he ime o
inclina ion o nu u e hem, Hu s on declined o a ach
esponsibili ies o Janie ha she he sel would no accep —o so his
na a i e goes. The consequence is ha Janie is a hing ou o na u e,
1
Jean Toome . Cane. No on, l988, p. 98.
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a being an i he ical o he social ci cles, a ba en bligh upon he
landscape o e ili y wi h which she is su ounded in he no el. Wi h
all he schola ly alk o Janie sea ching o and inding he sel ,
aspi ing o eminis ideals (which I dispu e),
2
and a hos o o he
good hings, ew ha e paused o conside Janie as a dys unc ional,
unp oduc i e en i y, an obs uc ion in he en i onmen s in which
she li es. I is ha pe spec i e ha I wan o o e as a new app oach
o he no el.
Fe ili y has o do wi h g ow h and p oc ea ion, which Janie
esis s om he e y beginning o he na a i e. When Nanny
concludes ha Janie‟s kissing Johnny Taylo is an indica ion o he
eaching womanhood, Janie complains: “„Naw, Nanny, naw Ah ain‟
no eal „oman ye . ‟ The hough was oo new and hea y o Janie.
She ough i away” (Hu s on 12). The ac ha Nanny hen w aps
he six een-yea -old Janie in he a ms, hauls he on o he lap, and
ocks he (Hu s on 14), ei e a es he childish image y and he
igh ing agains g owing up. A e his pause, Janie pleads wi h
Nanny no o “make” he ma y Logan, and she wails: “„Lemme wai ,
Nanny, please, jus‟ a lil bi mo‟” (Hu s on 15). Age migh make he
plea unde s andable, excep o he knowledge ha Hu s on o e s i
agains he backd op o a ime when gi ls much younge han six een
o en we e ma ied o ou inely. We could a gue, he e o e, ha
Janie has al eady li ed a ca e ee li e beyond he ime ha he
cul u e and communi y wa an . The ac ha she igh s agains
mo ing in o he adi ions o ha cul u e and communi y posi ions
he ex , in his ins ance a leas , as a kind o an i-bildungs oman.
Janie also igh s agains womanhood du ing he ime she is
wi h Logan by p e e ing he dayd eams and oman ic no ions o a
child o an adolescen o he ealis ic du ies o a wi e. She judges
Logan ha shly because he does no i in o he childhood, s o ybook
d eams, and she is no emo ely in e es ed in he e ili y ha is
inhe en in his a ming. Seeds ha sp ou in o ege ables hold no
in e es o he a his poin in he no el. Manu e ha e ilizes he
seeds and ensu es ha e ili y only e okes disgus om Janie. By
emaining a doll baby in he wo ld o men and women, Janie ails o
g ow and assimila e in o he en i onmen . O cou se we could a gue
2
Please see my chap e , “Celeb a ing Bigamy and O he Ou law Beha io s: Hu s on,
Repu a ion, and he P oblems Inhe en in Labeling Janie a Feminis .” App oaches o
Teaching Hu s on’s Thei Eyes We e Wa ching God and O he Wo ks, edi ed by John W.
Lowe, MLA Publica ions, 2009, pp. 67-80.
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easons o he ailu e; none heless, i is a ailu e. Logan is
consis en ly p oduc i e; Janie is consis en ly ejec ing o ha
p oduc i i y e en as she unde s ands i o be he sou ce o he
li elihood. Indeed, in a childish ou bu s wi h Nanny, she desc ibes
Logan as looking “like some ole skullhead in de g a e ya d” (Hu s on
13), a dea hly in e ile image ha sui s he way she hinks in he
disdain o all he g ow h wi h which Logan is su ounded. She also
childishly asse s ha “„Some olks ne e was mean o be lo ed and
he‟s one o „em‟” (Hu s on 22). This lack o gene osi y owa d
someone whose only c ime, so o speak, is lo ing he illus a es ye
again Janie‟s e usal o emb ace ma u i y.
In his analysis, I equa e Janie‟s e usal o g ow up, o
assimila e in o adul en i onmen s, he olun a y and o ced
posi ions as an ou side , as a pa o his in e ili y pa adigm. By
emaining ou side he bonds o ma iage in he ela ionship wi h
Logan, Janie is in e ile in an en i onmen ha h i es on e ili y. By
ejec ing Logan, she ejec s g ow h and any e sion o li e ha is
la ge han he imagina ion. By being unin e es ed in o incapable o
ha ing child en, she ejec s he s a us as woman and wi e, and she
ejec s any obliga ion o gene a ions ha ollow he . In o he wo ds,
Janie‟s in e ili y, as I label i he e, is basically a e usal o g ow up
and accep adul esponsibili ies. She expec s Logan o ake ca e o
he wi h li le ecogni ion ha she migh conside doing some hing
o him in e u n. Ce ainly she cooks and willingly does he
“woman‟s wo k” ha she iden i ies as he ole o esponsibili y in he
ma iage, and, in a a e e baliza ion, she is ocal in adhe ing o
socie ally de ined oles as well as in ejec ing any o he han a
compa men alized pa ne ship wi h Logan. No e his exchange wi h
Logan one mo ning a e he asks Janie o help him mo e a pile o
manu e be o e i ge s oo ho :
„You don‟ need mah help ou de e, Logan. Youse in yo‟ place
and Ah‟m in mine. ‟
„You ain‟ go no pa icula place. I ‟s whe e e Ah need yuh.
Gi uh mo e on yuh, and da quick. ‟
„Mah mamma didn‟ ell me Ah wuz bo n in no hu y. So
whu business Ah go ushin‟ now? Anyhow da ain‟ whu youse
mad abou . Youse mad „cause Ah don‟ all down and wash-up dese
six y ac es uh g ound yuh go . You ain‟ done me no a o by
ma yin‟ me. And i da ‟s wha you call yo‟sel doin‟, Ah don‟ hank
yuh o i . Youse mad „cause Ah‟m ellin‟ yuh whu you al eady
knowed. ‟ (Hu s on 30)
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This con e sa ion occu s he mo ning a e Janie has asked Logan
how he would espond i she we e o un o and lea e him, which
comes a e she has been seeing Jody o wo weeks. The
uncha ac e is ic alking, he e o e, has been p omp ed and
swee ened by Jody‟s p esence and Janie‟s knowledge ha she will
indeed be lea ing sho ly. The speech is childishly spi e ul, u e ed
by an imma u e pe son who has no lea ned he skill o ci il
disag eemen . As he speech indica es, howe e , du ing he ime
wi h Logan, Janie seems o ha e ul illed he household du ies—and
pe haps e en he conjugal du ies—g udgingly, wi hou o e all
commi men o he p ojec o g owing up and becoming a p oduc i e,
c ea i e, and ep oduc i e membe o he communi y and pa ne o
he husband. She seems o hink ha Logan—o someone—will ake
ca e o he no ma e he ung a e ulness o he ha shness o he
a i ude owa d hem.
This expec a ion ha someone will ake ca e o he con inues
wi h Jody S a ks, as Janie imbues him wi h he blossoming pea ee
image ha Logan has ailed o embody. No e how Janie, once she
a i es a he endez ous poin o un o wi h Jody, emb aces he
high chai image y ha will la e become so p ominen wi h Jody
e en as she assigns he bee image y o Jody:
He was e y solemn and helped he o he sea beside him [on he
hi ed ig]. Wi h him on i , i sa like some high, uling chai . F om
now on un il dea h she was going o ha e lowe dus and sp ing ime
sp inkled o e e e y hing. A bee o he bloom. He old hough s
we e going o come in handy now, bu new wo ds would ha e o be
made and said o i hem. (Hu s on 31)
No e as well his conscious e u ning o p e-Logan days as well as,
ea lie , he con inuing e usal o g ow up in he ini ial in e ac ions
wi h Jody. He iews he as a child o so s, which he ails o ealize
makes him a budding pedophile in his desi e o Janie. When he
lea ns ha Janie is ma ied and ha he husband has gone o e ch
a mule o he o help him wi h plowing, he esponds wi h inc eduli y
o bo h pieces o in o ma ion:
“You ma ied? You ain‟ ha dly old enough o be weaned. [. . . ] You
behind a plow! You ain‟ go no mo‟ business wid uh plow han uh
hog is go wid uh holiday! You ain‟ go no business cu in‟ up no
seed p‟ a e s nei he . A p e y doll-baby lak you is made o si on de
184 T udie Ha is
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We migh expec ha he ela ionship wi h Tea Cake would
end Janie‟s in e ili y o medi a ions on ha heme in he no el. A e
all, Janie belie es she has inally go en he bee o he blossom.
Un o una ely, ha is no o be he case. The way in which he
na a i e ends—wi h he dea h o Tea Cake—is he ul ima e lack o
ul illmen . Conside a sequence o e en s ha is awash in i ony. I is
Janie‟s desi e o ge a piece o a p o co e Tea Cake while he sleeps
a e he hu icane ha leads o his ab up awakening and escuing
he om he abid dog, which bi es him on he cheek. The dog is
e ile wi h abies, which i ansmi s o Tea Cake. This pollu ed,
poisonous e ili y is one ha Tea Cake hen ans e s o Janie when
she shoo s him and he bi es he on he a m jus be o e he dies. So,
sadly, ins ead o gi ing Janie a baby, Tea Cake imp egna es he wi h
abies. In e ec , Janie is aped wi h a mos des uc i e kind o
e ili y. Ins ead o e ili y being ehabili a ed in he ex , hen, i
de ol es in o dea h and dying. And i leads o mo e ou side issues
o Janie.
The o me ly ai h ul neighbo s who ha e lo ed bo h Tea Cake
and Janie a e no con inced ini ially ha he shoo ing him has been
in sel -de ense. So hey ac ou wha Janie expe ienced in Ea on ille
when some o he neighbo s accused he o mis ea ing Jody a his
dea h, ha is, a delibe a e dis ancing o hemsel es, which is
mani es ed in he ial ha Janie mus unde go be o e she is
absol ed o a po en ial cha ge o mu de :
They we e all agains he , she could see. So many we e he e agains
he ha a ligh slap om each one o hem would ha e bea he o
dea h. She el hem pel ing he wi h di y hough s. They we e he e
wi h hei ongues cocked and loaded, he only eal weapon le o
weak olks. The only killing ool hey a e allowed o use in he
p esence o whi e olks. (Hu s on 176)
The “ ongues cocked” an icipa e Janie‟s e u n o Ea on ille, whe e,
as wi h his cu en si ua ion on he muck, she emains an ou side
as o me neighbo s a emp o kill he spi i wi h hei wo ds. Tea
Cake‟s iends on he muck h ow all o he hings in he ace ha
ha e p e iously sepa a ed Janie om he olks among whom she
esides—he skin colo , he inancial p i ilege, he di e ence
(howe e hey de ine ha concep ). They also belie e ha he whi es
who con ol he ial a o Janie o e he o he black olks who wan
o es i y abou Tea Cake and Janie. E en when hey e-ins a e

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Janie, so o speak, when hey dissol e hei bi e ness agains he
once hey wi ness he une al Janie plans o Tea Cake and once hey
ide om he muck o Palm Beach in he “ en sedans ha Janie had
hi ed” (Hu s on 180) o he une al, he e is s ill an uneasy
ela ionship be ween Janie and olks on he muck. She emains
he e only a ew mo e weeks be o e she e u ns o Ea on ille.
Wi h no child om Tea Cake o hold memo ies o he
deceased lo e o he li e, Janie s i es o mo e o wa d e en as
in e ili y con inues o su ound he . She does b ing a packe o
seeds om he muck wi h he o Ea on ille and p omises o plan
hem in memo y o Tea Cake, bu ha possible e ili y is no ealized
in he ex . And he memo ies ha she belie es will sus ain he will
pe haps lea e he in as a es ed a s a e o de elopmen as ha wi h
which she began he na a i e. She can su ely call he spi i o Tea
Cake in o he home and h i e on memo ies o him, bu hose
memo ies ha e no angible p oduc i e o ce in he li e. How long will
she be happy o be su ounded by ai ha she labels Tea Cake?
How long will i be be o e he consequences o being an ou side in
Ea on ille lead he o wande o e-e alua e? Gi en he Janie we
ha e seen h oughou he na a i e, howe e , i is possible ha she
will indeed be con en o wai , o wai wi h he memo ies un il she
dies. A e all, wai ing has been he chosen as well as he o ced lo
in li e. She wai ed o lo e Logan, bu she couldn‟ . She wai ed o
Jody o ealize ha s i ing a e hings pu hei ma iage “in uh
kinda s ain” (Hu s on 43), bu he didn‟ . She wai ed o Tea Cake o
ge be e , bu he couldn‟ . She wai ed o he medicine o a i e om
Miami, bu i didn‟ come in ime o help Tea Cake, and i was
doub ul ha i could ha e anyway. So Janie will indeed p obably
con inue o wai , con en , pe haps e en wi hou knowing ha she is
so, o be jus as in e ile a he end o he no el as she was a he
beginning.
Pe haps mos i onic o all, howe e , is ha Hu s on
unde cu s he own cha ac e by sho -ci cui ing he na a ion and
he eby o bidding he he deli e y o he own s o y. Is his he
ul ima e in e ili y? Janie e u ns o Ea on ille p egnan wi h he
u ge o na a e—a leas o he iend Pheoby. She begins ha
na a ion well enough, bu , a i s -pe son na a i e quickly gi es way
o hi d pe son limi ed and omniscien poin s o iew. Such
pe spec i es as he ollowing w i e o e Janie‟s oice: “Long be o e
he yea was up, Janie no iced ha he husband had s opped alking
in hymes o he ” (Hu s on 25). O he s me ely make Janie disappea .
186 T udie Ha is
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Janie can ela e he in e ac ions wi h Nanny, bu she lacks he
abili y o see wha Nanny is doing once she lea es he ; his sho
omniscien passage illus a es he poin : “Nanny sen Janie along
wi h a s e n mien, bu she dwindled all he es o he day as she
wo ked” (Hu s on 23). Also, she canno be inside Logan‟s head and
egis e ing he discom o Logan eels when Janie asks wha he
would do i she we e o lea e, bu ha is p ecisely wha he na a i e
does, as in his passage: “He lopped o e esen ul in his agony and
p e ended sleep. He hoped ha he had hu he as she had hu
him” (Hu s on 29). No is Janie in a posi ion o ela e how Tea Cake,
as soon as Janie lea es o ge he doc o a e symp oms o his abies
mani es , ge s up, sc ubs he wa e bucke , e ills i , and despe a ely
ies o d ink wa e a e his in ec ion has in ensi ied:
As soon as she was well ou o sigh , Tea Cake go up and dumped
he wa e bucke and washed i clean. Then he s uggled o he
i iga ion pump and illed i again. He was no accusing Janie o
malice and design. He was accusing he o ca elessness. She ough
o ealize ha wa e bucke s needed washing like e e y hing else. [. .
. ] He eased he bucke on he able and sa down o es be o e
aking a d ink.
Finally he dipped up a d ink. I was so good and cool! [. . . ]
The demon was he e be o e him, s angling, killing him quickly. I
was a g ea elie o expel he wa e om his mou h. He sp awled on
he bed again and lay he e shi e ing un il Janie and he doc o
a i ed. (Hu s on 166-167)
These a e bu a iny numbe o he many ins ances in which Janie is
pushed o he side o disappea s comple ely om he so-called i s -
pe son na a i e. Hu s on‟s au ho ial in usion makes clea ha
Janie‟s oice has li e ally been w i en o e . Jus as Jody de e mined
ha i was necessa y o “somebody” o hink “ o women and chillun
and chickens and cows” (Hu s on 67), so Hu s on hinks—and
w i es/na a es— o Janie. Hu s on inally did no us Janie any
mo e han Jody o Tea Cake did nea he ends o hei li es.
Al hough he na a i e e u ns o Janie‟s oice wi h Janie and
Pheoby a he end, when Pheoby decla es ha she has g own en ee
by lis ening o Janie, he e is li le e idence in he no el ha Janie
con ibu es di ec ly, e bally, o ha g ow h; i is simply Hu s on as
au ho aking o e . Ins ead o gi ing bi h o a heal hy na a i e o
he li e, Janie me ely a ends he bi hing, se ing as a me e
bys ande o e ili y a he han being he sole cause o i . We migh
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conclude, he e o e, ha he blossoming pea ee image y was
was ed on Janie C aw o d Killicks S a ks Woods, o she could ne e
b ing o ui ion in he own li e and li e s o y wha ha sexuali y and
e ili y mean .
WORKS CITED
HARRIS, T udie . “Celeb a ing Bigamy and O he Ou law Beha io s:
Hu s on, Repu a ion, and he P oblems Inhe en in Labeling Janie a
Feminis .” App oaches o Teaching Hu s on’s Thei Eyes We e
Wa ching God and O he Wo ks, edi ed by John W. Lowe, MLA,
2009, pp. 67-80.
HURSTON, Zo a Neale. Thei Eyes We e Wa ching God. Pe ennial, 1990.
MORRISON, Toni. Ta Baby. Knop , 1981.
TOOMER, Jean. Cane. No on, 1988.