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The limits of lovemaking and community: infertility in "Their eyes were watching God"

Harris, Trudier

Abstract

Janie Crawford, the protagonist in Zora Neale Hurston‟s Their Eyes Were Watching God (1937), never fully grows up or integrates completely into any of the communities of which she is a part in the novel. She therefore remains “infertile” in several relationships and communities that showcase diverse kinds of “fertility,” whether that fertility is Logan Killicks‟s productivity with his farmland, Jody Starks‟s successes in building Eatonville, or even Tea Cake‟s skills at gambling and guitar-playing. No matter her environment, Janie remains outside of systems of fertility, more child-like than adult, which means that the blossoming pear tree image that surrounds her, and which seems to epitomize sexuality and fertility, is wasted on Janie, because she refuses to grow up and become fertile either by procreating or by contributing creatively to the communities in which she lives.

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Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 THE LIMITS OF LOVEMAKING AND COMMUNITY: INFERTILITY IN THEIR EYES WERE WATCHING GOD TRUDIER HARRIS Uni e si y o Alabama ha is13@ua. edu Recei ed 20 July 2017 Accep ed 1 No embe 2017 KEYWORDS Pea ee; e ili y; in e ili y; sexuali y; p egnancy; o sp ing; g ow h; communi y; esponsibili y; dys unc ionali y. PALABRAS CLAVE Pe al; e ilidad; in e ilidad; sexualidad; emba azo; descendencia; c ecimien o; comunidad; esponsabilidad; dis uncionalidad. ABSTRACT Janie C aw o d, he p o agonis in Zo a Neale Hu s on‟s Thei Eyes We e Wa ching God (1937), ne e ully g ows up o in eg a es comple ely in o any o he communi ies o which she is a pa in he no el. She he e o e emains “in e ile” in se e al ela ionships and communi ies ha showcase di e se kinds o “ e ili y,” whe he ha e ili y is Logan Killicks‟s p oduc i i y wi h his a mland, Jody S a ks‟s successes in building Ea on ille, o e en Tea Cake‟s skills a gambling and gui a -playing. No ma e he en i onmen , Janie emains ou side o sys ems o e ili y, mo e child-like han adul , which means ha he blossoming pea ee image ha su ounds he , and which seems o epi omize sexuali y and e ili y, is was ed on Janie, because she e uses o g ow up and become e ile ei he by p oc ea ing o by con ibu ing c ea i ely o he communi ies in which she li es. RESUMEN Janie C aw o d, la p o agonis a de Sus ojos mi aban a Dios (1937), de Zo a Neale Hu s on, nunca se hace del odo adul a ni se in eg a comple amen e en ninguna de las comunidades de las que o ma pa e en la no ela. Po an o, pe manece “es é il” en a ias elaciones y comunidades que son emblemá icas de di e en es ipos de “ e ilidad,” sea es a e ilidad la p oduc i idad de Logan Killicks con su g anja, los éxi os de Jody S a ks en la cons ucción de Ea on ille, o incluso las habilidades de Tea Cake pa a el juego y la 170 T udie Ha is Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 gui a a. En cualquie a que sea su en o no, Janie pe manece ue a de los sis emas de e ilidad, más in an il que adul a, lo que signi ica que la imagen del pe al en lo que la acompaña, y que pa ece se el epí ome de la sexualidad y la e ilidad, se despe dicia en el caso de Janie, ya que ella se niega a c ece y a con e i se en é il ya sea p oc eando o con ibuyendo de o ma c ea i a a las comunidades en las que i e. Le ‟s s a wi h he blossoming pea ee, which is whe e mos schola s begin when hey wan o discuss sexuali y—and by ex ension, e ili y—in Zo a Neale Hu s on‟s classic no el, Thei Eyes We e Wa ching God (1937). F om he momen hose a ching calyxes ise o mee he pollina ing bee, Hu s on o e s images o budding and un ep essed sexuali y and g ow h implici ly i no explici ly h oughou he ex . When p o agonis Janie C aw o d is so s i ed by ha na u al pollina ion ha she kisses he no-coun Johnny Taylo in ull iew o he g andmo he , sexuali y looms o e he ex . G andmo he Nanny wan s Janie o ge ma ied igh away because she senses ha ans o ma i e sexual changes a e upon Janie. Ra he han un he isk o a wildly sexual Janie b inging an illegi ima e child in o he home, Nanny de e mines ha Janie should ma y Logan Killicks, a neighbo ing a me , and con ain he po en ially explosi e sexuali y wi hin a ma iage bed. Well, we know how ha u ns ou . Janie is bo ed ou o he skull wi h Logan‟s un oman ic body and beha io s, as well as his smelly ee , and she ca es no hing o his s a us o six y ac es o land and an o gan in he pa lo . Wha is e en mo e s iking is ha a no el ha begins in such wond ous sensuali y and po en ial e ili y de ol es in o ba enness and innuendo a he han explici culmina ion o he sexual opic Hu s on has in oduced. The Zo a Neale Hu s on who is so iconoclas ic in p ac ically e e y hing else she does abandons sensuali y, sexuali y, and e ili y in a o o ba ely oman icized adeo s o in ima e engagemen . I use e ili y in his discussion, i s , o e e o biological p oc ea i i y and hen o e e o p oduc i e g ow h o con ibu ions o amilial o social ins i u ions. Cha ac e s whom I e e ence as in e ile, hen, yield no biological ep oduc ion du ing he cou se o he na a i e; in o he wo ds, he majo cha ac e s in he no el, including Janie, Logan, Jody, and Tea Cake, nei he mo he no a he child en. No do hey seem o ha e any in e es in doing so. Among he hings ha eade s migh conside hei p io i ies, The Limi s o Lo emaking and Communi y… 171 Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 p egnancy and child en ha e no anking a all. In e ili y does no mean ha he cha ac e s canno ha e child en; i means ha he e is no indica ion wha soe e ha hey desi e child en o e en hink abou hem. Second, despi e his conspicuous biological lack, he e a e a ious kinds o e ili y in he na a i e, including na u al (plan s, ees, he a ming ha Logan does), social (building he own o Ea on ille), cul u al (abundan olk ma e ials ha sus ain and en e ain), poli ical (Jody S a ks‟s en u es as mayo ), comme cial (Jody‟s building he s o e and s a ing he pos o ice, among o he s), and in e pe sonal (Tea Cake, o example, eaching Janie how o play checke s, ish, and shoo ). In a sou he n wo ld lush wi h plan -li e and p oduc i e people, Janie, who is a woman wi hou child en and who is locked ou side he in ima e in e wo kings o mos o he communi ies in which she esides, is su p isingly in e ile. While I use in e ili y o e e o he biological lack o ha ing child en, I u he use i o e e o he psychological, emo ional, and social s a es o cha ac e s, pa icula ly Janie. I posi ha amily uni s and socie ies in he ex a e based upon he willing pa icipa ion o a ious o hei membe s in o de o ensu e o de ly unc ioning. When membe s a e physically wi hin such uni s and socie ies bu a e ou side o hem psychologically o e use o con ibu e o hem, hen a s a e o in e ili y exis s. Fo example, a husband migh easonably expec a wi e o con ibu e o he success o he household, as Logan does wi h Janie. I she does no , hen a s a e o dys unc ionali y eigns, a s a e ha I e e o as in e ili y. A he socie al le el, o icials migh easonably expec ha ci izens o a pa icula ci y will pay hei ai sha e in axes so ha essen ial se ices such as wa e and sewage and oad epai can be main ained. I e enues a e insu icien , hen he ci y canno ope a e e ec i ely. The esul ing dys unc ionali y alls unde my de ini ion o in e ili y; he ci y s agna es, ax-paying ci izens become disg un led, and he s a e could bo de on chaos. The e can be li le p oduc i e g ow h ( e ili y) o mo emen o wa d gi en hese ci cums ances. These expec a ions mani es hemsel es in Ea on ille when ci izens join Mayo Jody S a ks in con ibu ing hogs o he ba becue o celeb a e he lamp ligh ing as well as when hey con ibu e swea equi y o clea ing/building a oad. By joining in he hea y wo k, he disg un led ew a e social in e ili y and hus p e en communal s agna ion. I also use in e ili y o e e speci ically o Janie‟s seeming p e e ence o emain in a childlike s a e ins ead o p og essing 172 T udie Ha is Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 owa d ma u i y and becoming a p oduc i e membe o wha e e ins i u ion o communi y o which she is a pa . As I will illus a e, mo e o en han no , Janie inds he sel esis ing wha e e g own-up, adul ac ions migh be equi ed o he and looking backwa d o he s a e o innocence, a s a e ha ge s iconized in he ex wi h he blossoming pea ee. I onically, he image o e ili y ha in o ms he image ha mos in luences Janie is simul aneously he image o which Janie can ne e li e up, ha is, gi ing he sel wholly o na u al impulses and joining in c ea ion. Fu he , Janie ep esen s in e ili y in he ways in which she is/allows he sel o be posi ioned in ela ion o he men in he li e, especially o Jody. Janie is c ammed in o spaces whe e she will no o canno espond by becoming a e ile, ha is, con ibu ing membe o a uni o socie y. Ins ead, she is o ced ou side o he socie y, in o he ba en in e ili y o isola ion om he membe s o he e y communi y in Ea on ille o which she so despe a ely wan s o be a pa and inally om Jody himsel . Ini ially by choice and hen by social/spousal con ol, Janie leads a ba en exis ence in he mids o p oc ea i i y and g ow h all a ound he . Again—le ‟s begin a he beginning. The sexuali y ha Nanny hough would be Janie‟s lo a e wa ching he kiss Johnny Taylo is nowhe e o be ound in Janie‟s ela ionship wi h Logan Killicks. O cou se Janie does no conside Logan pa icula ly a ac i e. Howe e , i she is such an un es ained sexual being, hen ce ainly he e could be a leas one scene in he ex o illus a e how ha plays i sel ou in a momen o passion—o e en how i does no play ou . Ins ead, Hu s on allows Janie o slip in o a ma iage, complain abou i , and e en depa om i wi hou e e ha ing shown any inkling o he sexual in imacy o ha ma iage. Mo e impo an —and wha becomes an issue h oughou he ex —is ha he p esumably sensual, sexual Janie C aw o d Killicks ne e once men ions menses o e en emo ely conside s he ealis ic possibili y o p egnancy. Janie ope a es du ing he ma iage o Logan Killicks as i she is on a pe manen o m o bi h con ol, o , pe haps mo e nai ely, as i she doesn‟ know whe e babies come om. When Nanny asks i she is p egnan , Janie dismisses he idea so quickly ha i seems as i she does no ecognize he body as being capable o p egnancy. She mo es om a leas gi ing he idea a passing hough by saying, blushingly, “No‟m, Ah don‟ hink so anyhow” o absolu e ce ain y ha she is no p egnan : “Ah‟m all igh da way. Ah know „ ain‟ The Limi s o Lo emaking and Communi y… 173 Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 no hin‟ de e” (Hu s on 21). How is i , hen, ha a p esumably heal hy young woman, po ayed in a pe iod when bi h con ol was p ac ically unhea d o in he communi y, can engage in p egnancy- p oo sex no jus h ough one ma iage bu h ough h ee? Equally as s iking, why is i ha no one o Janie‟s husbands is conce ned abou o sp ing? This is especially ema kable wi h Logan Killicks, who is ope a ing in an his o ical ime pe iod when A ican Ame icans we e linked o he soil and a ming, indeed when many o hem we e bound o sha ec opping, and du ing which ha ing as many o sp ing as possible was no only a pleasu able engagemen bu an economic necessi y. Ye Logan only a emp s— bunglingly so— o ge a mule o Janie o plow ins ead o b oaching he subjec o a he ing an o sp ing o assis him in his wo k. We migh easonably expec ha Jody S a ks, who wo ks so diligen ly o acqui e huge amoun s o land and p ope y, would wan a son o inhe i bo h ins ead o being con en wi h Hezekiah o se e as his deli e y boy. Ye , i is no ewo hy ha Jody ne e men ions babies o p egnancy, and he e is ne e a momen in he no el when he and Janie sha e in ima e momen s in bed. S ikingly, e en on hei wedding nigh , hey a e con en o ac like a sexless old ma ied couple ins ead o making mad—o a leas passiona e—lo e. Hu s on w i es o hei ac i i y ollowing hei ma iage ce emony: “They sa on he boa ding house po ch and saw he sun plunge in o he same c ack in he ea h om which he nigh eme ged” (Hu s on 31). The nex sen ence, which begins a new chap e , is ha hey a e on a ain on hei way o Mai land. The an icipa ed blossoming pea ees and blooms ha Jody‟s p esence p omised ini ially ge pushed in o he backg ound in a o o espec abili y and hen in a o o a capi alis ic agenda. Jody may be e ile—imp essi ely so—in nu u ing and g owing he own o Ea on ille economically and socially, bu he is woe ully lacking in any e ili y in he bed oom. Janie‟s amous insul o Jody— ha , when he akes down his pan s, he looks like he change o li e (Hu s on 75)—is pe haps he ul ima e condemna ion in his in e ili y heme. Wha is change o li e bu he absence o he abili y o p oc ea e? E en mo e insul ing is ha Janie applies a concep usually associa ed wi h emales o he apidly- declining Jody and hus sha e s his blus e ing male ego. The inciden highligh s his in e ili y so insul ingly ha he can only slap Janie in esponse. E en he p ized Tea Cake, whom Janie conside s he long- awai ed bee o he blossom, is no he leas conce ned abou 174 T udie Ha is Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 a he ing child en and es ablishing a li ing legacy. We could a gue ha his i ine an li es yle makes him he leas o he h ee husbands who would be in e es ed in ha possibili y; howe e , his supposed passion o Janie migh easonably be expec ed o include a componen de o ed o hei u u e and any li ing legacy he couple migh lea e behind. As wi h Janie‟s ma iage o Jody, on Janie‟s and Tea Cake‟s wedding nigh , Janie and Tea Cake spend i in a cu ious way— hey “ es ed ha nigh ” (Hu s on 112), Hu s on asse s, hough he e had been “hugging and kissing and ca ying on” (Hu s on 112) upon Janie‟s a i al in Jackson ille. The nex day Janie and Tea Cake go ou sigh seeing. O cou se we can ead be ween he syllables o ha es ing, o we know ha hey engaged in sexual ela ions be o e hei ma iage (Hu s on 109), so na u ally hose ela ions would con inue. None heless, i is wo hy o no e ha no in e es in o sp ing de elops du ing he cou se o he no el o any o he h ee husbands; hey li e in he he e and now, pe o ming pe unc o y sexual du ies and sho ci cui ing any claims o biological e ili y—e en hough hey migh be qui e e ile in wo king he land, as Logan is, o conduc ing business, as wi h Jody, o e en gambling, as wi h Tea Cake. Janie, as no ed, is equally unin e es ed in babies, p egnancy, and li ing legacy. She comes om a u al backg ound and wan s o pa icipa e in ac i i ies, such as olk ale elling and sha ing lies, ha she iden i ies as being olk and possibly a pa o he soil, ye she emains, in he wo ds o Jean Toome in speaking o his cha ac e Kabnis, his misplaced No he ne in sou he n e i o y, “suspended a ew ee abo e he soil whose ouch would esu ec [he ],” 1 which means ha she is in he a ious en i onmen s bu no uly o hem. In o he wo ds, like Kabnis, Janie is physically, socially, and psychologically ba en in he mids o e ili y. How, hen, do we as eade s and schola s accoun o ha se o ci cums ances? In sea ching o an explana ion, schola s poin ou inely o Hu s on‟s supe imposi ion o he own biog aphy and desi es upon he p o agonis o explain he physical ba enness. Wi hou child en he sel , and wi hou he desi e o ha e hem o he ime o inclina ion o nu u e hem, Hu s on declined o a ach esponsibili ies o Janie ha she he sel would no accep —o so his na a i e goes. The consequence is ha Janie is a hing ou o na u e, 1 Jean Toome . Cane. No on, l988, p. 98. The Limi s o Lo emaking and Communi y… 175 Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 a being an i he ical o he social ci cles, a ba en bligh upon he landscape o e ili y wi h which she is su ounded in he no el. Wi h all he schola ly alk o Janie sea ching o and inding he sel , aspi ing o eminis ideals (which I dispu e), 2 and a hos o o he good hings, ew ha e paused o conside Janie as a dys unc ional, unp oduc i e en i y, an obs uc ion in he en i onmen s in which she li es. I is ha pe spec i e ha I wan o o e as a new app oach o he no el. Fe ili y has o do wi h g ow h and p oc ea ion, which Janie esis s om he e y beginning o he na a i e. When Nanny concludes ha Janie‟s kissing Johnny Taylo is an indica ion o he eaching womanhood, Janie complains: “„Naw, Nanny, naw Ah ain‟ no eal „oman ye . ‟ The hough was oo new and hea y o Janie. She ough i away” (Hu s on 12). The ac ha Nanny hen w aps he six een-yea -old Janie in he a ms, hauls he on o he lap, and ocks he (Hu s on 14), ei e a es he childish image y and he igh ing agains g owing up. A e his pause, Janie pleads wi h Nanny no o “make” he ma y Logan, and she wails: “„Lemme wai , Nanny, please, jus‟ a lil bi mo‟” (Hu s on 15). Age migh make he plea unde s andable, excep o he knowledge ha Hu s on o e s i agains he backd op o a ime when gi ls much younge han six een o en we e ma ied o ou inely. We could a gue, he e o e, ha Janie has al eady li ed a ca e ee li e beyond he ime ha he cul u e and communi y wa an . The ac ha she igh s agains mo ing in o he adi ions o ha cul u e and communi y posi ions he ex , in his ins ance a leas , as a kind o an i-bildungs oman. Janie also igh s agains womanhood du ing he ime she is wi h Logan by p e e ing he dayd eams and oman ic no ions o a child o an adolescen o he ealis ic du ies o a wi e. She judges Logan ha shly because he does no i in o he childhood, s o ybook d eams, and she is no emo ely in e es ed in he e ili y ha is inhe en in his a ming. Seeds ha sp ou in o ege ables hold no in e es o he a his poin in he no el. Manu e ha e ilizes he seeds and ensu es ha e ili y only e okes disgus om Janie. By emaining a doll baby in he wo ld o men and women, Janie ails o g ow and assimila e in o he en i onmen . O cou se we could a gue 2 Please see my chap e , “Celeb a ing Bigamy and O he Ou law Beha io s: Hu s on, Repu a ion, and he P oblems Inhe en in Labeling Janie a Feminis .” App oaches o Teaching Hu s on’s Thei Eyes We e Wa ching God and O he Wo ks, edi ed by John W. Lowe, MLA Publica ions, 2009, pp. 67-80. 176 T udie Ha is Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 easons o he ailu e; none heless, i is a ailu e. Logan is consis en ly p oduc i e; Janie is consis en ly ejec ing o ha p oduc i i y e en as she unde s ands i o be he sou ce o he li elihood. Indeed, in a childish ou bu s wi h Nanny, she desc ibes Logan as looking “like some ole skullhead in de g a e ya d” (Hu s on 13), a dea hly in e ile image ha sui s he way she hinks in he disdain o all he g ow h wi h which Logan is su ounded. She also childishly asse s ha “„Some olks ne e was mean o be lo ed and he‟s one o „em‟” (Hu s on 22). This lack o gene osi y owa d someone whose only c ime, so o speak, is lo ing he illus a es ye again Janie‟s e usal o emb ace ma u i y. In his analysis, I equa e Janie‟s e usal o g ow up, o assimila e in o adul en i onmen s, he olun a y and o ced posi ions as an ou side , as a pa o his in e ili y pa adigm. By emaining ou side he bonds o ma iage in he ela ionship wi h Logan, Janie is in e ile in an en i onmen ha h i es on e ili y. By ejec ing Logan, she ejec s g ow h and any e sion o li e ha is la ge han he imagina ion. By being unin e es ed in o incapable o ha ing child en, she ejec s he s a us as woman and wi e, and she ejec s any obliga ion o gene a ions ha ollow he . In o he wo ds, Janie‟s in e ili y, as I label i he e, is basically a e usal o g ow up and accep adul esponsibili ies. She expec s Logan o ake ca e o he wi h li le ecogni ion ha she migh conside doing some hing o him in e u n. Ce ainly she cooks and willingly does he “woman‟s wo k” ha she iden i ies as he ole o esponsibili y in he ma iage, and, in a a e e baliza ion, she is ocal in adhe ing o socie ally de ined oles as well as in ejec ing any o he han a compa men alized pa ne ship wi h Logan. No e his exchange wi h Logan one mo ning a e he asks Janie o help him mo e a pile o manu e be o e i ge s oo ho : „You don‟ need mah help ou de e, Logan. Youse in yo‟ place and Ah‟m in mine. ‟ „You ain‟ go no pa icula place. I ‟s whe e e Ah need yuh. Gi uh mo e on yuh, and da quick. ‟ „Mah mamma didn‟ ell me Ah wuz bo n in no hu y. So whu business Ah go ushin‟ now? Anyhow da ain‟ whu youse mad abou . Youse mad „cause Ah don‟ all down and wash-up dese six y ac es uh g ound yuh go . You ain‟ done me no a o by ma yin‟ me. And i da ‟s wha you call yo‟sel doin‟, Ah don‟ hank yuh o i . Youse mad „cause Ah‟m ellin‟ yuh whu you al eady knowed. ‟ (Hu s on 30) The Limi s o Lo emaking and Communi y… 177 Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 This con e sa ion occu s he mo ning a e Janie has asked Logan how he would espond i she we e o un o and lea e him, which comes a e she has been seeing Jody o wo weeks. The uncha ac e is ic alking, he e o e, has been p omp ed and swee ened by Jody‟s p esence and Janie‟s knowledge ha she will indeed be lea ing sho ly. The speech is childishly spi e ul, u e ed by an imma u e pe son who has no lea ned he skill o ci il disag eemen . As he speech indica es, howe e , du ing he ime wi h Logan, Janie seems o ha e ul illed he household du ies—and pe haps e en he conjugal du ies—g udgingly, wi hou o e all commi men o he p ojec o g owing up and becoming a p oduc i e, c ea i e, and ep oduc i e membe o he communi y and pa ne o he husband. She seems o hink ha Logan—o someone—will ake ca e o he no ma e he ung a e ulness o he ha shness o he a i ude owa d hem. This expec a ion ha someone will ake ca e o he con inues wi h Jody S a ks, as Janie imbues him wi h he blossoming pea ee image ha Logan has ailed o embody. No e how Janie, once she a i es a he endez ous poin o un o wi h Jody, emb aces he high chai image y ha will la e become so p ominen wi h Jody e en as she assigns he bee image y o Jody: He was e y solemn and helped he o he sea beside him [on he hi ed ig]. Wi h him on i , i sa like some high, uling chai . F om now on un il dea h she was going o ha e lowe dus and sp ing ime sp inkled o e e e y hing. A bee o he bloom. He old hough s we e going o come in handy now, bu new wo ds would ha e o be made and said o i hem. (Hu s on 31) No e as well his conscious e u ning o p e-Logan days as well as, ea lie , he con inuing e usal o g ow up in he ini ial in e ac ions wi h Jody. He iews he as a child o so s, which he ails o ealize makes him a budding pedophile in his desi e o Janie. When he lea ns ha Janie is ma ied and ha he husband has gone o e ch a mule o he o help him wi h plowing, he esponds wi h inc eduli y o bo h pieces o in o ma ion: “You ma ied? You ain‟ ha dly old enough o be weaned. [. . . ] You behind a plow! You ain‟ go no mo‟ business wid uh plow han uh hog is go wid uh holiday! You ain‟ go no business cu in‟ up no seed p‟ a e s nei he . A p e y doll-baby lak you is made o si on de 184 T udie Ha is Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 We migh expec ha he ela ionship wi h Tea Cake would end Janie‟s in e ili y o medi a ions on ha heme in he no el. A e all, Janie belie es she has inally go en he bee o he blossom. Un o una ely, ha is no o be he case. The way in which he na a i e ends—wi h he dea h o Tea Cake—is he ul ima e lack o ul illmen . Conside a sequence o e en s ha is awash in i ony. I is Janie‟s desi e o ge a piece o a p o co e Tea Cake while he sleeps a e he hu icane ha leads o his ab up awakening and escuing he om he abid dog, which bi es him on he cheek. The dog is e ile wi h abies, which i ansmi s o Tea Cake. This pollu ed, poisonous e ili y is one ha Tea Cake hen ans e s o Janie when she shoo s him and he bi es he on he a m jus be o e he dies. So, sadly, ins ead o gi ing Janie a baby, Tea Cake imp egna es he wi h abies. In e ec , Janie is aped wi h a mos des uc i e kind o e ili y. Ins ead o e ili y being ehabili a ed in he ex , hen, i de ol es in o dea h and dying. And i leads o mo e ou side issues o Janie. The o me ly ai h ul neighbo s who ha e lo ed bo h Tea Cake and Janie a e no con inced ini ially ha he shoo ing him has been in sel -de ense. So hey ac ou wha Janie expe ienced in Ea on ille when some o he neighbo s accused he o mis ea ing Jody a his dea h, ha is, a delibe a e dis ancing o hemsel es, which is mani es ed in he ial ha Janie mus unde go be o e she is absol ed o a po en ial cha ge o mu de : They we e all agains he , she could see. So many we e he e agains he ha a ligh slap om each one o hem would ha e bea he o dea h. She el hem pel ing he wi h di y hough s. They we e he e wi h hei ongues cocked and loaded, he only eal weapon le o weak olks. The only killing ool hey a e allowed o use in he p esence o whi e olks. (Hu s on 176) The “ ongues cocked” an icipa e Janie‟s e u n o Ea on ille, whe e, as wi h his cu en si ua ion on he muck, she emains an ou side as o me neighbo s a emp o kill he spi i wi h hei wo ds. Tea Cake‟s iends on he muck h ow all o he hings in he ace ha ha e p e iously sepa a ed Janie om he olks among whom she esides—he skin colo , he inancial p i ilege, he di e ence (howe e hey de ine ha concep ). They also belie e ha he whi es who con ol he ial a o Janie o e he o he black olks who wan o es i y abou Tea Cake and Janie. E en when hey e-ins a e The Limi s o Lo emaking and Communi y… 185 Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 Janie, so o speak, when hey dissol e hei bi e ness agains he once hey wi ness he une al Janie plans o Tea Cake and once hey ide om he muck o Palm Beach in he “ en sedans ha Janie had hi ed” (Hu s on 180) o he une al, he e is s ill an uneasy ela ionship be ween Janie and olks on he muck. She emains he e only a ew mo e weeks be o e she e u ns o Ea on ille. Wi h no child om Tea Cake o hold memo ies o he deceased lo e o he li e, Janie s i es o mo e o wa d e en as in e ili y con inues o su ound he . She does b ing a packe o seeds om he muck wi h he o Ea on ille and p omises o plan hem in memo y o Tea Cake, bu ha possible e ili y is no ealized in he ex . And he memo ies ha she belie es will sus ain he will pe haps lea e he in as a es ed a s a e o de elopmen as ha wi h which she began he na a i e. She can su ely call he spi i o Tea Cake in o he home and h i e on memo ies o him, bu hose memo ies ha e no angible p oduc i e o ce in he li e. How long will she be happy o be su ounded by ai ha she labels Tea Cake? How long will i be be o e he consequences o being an ou side in Ea on ille lead he o wande o e-e alua e? Gi en he Janie we ha e seen h oughou he na a i e, howe e , i is possible ha she will indeed be con en o wai , o wai wi h he memo ies un il she dies. A e all, wai ing has been he chosen as well as he o ced lo in li e. She wai ed o lo e Logan, bu she couldn‟ . She wai ed o Jody o ealize ha s i ing a e hings pu hei ma iage “in uh kinda s ain” (Hu s on 43), bu he didn‟ . She wai ed o Tea Cake o ge be e , bu he couldn‟ . She wai ed o he medicine o a i e om Miami, bu i didn‟ come in ime o help Tea Cake, and i was doub ul ha i could ha e anyway. So Janie will indeed p obably con inue o wai , con en , pe haps e en wi hou knowing ha she is so, o be jus as in e ile a he end o he no el as she was a he beginning. Pe haps mos i onic o all, howe e , is ha Hu s on unde cu s he own cha ac e by sho -ci cui ing he na a ion and he eby o bidding he he deli e y o he own s o y. Is his he ul ima e in e ili y? Janie e u ns o Ea on ille p egnan wi h he u ge o na a e—a leas o he iend Pheoby. She begins ha na a ion well enough, bu , a i s -pe son na a i e quickly gi es way o hi d pe son limi ed and omniscien poin s o iew. Such pe spec i es as he ollowing w i e o e Janie‟s oice: “Long be o e he yea was up, Janie no iced ha he husband had s opped alking in hymes o he ” (Hu s on 25). O he s me ely make Janie disappea . 186 T udie Ha is Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 Janie can ela e he in e ac ions wi h Nanny, bu she lacks he abili y o see wha Nanny is doing once she lea es he ; his sho omniscien passage illus a es he poin : “Nanny sen Janie along wi h a s e n mien, bu she dwindled all he es o he day as she wo ked” (Hu s on 23). Also, she canno be inside Logan‟s head and egis e ing he discom o Logan eels when Janie asks wha he would do i she we e o lea e, bu ha is p ecisely wha he na a i e does, as in his passage: “He lopped o e esen ul in his agony and p e ended sleep. He hoped ha he had hu he as she had hu him” (Hu s on 29). No is Janie in a posi ion o ela e how Tea Cake, as soon as Janie lea es o ge he doc o a e symp oms o his abies mani es , ge s up, sc ubs he wa e bucke , e ills i , and despe a ely ies o d ink wa e a e his in ec ion has in ensi ied: As soon as she was well ou o sigh , Tea Cake go up and dumped he wa e bucke and washed i clean. Then he s uggled o he i iga ion pump and illed i again. He was no accusing Janie o malice and design. He was accusing he o ca elessness. She ough o ealize ha wa e bucke s needed washing like e e y hing else. [. . . ] He eased he bucke on he able and sa down o es be o e aking a d ink. Finally he dipped up a d ink. I was so good and cool! [. . . ] The demon was he e be o e him, s angling, killing him quickly. I was a g ea elie o expel he wa e om his mou h. He sp awled on he bed again and lay he e shi e ing un il Janie and he doc o a i ed. (Hu s on 166-167) These a e bu a iny numbe o he many ins ances in which Janie is pushed o he side o disappea s comple ely om he so-called i s - pe son na a i e. Hu s on‟s au ho ial in usion makes clea ha Janie‟s oice has li e ally been w i en o e . Jus as Jody de e mined ha i was necessa y o “somebody” o hink “ o women and chillun and chickens and cows” (Hu s on 67), so Hu s on hinks—and w i es/na a es— o Janie. Hu s on inally did no us Janie any mo e han Jody o Tea Cake did nea he ends o hei li es. Al hough he na a i e e u ns o Janie‟s oice wi h Janie and Pheoby a he end, when Pheoby decla es ha she has g own en ee by lis ening o Janie, he e is li le e idence in he no el ha Janie con ibu es di ec ly, e bally, o ha g ow h; i is simply Hu s on as au ho aking o e . Ins ead o gi ing bi h o a heal hy na a i e o he li e, Janie me ely a ends he bi hing, se ing as a me e bys ande o e ili y a he han being he sole cause o i . We migh The Limi s o Lo emaking and Communi y… 187 Re is a de Es udios No eame icanos 21 (2017), Se ille, Spain. ISSN 1133-309-X. pp. 169-187 conclude, he e o e, ha he blossoming pea ee image y was was ed on Janie C aw o d Killicks S a ks Woods, o she could ne e b ing o ui ion in he own li e and li e s o y wha ha sexuali y and e ili y mean . WORKS CITED HARRIS, T udie . “Celeb a ing Bigamy and O he Ou law Beha io s: Hu s on, Repu a ion, and he P oblems Inhe en in Labeling Janie a Feminis .” App oaches o Teaching Hu s on’s Thei Eyes We e Wa ching God and O he Wo ks, edi ed by John W. Lowe, MLA, 2009, pp. 67-80. HURSTON, Zo a Neale. Thei Eyes We e Wa ching God. Pe ennial, 1990. MORRISON, Toni. Ta Baby. Knop , 1981. TOOMER, Jean. Cane. No on, 1988.