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"Hiding our faces to be seen": strategies of visibility of activism

Ruiz-Mora, Isabel María,Rodríguez-Amat, Joan Ramón

Abstract

This paper explores how this gesture of masking, hiding, and facial-covering is not only a liberation response to a form of oppression or a political statement against some unlawful action; but that it also works as a strategy of visibility. Following the research of Eesley, DeCelles and Lenox (2015) focusing on activist types and tactics and Bennet (2003), about global activism and networked politics, we explore the strategic communication component behind the visibility in these protests. As Ciszek states “activism is a form of strategic communication” (2017, p.702). Combining a series of quantitative and qualitative techniques for its analysis, this paper brings together recent forms of “masked activism” around the world. We elaborate a typology that helps for the understanding of the strategies and actions happening in activism and social movements with the use of masks. The question deriving from this principle would be then, to what extent those actions and strategies are ideologically grounded: can these strategies and actions differ from movements to movements? And in particular, what does the mask do, in each case? Is a mask more than a mask? Exploring these aspects should enable further research on social movements and political activism from the strategic and communicative organisation.

Full text

"HIDING OUR FACES TO BE SEEN": STRATEGIES OF VISIBILITY OF ACTIVISM | E18-1408 DR ISABEL RUIZ-MORA AND DR JOAN RAMON RODRIGUEZ-AMAT University of Malaga (Spain) [email protected]s Sheffield Hallam University (UK) mon.rodrigue[email protected] INTRODUCCTION The strategy of hiding behind a mask is a political statement against individualism and eventually against capitalism, too. It is a form of stating a selfless identity of collective being that links the secret and hidden identities of comic superheroes with Goya's "The third of May 1808" painting. In digital times of compulsive selfies and of biometric facial recognition software, and of facialunlock personal communicative devices, the mask has emerged as a tool for protest as has been the "facial weaponisation suite" responding to regressive phrenological insinuations of linking homosexuality and facial structure. The colourful hats of Pussy Riot have also become a form of protests in themselves for freedom of expression and against repressive policies in Russia; or Guy Fawkes' mask, or the black suit headless man, have become symbols of technologically enabled protest associated to the global hacking organisation Anonymous. This paper explores how this gesture of masking, hiding, and facial-covering is not only a liberation response to a form of oppression or a political statement against some unlawful action; but that it also works as a strategy of visibility. “ACTIVISM IS A FORM OF STRATEGIC COMMUNICATION” (CISZEK, 2017, p.702). METHODS Combining a series of quantitative and qualitative techniques for its analysis, this paper brings together recent forms of “masked activism” around the world. We elaborate a typology that helps for the understanding of the strategies and actions happening in activism and social movements with the use of masks. The question deriving from this principle would be then, to what extent those actions and strategies are ideologically grounded: can these strategies and actions differ from movements to movements? And in particular, what does the mask do, in each case? Is a mask more than a mask? CONCLUSIONS Protest Masks work strategically and simultaneously in three directions: Masks as everyone; Masks as anyone; Masks as theatrical. MASKS AS EVERYONE: the mask is an anonymised expression for the people. The diversity and richness of the members of the community is brought together by the mask that calls for everyone as a single entity with a shared identity, with a message and with a will. MASKS AS ANYONE: the mask hides the individual within the collective, as a threatening monster amongst the group, the mask protects the activist from being isolated from the group it represents. Anyone could be, and the collective cannot be forbidden, arrested, or imprisoned for what one single masked unidentified individual does. MASK AS THEATRICAL: masks generate visibility. They help activists to be seen and recognised, increasing the outreach of their actions beyond the conflict borders, bringing third parties in as witnesses or mediators: ie. internationalising national issues. REFERENCES Bennet, L. (2003). Communicating Global Activism. Strengths and vulnerabilities of networked Politics. Information, Communication & Society, 6(2), 143–168. DOI: 10.1080/1369118032000093860. Ciszek, E. (2017). Activist Strategic Communication for Social Change: A Transnational Case Study of Lesbian, Gay, Bisexual, and Transgender Activism. Journal of Communication, 67 (1), 702-718. DOI: 10.1111/jcom.12319. Eesley, C., Decelles, K. A. and Lenox, M. (2016). Through the mud or in the boardroom: Examining activist types and their strategies in targeting firms for social change. Strategic Management Journal, 37 (12), 2425-2440. DOI:10.1002/smj.2458. Heredia, J.R. (2017). “Estrategias comunicativas –con enfoque crítico–, utilizadas por las rondas campesinas de El Tambo –Bambamarca, durante el conflicto contra el Proyecto Minero Conga. Años 2011 - 2013”. Thesis dissertation. Universidad Privada del Norte, Perú. PUBLIC & VISIBLE PRIVATE & NO VISIBLE MASKNO MASK Government Politicians Celebrities,… Citizens Corporations Users, … 7th European Communication Conference (2018) "Centres and Peripheries: Communication, Research, Translation"