Bibliography Theory of Architecture and French Philosophy (Structuralism, Poststructuralism and Philosophies of Language) 1960-1990

version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Bibliography Theory of Architecture and French Philosophy (Structuralism, Poststructuralism and Philosophies of Language) 1960-1990 Jana Ndiaye Beránková ORCID: 0009-0001-0878-5362 Archival fonds Alan Colquhoun Papers, 1942–2010, 8895871, Avery Drawings & Archives Collections, Columbia University, New York Anyone Corporation Fonds, AP116, Canadian Centre for Architecture, Montreal Institute for Architecture and Urban Studies Fonds, AP057, Canadian Centre for Architecture, Montreal Peter Eisenman Fonds, AP143, Canadian Centre for Architecture, Montreal General theory and history of architecture Akcan, Esra. “Manfredo Tafuri’s Theory of the Architectural Avant-Garde.” The Journal of Architecture 7 (Summer 2002): 137–70. Alberti, Leon Battista. On the Art of Building in Ten Books. Translated by Joseph Rykwert, Neil Leach, and Robert Tavernor. Cambridge, MA: MIT Press, 1988. Alexander, Christopher. Notes on the Synthesis of Form. Cambridge, MA: Harvard University Press, 1964. Allais, Lucia. “The Real and the Theoretical, 1968.” Perspecta 42 (2010): 27–41. Ambasz, Emilio, ed. Italy: The New Domestic Landscape: Achievements and Problems of Italian Design. New York: Museum of Modern Art, 1972. Anderson, Stanford. “Case and MIT, Engagement.” In A Second Modernism: MIT, Architecture, and the “techno-Social” Moment, edited by Arindam Dutta, 578–626. Cambridge, MA: SA+Press, Department of Architecture, MIT, 2013. ———. “Tired of Meaning.” Log, no. 7 (2006): 11–13. ———., ed. On Streets. Cambridge, MA: MIT Press, 1978. Another Chance for Housing: Low-Rise Alternatives; Brownsville, Brooklyn, Fox Hills, Staten Island: Catalogue of an Exhibition at the Museum of Modern Art, June 12–August 19, 1973. New York: Museum of Modern Art, 1973. Archer, B. J., ed. Follies: Architecture for the Late-Twentieth-Century Landscape. New York: Rizzoli, 1983. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Archizoom Associati. “La Distruzione degli oggetti.” Argomenti e immagini du design 2, no. 2–3 (June 1971): 4–13. Argan, Giulio Carlo. “On the Typology of Architecture.” Translated by Joseph Rykwert. Architectural Design 33 (December 1963): 564–65. ———. Progetto e destino. Milan: Il Saggiatore, 1965. ———. “Sul concetto di tipologia architettonica.” In Festschrift für Hans Sedlmayr, edited by Karl Oettinger and Mohammed Rassem, 96–101. Munich: C. H. Beck, 1962. Assennato, Marco. La muse inquiétante – Architecture & société chez Manfredo Tafuri. Paris: Presses du réel, 2019. Aureli, Pier Vittorio. “The Difficult Whole.” Log, no. 9 (2007): 39–61. ———. The Project of Autonomy: Politics and Architecture within and against Capitalism. New York: Temple Hoyne Buell Center for the Study of American Architecture; Princeton Architectural Press, 2008. Aureli, Pier Vittorio, and Peter Eisenman. “A Project Is a Lifelong Thing; If You See It, You Will Only See It at the End.” Log, no. 28 (2013): 67–78. Aymonino, Carlo, ed. La Città di Padova. Saggio di analisi urbana. Rome: Officina, 1970. ———. Origini e sviluppo della città moderna. Padua: Marsilio, 1971. Baird, George. “‘Criticality’ and Its Discontents.” Harvard Design Magazine, no. 21 (Fall 2004– Winter 2005): 16–21. Baird, George, and Charles Jencks, eds. Meaning in Architecture. London: Barrie & Rockliff, 1969. ———. “Urban Americana: A Commentary on the Work of Gandelsonas.” Assemblage, no. 3 (1987): 60–62. Banham. “Neoliberty: The Italian Retreat from Modern Architecture.” The Architectural Review, no. 747 (April 1959): 231–35. Banham, Reyner. The New Brutalism: Ethic or Aesthetic? New York: Reinhold; Stuttgart: Krämer, 1966. ———. Theory and Design in the First Machine Age. New York: Praeger, 1960. ———. “Tornare ai tempi felici.” The Architectural Review, no. 742 (November 1958): 281. Bedford, Joseph, ed. Is There an Object Oriented Architecture? Engaging Graham Harman. London: Bloomsbury Academic, 2020. Behne, Adolf. Der Moderne Zweckbau. Munich: Drei Masken, 1926. Translated by Michael Robinson as The Modern Functional Building. Santa Monica, CA: Getty Research Institute for the History of Art and the Humanities, 1996. Benjamin, Andrew E. Architectural Philosophy. New Brunswick, NJ: Athlone Press, 2000. Berankova, Jana. “Architecture as a Monument or Instrument?: The Mundaneum Project and the Polemic between Karel Teige and Le Corbusier.” Shift, no. 7 (2014): 1–19. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Biraghi, Marco. Progetto di crisi: Manfredo Tafuri e l’architettura contemporanea. Milan: C. Marinotti, 2005. Translated by Alta L. Price as Project of Crisis: Manfredo Tafuri and Contemporary Architecture. Cambridge, MA: MIT Press, 2013. Bohigas, Oriol, ed. Arquitectura, historia y teoría de los signos: el symposium de Castelldefels. Barcelona: La Gaya Ciencia, 1974. Boullée, Étienne Louis. Architecture, essai sur l’art (1799). Edited by Jean-Marie Pérouse de Montclos. Paris: Hermann, 1968. Translated by Sheila de Vallée as Architecture, Essay on Art. Edited by Helen Rosenau. London: Academy Editions, 1976. Broadbent, Geoffrey, Charles Jencks, and Richard Bunt, eds. Signs, Symbols, and Architecture. Chichester: Wiley, 1980. Colomina, Beatriz, ed. Clip/Stamp/Fold: the Radical Architecture of Little Magazines 196X–197X. New York: Storefront for Art and Architecture, 2006. Bullrich, Francisco. “Arquitectura Argentina 1960/70.” Summa, no. 19 (1969): 37–82. Cache, Bernard. Earth Moves : The Furnishing of Territories. Translated by Anne Boyman. Cambridge, MA: MIT Press, 1995. Carolin, Peter. “Sense, Sensibility and Tower Blocks: The Swedish Influence on Post-War Housing in Britain.” Twentieth Century Architecture, no. 9 (2008): 98–112. Carpo, Mario. The Alphabet and the Algorithm. Cambridge, MA: MIT Press, 2011. ———. The Second Digital Turn: Design beyond Intelligence. Cambridge, MA: MIT Press, 2017. Castex, Jean. Formes urbaines : De l’îlot à la barre. Paris: Dunod, 1977. Ceferin, Petra. “What Is Architecture the Name of Today?” Log, no. 19 (Spring–Summer 2010): 7– 28. Clapson, Mark. “The Global Phoenix: From Destruction to Reconstruction, 1945–60.” In The Blitz Companion, 119–46. Aerial Warfare, Civilians and the City since 1911. University of Westminster Press, 2019. Cohen, Jean-Louis. La Coupure entre les architectes et intellectuels ou les enseignements de l’italophilie. Brussels: Mardaga, 2015. Coleman, Debra, Elizabeth Danze, and Carol Henderson, eds. Architecture and Feminism. New York: Princeton Architectural Press, 1996. Colomina, Beatriz, ed. Sexuality & Space. New York: Princeton Architectural Press, 1992. Colomina, Beatriz, and Joan Ockman, eds. Architectureproduction. New York: Princeton Architectural Press, 1988. Damiani, Roberto, ed. The Architect and the Public: On George Baird’s Contribution to Architecture. Macerata: Quodlibet, 2020. Damisch, Hubert. Noah’s Ark: Essays on Architecture. Edited by Anthony Vidler. Translated by Julie Rose. Cambridge, MA: The MIT Press, 2016. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Debarre-Blanchard, Anne, Caroline Maniaque Benton, Éléonore Marantz, and Jean-Louis Violeau, eds. Architecture 68: Panorama international des renouveaux pédagogiques. Geneva: MetisPresses, 2020. Di Palma, Vittoria. “Architecture, Environment and Emotion: Quatremère de Quincy and the Concept of Character.” AA Files, no. 47 (2002): 45–56. Doordan, Dennis P. “Changing Agendas: Architecture and Politics in Contemporary Italy.” Assemblage, no. 8 (February 1989): 60–77. Eck, Caroline van. “The Warburg Institute and Architectural History.” Common Knowledge 18, no. 1 (2012): 134–48. Quincy, Antoine-Chrysostome Quatremère de. “Caractère.” In Encyclopédie méthodique. Architecture. Tome 1, 477–521. Paris: Henri Agasse, 1755. Translated by Tanis Hinchcliffe as “Character.” 9H, no. 7 (1985): 25–39. ———. “Type.” In Encyclopédie méthodique. Architecture. Tome 3, 543–45. Paris: Henri Agasse, 1825. Translated in English as “Type.” Oppositions, no. 9 (Spring 1977): 147–50. Chan, Kelly. “The Project Against Autonomy.” Log, no. 33 (2015): 121–26. Chavardès, Benjamin. “From Neoliberty to Postmodernism.” In Post-War Architecture between Italy and the UK, edited by Lorenzo Ciccarelli and Clare Melhuish, 57–69. London: UCL Press, 2021. Choay, Françoise. “Claude Lévi-Strauss et l’aménagement des territoires.” Esprit, no. 8–9 (August– September 2011): 38–48. ———. La Règle et le modèle : sur la théorie de l’architecture et de l’urbanisme. Paris: Seuil, 1980. Translated in English as The Rule and the Model : On the Theory of Architecture and Urbanism. Cambridge, MA: MIT Press, 1996. ———. “L’Histoire et la méthode en urbanisme.” Annales 25, no. 4 (1970): 1143–54. Evans, Robin. The Projective Cast: Architecture and Its Three Geometries. Cambridge, MA: MIT Press, 1995. Fausch, Deborah. “The Oppositions of Postmodern Tectonics.” ANY: Architecture New York, no. 14 (1996): 48–57. Foster, Hal. “Pastiche/Prototype/Purity, ‘Houses for Sale,’ Leo Castelli Gallery, New York.” Artforum, March 1981, 77–79. ———. “Post-Critical.” October 139 (Winter 2012): 3–8. ———. The Art-Architecture Complex. London ; New York: Verso, 2011. Frampton, Kenneth. Modern Architecture: A Critical History. London: Thames and Hudson, 1980. ———. “On Reading Heidegger.” Oppositions, no. 4 (October 1974): 1–4. ———. “Towards a Critical Regionalism: Six Points for an Architecture of Resistance.” In The AntiAesthetic: Essays on Postmodern Culture, edited by Hal Foster, 16–30. Port Townsend, WA: Bay Press, 1983. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Frampton, Kenneth, and Silvia Kolbowski, eds. Idea as Model. New York: Institute for Architecture and Urban Studies ; Rizzoli International Publications, 1981. Frank, J. Suzanne. IAUS, the Institute for Architecture and Urban Studies: An Insider’s Memoir. Bloomington: AuthorHouse, 2010. Gabetti, Roberto, and Aimaro d’Isola. “Impegno della tradizione,” no. 215 (May 1957): 62–69. Gage, Mark Foster. “Killing Simplicity: Object-Oriented Philosophy in Architecture.” Log, no. 33 (2015): 95–106. Gan, Alekseĭ. Constructivism. Translated by Christina Lodder. Barcelona: Tenov, 2013. Gannon, Todd, Graham Harman, David Ruy, and Tom Wiscombe. “The Object Turn: A Conversation.” Log, no. 33 (2015): 73–94. Gentili, Eugenio. “Ortodossia dell’eterodossia, Caro Ernesto . . . .” Casabella Continuità, no. 216 (September 1957): 2. Ghirardo, Diana. “Manfredo Tafuri and Architecture Theory in the US, 1970–2000.” Perspecta 33 (2002): 38–47. Giannetti, Anna, and Luca Molinari, eds. Continuità e crisi: Ernesto Nathan Rogers e la cultura architettonica italiana del secondo dopoguerra. Florence: Alinea, 2010. Girard, Christian. “Letter from Paris: French Architects Say ‘Basta’ to Theory.” ANY: Architecture New York, no. 25–26 (2000): 6–7. ———. “The Politics of Complexity in Architecture.” In Complexity: Architecture, Art, Philosophy, edited by Andrew E. Benjamin, 78–81. Journal of Philosophy and the Visual Arts 6. London: Academy Group, 1995. Goldberger, Paul. “Houses as Art; The Masterpieces They Call Home.” The New York Times Magazine. March 1995. Gregotti, Vittorio. Il Territorio dell’architettura. Milan: Feltrinelli, 1966. ———. New Directions in Italian Architecture. New York: G. Braziller, 1968. ———. “The Necessity of Theory.” Casabella 47 (September 1983): 12–13. Guadet, Julien. Éléments et théorie de l’architecture; cours professé à l’École nationale et spéciale des beaux-arts. Paris: Librairie de la Construction moderne, 1901. Translated by Ricker Clifford as Elements and Theory of Architecture. Urbana, ILL: University of Illinois, 1916. Guillerme, Jacques. “The Idea of Architectural Language: A Critical Inquiry.” Translated by Lipstadt Hélène and Harvey Mendelsohn. Oppositions, no. 10 (Fall 1977): 21–29. Gutman, Marta, and Richard Plunz. “Anatomy of Insurrection.” In The Making of an Architect, 1881–1981: Columbia University in the City of New York, edited by Richard Oliver, 183–210. New York: Rizzoli, 1981. Hammad, Manar. “La sémiotisation de l’espace, Esquisse d’une manière de faire.” Actes Sémiotiques 116 (2013). https://www.unilim.fr/actes-semiotiques/2807. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Harwood, Elain. Space, Hope, and Brutalism : English Architecture, 1945–1975. New Haven: Yale University Press, 2015. Hays, K. Michael, ed. Architecture Theory since 1968. Cambridge, MA: MIT Press, 1998. ———. Architecture’s Desire: Reading the Late Avant-Garde. Cambridge, MA: MIT Press, 2010. ———. “Critical Architecture: Between Culture and Form.” Perspecta 21 (1984): 15–29. ———. Modernism and the Posthumanist Subject: The Architecture of Hannes Meyer and Ludwig Hilberseimer. Cambridge, MA: MIT Press, 1992. ———, ed. Oppositions Reader: Selected Readings from a Journal for Ideas and Criticism in Architecture, 1973–1984. New York: Princeton Architectural Press, 1998. Hildner, Jeffrey. “Remembering the Mathematics of the Ideal Villa.” Journal of Architectural Education 52, no. 3 (1999): 143–62. Hughes, Francesca, ed. The Architect: Reconstructing Her Practice. Cambridge, MA: MIT Press, 1996. Jackson, Anthony. “The Politics of Architecture: English Architecture 1929–1951.” Journal of the Society of Architectural Historians 24, no. 1 (1965): 97–107. Jacobs, Jane. The Death and Life of Great American Cities. New York: Vintage Books, 1961. Jencks, Charles. “Letter by Charles Jencks, London, England.” Oppositions, no. 3 (May 1974): 110– 11. ———. The Language of Post-Modern Architecture. New York: Rizzoli, 1977. Johnson, Philip, and John Burgee. The Island Nobody Knows. New York: New York State Urban Development Corporation, 1969. Johnson, Philip, and Mark Wigley. Deconstructivist Architecture: The Museum of Modern Art, New York. Boston: Little, Brown, 1988. Lahiji, Nadir, ed. The Missed Encounter of Radical Philosophy with Architecture. London ; New York: Bloomsbury Academic, 2014. Koolhaas, Rem. Delirious New York: A Retroactive Manifesto for Manhattan. New York: Oxford University Press, 1978. Le Corbusier. Vers une architecture. Paris: G. Crès et cie, 1923. Translated by Frederick Etchells as Towards a New Architecture. New York: Dover Publications, 1986. León, Ana María. “The Boudoir in the Expanded Field.” Log, no. 11 (2008): 63–82. Libeskind, Daniel. Chamber Works: Architectural Meditations on Themes from Heraclitus. London: Architectural Association, 1983. Martin, Louis. “The Search for a Theory in Architecture: Anglo-American Debates, 1957–1976.” PhD dissertation, Princeton University, 2002. McLeod, Mary. “A Dream Deferred: Feminist Architecture History.” Jornal Arquitectos J.A., no. 242 (September 2011): 99–105. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Loos, Adolf. “Architektur (1910).” In Gesammelte Schriften, edited by Adolf Opel, 391–405. Vienna: Lesethek, 2010. Translated by Wilfried Wang, Rosamund Diamond, and Robert Godsill as “Architecture (1910).” In The Architecture of Adolf Loos: An Arts Council Exhibition, edited by Yehuda Safran and Wilfried Wang, 104–9. London: The Council, 1987. ———. “Von der Sparsamkeit (1924).” In Gesammelte Schriften, edited by Adolf Opel, 604–16. Vienna: Lesethek, 2010. Loosen, Sebastiaan, Rajesh Heynickx, and Hilde Heynen, eds. The Figure of Knowledge: Conditioning Architectural Theory, 1960s–1990s. Leuven: Leuven University Press, 2020. Lucan, Jacques. Composition, non-composition: architecture et théories, XIXe–XXe siècles. Lausanne: Presses polytechniques et universitaires romandes, 2009. Lynch, Kevin. The Image of the City. Cambridge, MA: MIT Press, 1960. Lynn, Greg, ed. Folding in Architecture. Architectural Design Profile 102. London: Academy Editions, 1993. ———. Folds, Bodies & Blobs: Collected Essays. Brussels: La Lettre volée, 1998. ———. “Multiplicitous and Inorganic Bodies.” Assemblage, no. 19 (1992): 33–49. Maldonado, Tomás. Design, Nature, and Revolution: Toward a Critical Ecology. New York: Harper & Row, 1972. Mallgrave, Harry Francis. Modern Architectural Theory: A Historical Survey, 1673–1968. Cambridge ; New York: Cambridge University Press, 2005. Mallgrave, Harry Francis, and David Goodman. Introduction to Architectural Theory: 1968 to the Present. Malden, MA: Wiley-Blackwell, 2011. Maniaque Benton, Caroline, ed. Les années 68 et la formation des architectes. Rouen: Point de vues, 2018. Martin, Reinhold. “Critical of What? Toward a Utopian Realism.” Harvard Design Magazine, no. 22 (Spring–Summer 2005): 104–9. ———. The Organizational Complex : Architecture, Media, and Corporate Space. Cambridge, MA: MIT Press, 2003. ———. Utopia’s Ghost: Architecture and Postmodernism, Again. Minneapolis: University of Minnesota Press, 2010. McLeod, Mary. “Architecture and Politics in the Reagan Era: From Postmodernism to Deconstructivism.” Assemblage, no. 8 (February 1989): 22–59. ———. “Theory and Practice.” Assemblage, no. 41 (2000): 51. “Meaning in Architecture,” edited by George Baird and Charles Jencks. Arena 83 (June 1967). Meier, Richard L. A Communications Theory of Urban Growth. Cambridge, MA: MIT Press, 1962. Migayrou, Frédéric. Architectures non standard. Paris: Centre Georges Pompidou, 2003. Mitasova, Monika, ed. Oxymoron and Pleonasm: Conversations on American Critical and Projective Theory of Architecture. Barcelona: Actar, 2015. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Muratori, Saverio. Studi per una operante storia urbana di Venezia. Rome: Instituto poligrafico dello Stato, Libreria dello Stato, 1960. Nesbitt, Kate, ed. Theorizing a New Agenda for Architecture: An Anthology of Architectural Theory 1965–1995. New York: Princeton Architectural Press, 1996. Nevins, Deborah, ed. The Roosevelt Island Housing Competition. New York: Wittenborn Art Books, 1975. New York State Urban Development Corporation. Roosevelt Island Housing Competition. New York, 1974. Norberg-Schulz, Christian. Intentions in Architecture. Cambridge, MA: MIT Press, 1965. ———. “Kahn, Heidegger and the Language of Architecture.” Oppositions, no. 18 (Fall 1979): 29– 47. Ockman, Joan, ed. Architecture, Criticism, Ideology. Princeton, NJ: Princeton Architectural Press, 1985. ———. “[Article by Joan Ockman].” Assemblage, no. 41 (2000): 61. ———, ed. The Pragmatist Imagination: Thinking about “Things in the Making.” New York: Princeton Architectural Press, 2000. Ockman, Joan, and Rebecca Williamson, eds. Architecture School: Three Centuries of Educating Architects in North America. Cambridge, MA: MIT Press; Washington, D.C: Association of Collegiate Schools of Architecture, 2012. Otero-Paillos, Jorge. “Theorizing the Anti-Avant-Garde: Invocations of Phenomenology in Architectural Discourse, 1945–1989.” PhD dissertation, Massachusets Institute of Technology, 2002. Otero-Pailos, Jorge. Architecture’s Historical Turn: Phenomenology and the Rise of the Postmodern. Minneapolis: University of Minnesota Press, 2010. Papadakēs, A., Catherine Cooke, and Andrew E. Benjamin, eds. Deconstruction: Omnibus Volume. New York: Rizzoli, 1989. Patrão, André. “Architecture/Philosophy: How, Why, and What the Questions Seek in Three CaseStudies from the Late 20th Century.” PhD dissertation, EPFL, 2020. Pérez-Gómez, Alberto. Architecture and the Crisis of Modern Science. Cambridge, MA: MIT Press, 1983. Petit, Emmanuel, ed. Reckoning with Colin Rowe: Ten Architects Take Position. New York: Routledge, 2015. Pevsner, Nikolaus. “Twentieth-Century Picturesque.” The Architectural Review 115, no. 688, April 1954, 227–29. Picon, Antoine. Digital Culture in Architecture: An Introduction for the Design Professions. Basel: Birkhauser, 2010. Plihon, Florence. “Architectures numériques et résurgence baroque: Bernard Cache, Greg Lynn et Le Pli de Deleuze.” PhD dissertation, Lille III, 2016. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Plunz, Richard. A History of Housing in New York City. New York: Columbia University Press, 2016. Poëte, Marcel. Introduction à l’urbanisme : l’évolution des villes, la leçon de l’antiquité. Paris: Boivin et Cie, 1929. Pommier, Juliette, and Pauline Lefort. “Architecture et structuralisme, moments d’une relation complexe.” In Résonances des structuralismes, edited by Jean-François Bert and Jérôme Lamy, 181–98. Paris: Éditions des archives contemporaines, 2016. “Pour un partage de l’imagination.” Esprit, no. 385 (October 1969): 556–62. Rajchman, John. Constructions. Cambridge, MA: MIT Press, 1998. Rogers, Ernesto N. Esperienza dell’architettura. Turin: G. Einaudi, 1958. Rogers, Ernesto Nathan. “Continuità.” Casabella Continuità, no. 199 (December 1953): 1–3. ———. “L’Evoluzione dell’architettura. Risposta al custodo dei frigidaires.” Casabella Continuità, no. 228 (June 1959): 2–4. ———. “Ortodossia dell’eterodossia.” Casabella Continuità, no. 216 (September 1957): 2–4. Rowe, Colin. “Mannerism and Modern Architecture.” The Architectural Review 107 (May 1950): 289–99. ———. The Mathematics of the Ideal Villa, and Other Essays. Cambridge, MA: MIT Press, c1976. ———. “The Mathematics of the Ideal Villa: Palladio and Le Corbusier Compared.” The Architectural Review 101 (March 1947): 101–104. Rowe, Colin, and Fred Koetter. Collage City. Cambridge, MA: MIT Press, 1978. Rowe, Colin, and Robert Slutzky. “Transparency: Literal and Phenomenal.” Perspecta 8 (1963): 45–54. ———. “Transparency: Literal and Phenomenal. . . Part II.” Perspecta 13–14 (1971): 287–301. Rudofsky, Bernard. Architecture without Architects: An Introduction to Nonpedigreed Architecture. New York: Museum of Modern Art, 1964. Rüedi, Katerina, Sarah Wigglesworth, and Duncan McCorquodale, eds. Desiring Practices: Architecture, Gender, and the Interdisciplinary. London: Black Dog Publishing, 1996. Sadler, Simon. The Situationist City. Cambridge, MA: MIT Press, 1998. Samonà, Giuseppe. L’urbanistica e l’avvenire della città: negli stati europei. Bari: Laterza, 1959. Sanders, Joel, ed. Stud: Architectures of Masculinity. New York: Princeton Architectural Press, 1996. Scolari, Massimo. “Massimo Scolari in Conversation.” By Léa-Catherine Szacka and Thomas Weaver. AA Files, no. 65 (2012): 33–47. ———. “Una generazione senza nomi.” Casabella, no. 606 (November 1993): 45–47. Scott, Felicity Dale. Architecture or Techno-Utopia: Politics after Modernism. Cambridge, MA: MIT Press, 2007. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. “Il Mio progetto per il Teatro di Parma.” Sipario, no. 242 (1966): 17. ———. “Il Passato e il presente nella nuova architettura.” Casabella Continuità, no. 219 (May 1958): 16. ———. Introduction to Architettura saggio sull’arte, by Etienne-Louis Boullée, 7–24. Padua: Marsilio Editori, 1967. ———. Introduction to Contributi all’architettura: 1924–1964, by Hans Schmidt, 7–24. Milan: Fra Angeli, 1974. ———. Introduction to La civiltà occidentale: Das Andere e altri scritti, by Adolf Loos, 7–16. Bologna: Zanichelli, 1981. ———. “J. J. Pieter Oud, Giulia Veronesi.” Casabella Continuità, no. 200 (March 1954): 11–12. ———. “La Calda vita.” Controspazio 7, no. 2 (October 1975): 60–63. ———. “La Città e la periferia.” Casabella Continuità, no. 253 (July 1961): 23–26. ———. “La Coscienza di poter dirigere la natura.” Voce comunista, 1954, 5. ———. “La Regione di Amburgo.” Casabella Continuità, no. 270 (December 1962): 27. ———. “L’Architetto e l’urbanistica.” Casabella Continuità, no. 266 (August 1962): 27–32. ———. L’Architettura della città. Padua: Marsilio, 1966. Translated by Diane Ghirardo and Joan Ockman as The Architecture of the City. Cambridge, MA: MIT Press, 1982. ———. “L’Azzurro del cielo.” Casabella, no. 372 (December 1972): 21–22. ———. “Le Case basse nei piani residenziali.” Casabella Continuità, no. 291 (September 1964): 46. ———. “Le Distanze invisibili.” In L’Architettura italiana oggi: racconto di una generazione, edited by Giorgio Ciucci, 237–46. Bari: Laterza, 1989. ———. “L’Esperienze inglese e i nuovi problemi urbanistici.” Casabella Continuità, no. 250 (April 1961): 13–14. ———. “L’Habitation et la ville.” L’Architecture d’aujourd’hui, no. 174 (1974): 30–31. ———. “L’Idea di città socialista in architettura.” In L’Analisi urbana e la progettazione architettonica. Contributi al dibattito e al lavoro di gruppo nell’anno academico 1968–1969, 41–63. Milan: CLUP, 1970. ———. “L’Uomo della metropoli.” Casabella Continuità, no. 258 (December 1961): 23–24. ———. “Mostra internazionale di architettura. Progetto e impostazione generale + L’Azzurro del cielo.” Casabella 36, no. 372 (December 1972): 12, 21–23. ———. “New Problems.” Ekistics 15, no. 87 (February 1963): 101–3. ———. “Nuovi problemi.” Casabella Continuità, no. 264 (June 1962): 3–6. ———. “Perche ho fatto la mostra di architettura alla Triennale.” Controspazio 5, no. 6 (December 1973): 8–11. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. “Peter Behrens e il problema dell’abitazione moderna.” Casabella Continuità, no. 240 (June 1960): 47–48. ———. “Progetti.” In Progetti veneziani, edited by Gian Arnaldo Caleffi and Gino Malacarne, 171– 83. Milan: CLUP, 1985. ———. “Progetto per la casa dello studente a Chieti.” In Europa/America. Architetture urbane, alternative suburbane, edited by Franco Raggi, 50–55. Venice: La Biennale di Venezia, 1976. ———. “Progetto realizzato.” In Progetto realizzato, edited by Carlo Aymonino, 153–80. Venice: Marsilio, 1980. ———. Scritti scelti sull’architettura e la città, 1956–1972. Edited by Rosaldo Bonicalzi. Milan: Cooperativa libraria universitaria del politecnico, 1975. ———. “The Analogous City: Panel.” Lotus International, no. 13 (December 1976): 5–9. ———. Tre città : Perugia, Milano, Mantova. New York: Rizzoli, 1984. ———. “‘Triennale.’” Il contemporaneo, no. 36 (1956): 1–2. ———. “Un monumento ai partigiani dell’Arch Franco Buzzi Ceriani.” Casabella Continuità, no. 208 (December 1955): 65–67. ———. “Un piano per Vienna.” Casabella Continuità, no. 277 (February 1963): 26–28. ———. “Une éducation réaliste, Realismus als Erziehung.” Archithese, no. 19 (October 1976): 25– 28. Rossi, Aldo, Eraldo Consolascio, and Max Bosshard. La Costruzione del territorio, uno studio sul canton Ticino. Milan: CLUP; Lugano: Fondazione Ticino Nostro, 1985. Rossi, Aldo, and Vittorio Gregotti. “L’Influenza del romanticismo europeo nell’architettura di Alessandro Antonelli.” Casabella Continuità, no. 214 (March 1957): 63–70. Rossi, Aldo, Gianugo Polesello, and Francesco Tentori. “Il Problema della periferia nella città moderna.” Casabella Continuità, no. 241 (July 1960): 39–55. Rossi, Aldo, and Silvano Tintori. “Aspetti urbanistici del problema delle zone arretrate in Italia e in Europa.” In Problemi sullo sviluppo delle aree arretrate, edited by Giovanni Demaria, 243– 93. Bologna: Il Mulino, 1960. Ruhl, Carsten. “Im Kopf des Architekten: Aldo Rossis La Città analoga.” Zeitschrift für Kunstgeschichte 69, no. 1 (2006): 67–98. Sainz Gutiérrez, Victoriano. Aldo Rossi. La Ciudad, la arquitectura, el pensamiento. Buenos Aires: Nobuko, 2011. ———. “La Batalla de las ideas. Arquitectura, ciudad y pensamiento en los escritos de Aldo Rossi.” Thémata, no. 19 (1998): 153–86. Samassa, Francesco. “Ferdinand De Saussure e Aldo Rossi. Teorie a confronto.” In Macchine nascoste: discipline e tecniche di rappresentazione nella composizione architettonica, edited by Riccardo Palma and Carlo Ravagnati, 77–90. Turin: UTET libreria, 2004. Savi, Vittorio. “Fortuna di Aldo Rossi.” 2C, Construcción de la ciudad, no. 5 (1975): 6–12. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. L’Architettura di Aldo Rossi. Milan: Fra Angeli, 1976. Savorra, Massimiliano. “Milano 1964. La Triennale del tempo libero: Intersezioni tra arte, comunicazione e design.” Casabella, no. 872 (April 2017): 40–56. Schnell, Angelika. Aldo Rossis Konstruktion des Wirklichen: eine Architekturtheorie mit Widersprüchen. Basel: Birkhauser, 2019. Trentin, Annalisa, ed. La Lezione di Aldo Rossi. Bologna: Bononia University Press, 2008. Turan, Belgin. “Is ‘Rational’ Knowledge of Architecture Possible? Science and Poiêsis in L’Architettura della città.” Journal of Architectural Education 51, no. 3 (August 2013): 158– 65. “Un Corso Sperimentale.” Edilizia Moderna, no. 82–83 (1963): 45–46. Vasumi Roveri, Elisabetta. Aldo Rossi e L’Architettura della città: genesi e fortuna di un testo. Turin: U. Allemandi, 2010. Alan Colquhoun Avermaete, Tom, Christopher Grafe, and Hans Teerds, eds. “Alan Colquhoun, Architect, Historian, Critic.” Oase, no. 87 (2012). Colquhoun, Alan. “Alan Colquhoun in Conversation.” By Pierre Chabard. AA Files, no. 67 (2013): 138–46. ———. “A Way of Looking at the Present Situation.” Casabella 47, no. 490 (April 1983): 38–39. ———. “Architecture and Engineering: Le Corbusier and the Paradox of Reason.” Modulus 14 (1981 1980): 47–57. ———. “Axonometry, Ancient and the Modern.” In Alberto Sartoris: Novanta Gioielli, by Alberto Sartoris, edited by A. Abriani and Jacques Gubler, 13–23. Milan: Mazzotta, 1992. ———. “Centraal Beheer.” Architecture Plus 2, no. 5 (October 1974): 48–55. ———. “Classicism and Ideology” 47, no. 489 (March 1983): 38–39. ———. Collected Essays in Architectural Criticism. London: Black Dog Publishing, 2009. ———. “Composition versus the Project.” Casabella, no. 520–21 (February 1986). ———. “Critique.” Architectural Design Profiles 47, no. 2 (1977). ———. “Critique of Regionalism.” Casabella 60, no. 630–31 (February 1996): 50–55. ———. “Displacement of Concepts.” Architectural Design 43 (April 1972): 236. ———. “El superbloque.” In Arquitectura moderna y cambio histórico: ensayos: 1962–1976, 94– 112. Barcelona: Gustavo Gili, 1978. ———. Essays in Architectural Criticism : Modern Architecture and Historical Change. Cambridge, MA: MIT Press, 1981. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. “Form and Figure.” Oppositions, no. 12 (Spring 1978): 29–37. ———. “Formal and Functional Interactions: A Study of Two Late Projects by Le Corbusier.” Architectural Design 36 (May 1966): 221–22. ———. “From Bricolage to Myth: Or How to Put Humpty-Dumpty Together Again.” Oppositions, no. 12 (Spring 1978): 1–19. ———. “From the ‘Machine à Habiter’ to ‘L’Homme Réel’: Le Corbusier’s Search for a Typology of Modern Living,” November 2006. 2:1 Academic Papers. Avery Architectural and Fine Arts Library, Drawings and Archives. ———. “Gombrich and Cultural History.” Architectural Design 51, no. 6–7 (1981): 35–39. ———. “Letter.” The Architectural Review 116, no. 691 (July 1954): 2. ———. Modern Architecture. Oxford: Oxford University Press, 2002. ———. Modernity and the Classical Tradition: Architectural Essays, 1980–1987. Cambridge, MA: MIT Press, 1989. ———. “On Writing Architecture.” Progressive Architecture, June 1983, 80–85. ———. “Postmodernism and Structuralism: A Retrospective Glance.” Assemblage, no. 5 (1988): 7–15. ———. “Regeln, Realismus Und Geschichte.” Archithese, no. 19 (1976): 12–17. ———. “Regionalism and Technology.” Casabella 47, no. 491 (May 1983): 24–25. ———. “Stratégies du projet, la composition et le problème du contexte urbain.” In Le Corbusier: une encyclopédie, edited by Jacques Lucan, 378–84. Paris: Centre Georges Pompidou, 1987. ———. “Symbolic and Literal Aspects of Technology.” Architectural Design 32 (November 1962): 508–9. ———. “The Concept of Regionalism.” In Postcolonial Space(s), edited by Gülsüm Baydar Nalbantoglu and Chong Thai Wong, 13–24. New York: Princeton Architectural Press, 1997. ———. “The Modern Movement in Architecture.” The British Journal of Aesthetics 2, no. 1 (January 1962): 59–65. ———. “The Problem of the Modern Façade,” n.d. 2:22 Academic Papers. Avery Architectural and Fine Arts Library, Drawings and Archives. ———. “The Situated Self,” n.d. 2:22 Academic Papers, Miscelaneous Texts II. Avery Architectural and Fine Arts Library, Drawings and Archives. ———. “The Strategies of the Grands Travaux.” Assemblage, no. 4 (1987): 67–81. ———. “Thoughts on Riegl.” Oppositions, no. 25 (Fall 1982): 79–83. ———. “Three Kinds of Historicism.” Architectural Design 53, no. 9–10 (1983): 86–90. ———. “Two Postmodern Texts.” Lecture at Rio de Janeiro, 1993. 2:6 Academic Papers. Avery Architectural and Fine Arts Library, Drawings and Archives. ———. “Typology and Design Method.” Arena 83 (June 1967): 11–14. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. “Vernacular Classicism.” Architectural Design 54, no. 5–6 (1984): 26–33. ———. “Zwischen Architektur und Philosophie: Rationalismus 1750–1970.” In Das Abenteuer der Ideen: Architektur und Philosophie seit der industriellen Revolution, edited by Josef Paul Kleihues and Vittorio Magnago Lampugnani, translated by Renate Brosch and Doya Hacker, 247–72. Berlin: Frölich & Kaufmann, 1984. Colquhoun, Alan, and John Miller, eds. Colquhoun, Miller & Partners. New York: Rizzoli, 1988. Davidovici, Irina, ed. Colquhounery: Alan Colquhoun from Bricolage to Myth. London: AA Publications, 2015. Engel, Braden R. “The Badger of Muck and Brass.” AA Files, no. 62 (2011): 95–103. Forsyth, Alan, and David Gray, eds. Lyons Israel Ellis Gray: Buildings and Projects 1932–1983. London: Architectural Association, 1988. Diana Agrest and Mario Gandelsonas Agrest, Diana. “Architectural Anagrams: The Symbolic Performance of Skyscrapers.” Oppositions, no. 11 (Winter 1977): 26–51. ———. “Architecture from Without: Body, Logic, and Sex.” Assemblage, no. 7 (October 1988): 28– 41. ———. Architecture from Without: Theoretical Framings for a Critical Practice. Cambridge, MA: MIT Press, 1991. ———. Architecture of Nature: Nature of Architecture. Novato, CA: Applied Research and Design Publishing, 2018. ———. “Architetture Di Specchio.” Rassegna 5, no. 13 (March 1983): 55–61. ———. “Design versus Non-Design.” Oppositions, no. 6 (Fall 1976): 45–68. ———. “Discoursive Transferences.” In Co to Jest Architektura?, 248–58. Kraków: Manggha, 2008. ———. Introduction to Places and Memories : Photographs, 6–10. By Roberto Schezen. New York: Rizzoli, 1987. ———. “Le Ciel est la limite.” L’Architecture d’aujourd’hui, no. 178 (April 1975): 55–64. ———. “Portrait d’un artiste, Form Diggers.” L’Architecture d’aujourd’hui, no. 184 (April 1976): 54–57. ———. “Representation as Articulation between Theory and Practice.” In Practice : Architecture, Technique and Representation, edited by Stan Allen, 163–78. Amsterdam: G B Arts International, 2000. Agrest, Diana, Patricia Conway, and Leslie Weisman, eds. The Sex of Architecture. New York: Harry N. Abrams, 1996. Agrest, Diana, and Mario Gandelsonas. Agrest and Gandelsonas: Works. New York: Princeton Architectural Press, 1995. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. “Architecture, Architecture.” L’Architecture d’aujourd’hui, no. 186 (September 1976): 73– 74. ———. “Architecture as Cultural Practice.” A + U, no. 114 (March 1980): 39. ———. “Architettura fra memoria e amnesia: un progetto nel reticolo di Minneapolis.” Lotus International, no. 39 (1963): 55–58. ———, ed. A Romance with the City, Irwin S. Chanin. New York: Cooper Union Press, 1982. ———. “City Segments.” Design Quarterly, no. 113–14 (1980): 22–25. ———. “Critical Remarks on Semiology and Architecture.” Semiotica 9, no. 3 (1973): 252–71. ———. “Diana Agrest/Mario Gandelsonas. La Villette, Paris, 1976.” Design Quarterly, no. 113–14 (1980): 24–25. ———. “Edificio para viviendas, Buenos Aires.” Summa, no. 178–179 (September 1982): 22–37. ———. “Manhattan Additions.” Architectural Design 56 (May–June 1982): 44–48. ———. “New York, Historical District, Design and Preservation.” Lotus International, no. 33 (1981): 79–83. ———. “Response to a Reader.” Oppositions, no. 3 (May 1974): 117–18. ———. “Semiología Arquitectónica.” Summa, no. 32 (1970): 69–80. ———. “Semiotics and Architecture: Ideological Consumption or Theoretical Work.” Oppositions, no. 1 (1973): 93–100. ———. “Semiotics and the Limits of Architecture.” In A Perfusion of Signs, edited by Thomas A. Sebeok, 90–120. Bloomington, IN: Indiana University Press, 1977. ———. “The Gramercy Condominium, New York City.” Architectural Record, April 1985. Agrest, Diana, Mario Gandelsonas, Rodolfo Machado, and Jorge Silvetti. “Deep Ellum, Dallas, Texas: A Project by Agrest and Gandelsonas, Machado and Silvetti, C. Hubert.” Lotus International, no. 50 (1986): 47–58. Agrest, Diana, and Marion J. Gandelsonas. “Les Echelles, Home for a Musician on Majorca, Spain.” Lotus International, no. 31 (1981): 45. ———. “The Park of La Villette, Architecture as Mise-En-Sequence.” Lotus International, no. 31 (1981): 82–84. Agrest, Diana, and Alessandra Latour. “Roosevelt Island Competition.” L’Architecture d’aujourd’hui, no. 186 (September 1976): 22–24. Gandelsonas, Mario. “Analysis: Richard Meier’s Work.” A + U, no. 64 (April 1976): 80–87. ———. “Conditions for a Colossal Architecture.” In Cesar Pelli: Buildings and Projects, 1965–1990, by Cesar Pelli, 9–12. New York: Rizzoli, 1990. ———. “El diseño en la utilización del tiempo libre.” Summa, no. 35 (March 1971): 27–29. ———. “From Structure to Subject: The Formation of an Architectural Language.” Oppositions, Summer 1979, 7–29. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. “Interview with Mario Gandelsonas, ‘Después del Modernismo.’” Summa, no. 178–79 (September 1982): 20–36. ———. “Linguistic and Semiotic Models in Architecture.” In Basic Questions of Design Theory, edited by R. Spillers William, 39–55. Amsterdam: North Holland, 1975. ———. “Linguistics in Architecture.” Casabella, no. 374 (February 1973): 17–31. ———. “Linguistics, Poetics and Architectural Theory.” Semiotext(e) 1, no. 2 (1974): 88–94. ———. “Massimo Scolari, Theoretical Landscapes.” Lotus International, no. 11 (1976): 57–63. ———. “Neo-Functionalism.” Oppositions, no. 5 (Summer 1976). ———. “Not the Last Word.” Any, no. 1 (August 1993): 62. ———. “Point of Entry into an American Urbanism: Reading and Rewriting the American City.” Journal of Architectural Education 65, no. 2 (2012): 17–19. ———. “Postscript, on Reading Eisenstein, Reading Piranesi.” Oppositions, no. 11 (Winter 1977): 81. ———. “Querido Amancio: Mario Gandelsonas.” Accessed August 18, 2022. https://www.cca.qc.ca/en/querido-amancio-mario-gandelsonas. ———. “Semiotics, a Tool for Theoretical Development.” In Environmental Design Research, vol. 2, edited by Wolfgang F. E. Preiser, 324–31. Stroudsburg, PA: Dowden, Hutschinson and Ross, 1973. ———, ed. Shanghai Reflections: Architecture, Urbanism, and the Search for an Alternative Modernity. New York: Princeton Architectural Press, 2002. ———. “The City as the Object of Architecture.” Assemblage, no. 37 (1998): 129–44. ———. “The Master Plan as a Political Site.” Assemblage, no. 27 (1995): 19–24. ———. “The Order of the American City: Analytic Drawings of Boston.” Assemblage, no. 3 (1987): 63–71. ———. “The Order of the Modern City.” Royal Institute of British Architects Journal 96, no. 12 (December 1989): 48–56. ———. The Urban Text. Cambridge, MA: MIT Press, 1991. ———. “Umberto Eco y Summa, entrevista.” By Mario Gandelsonas.” Summa, no. 29 (September 1970): 79–80. ———. “Un enfoque teórico de la arquitectura.” Summa, no. 32 (May 1970): 69–73. ———. X-Urbanism: Architecture and the American City. New York: Princeton Architectural Press, 1999. Gandelsonas, Mario, and David Morton. “On Reading Architecture.” Progressive Architecture, no. 3 (March 1972): 68–87. “Program in Generative Design, Grant Application,” 1973. ARCH401304. Fonds IAUS. Canadian Centre for Architecture. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Bernard Tschumi Auricoste, Isabelle, and Hubert Tonka, eds. Parc Ville: Villette. Paris: Champ Vallon, 1987. Baljon, Lodewijk. Designing Parks: An Examination of Contemporary Approaches to Design in Landscape Architecture, Based on a Comparative Design Analysis of Entries for the Concours International, Parc de La Villette, Paris, 1982–3. Amsterdam: Architectura & Natura Press, 1992. Barzilay, Marianne, Catherine Hayward, and Lucette Lombardy-Valentino. L’Invention du parc: Parc de la Villette, Paris: concours international = international competition: 1982–1983. Paris: Graphite; Établissement public du Parc de la Villette, 1984. Coates, Nigel. “Nigel Coates on Teaching with Bernard Tschumi in the 1980s.” Architectural Research Quarterly 19 (September 2015): 196–97. Crippa, Elena, and Tom Vandeputte. “Space as Praxis.” Log, no. 21 (2011): 33–37. Davidson, Cynthia. “Bernard Tschumi: Modes of Inscription.” Any 0, no. 1 (June 1993): 50–53. Dwyre, Cathryn, Chris Perry, and Bernard Tschumi. “Architecture Beyond Architecture.” PAJ: A Journal of Performance and Art 37, no. 1 (2015): 8–15. Charitonidou, Marianna. “Simultaneously Space and Event: Bernard Tschumi’s Conception of Architecture.” ARENA Journal of Architectural Research 5, no. 1 (November 9, 2020): 5. Hardingham, Samantha, and Kester Rattenbury. Bernard Tschumi: Parc de La Villette. New York: Routledge, 2012. Jamieson, Claire. NATØ: Narrative Architecture in Postmodern London. New York: Routledge, 2017. Jamieson, Claire, and Rebecca Roberts-Hughes. “Two Modes of a Literary Architecture: Bernard Tschumi and Nigel Coates.” Architectural Research Quarterly 19 (June 1, 2015): 110–22. Kaji-O’Grady, Sandra. “The London Conceptualists: Architecture and Performance in the 1970s.” Journal of Architectural Education 61, no. 4 (May 2008): 43–51. Martin, Louis. “Against Architecture.” Log, no. 16 (2009): 153–67. ———. “Transpositions: On the Intellectual Origins of Tschumi’s Architectural Theory.” Assemblage, no. 11 (1990): 23–35. Merlini, Luca. L’Archipel Tschumi: cinq îles. Paris: B2 Editions, 2014. Migayrou, Frédéric, ed. Bernard Tschumi: architecture: concept & notation. Paris: Centre Pompidou, 2014. Minnaert, Jean-Baptiste, and Stéphanie Quantin, eds. Jean Tschumi, Architecte. Paris: Cité de l’architecture & du patrimoine; Bernard Chauveau éditions, 2021. Spurr, Sam. “Drawing the Body in Architecture.” Architectural Theory Review 14 (December 1, 2009): 322–32. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Tschumi, Bernard. A Chronicle in Urban Politics. London: Architectural Association, 1973. ———. “Anknüpfungspunkte.” Archithese 22, no. 5 (October 1992): 16–20. ———. Architecture and Disjunction. Cambridge, MA: MIT Press, 1994. ———. “Architecture and Its Double.” Surrealism, Architectural Design Profile, no. 11 (1978): 111–16. ———. “Architecture and Limits I.” Artforum 19, no. 4 (December 1980): 36. ———. “Architecture and Limits II.” Artforum 19, no. 7 (March 1981): 45. ———. “Architecture and Limits III.” Artforum 20, no. 1 (September 1981): 40. ———. “Architecture and Transgression.” Oppositions, no. 7 (Winter 1976): 55–63. ———. Architecture Concepts: Red Is Not a Color. New York: Rizzoli, 2012. ———. “Burrow/Earth.” Domus, no. 610 (October 1980): 32. ———. Cinégram Folie, Le Parc de La Villette. New Designs. Princeton, NJ: Princeton Architectural Press, 1987. ———. “City and Void.” In The Idea of the City: Architectural Associations, edited by Robin Middleton, 136–41. London: AA, 1996. ———. “Concepts Materialized: A Conversation with Bernard Tschumi.” By Grutzen Samton. Praxis, no. 1 (Fall 1999): 58–81. ———. “Demandez Le Programme!” L’Architecture d’aujourd’hui, no. 339 (April 2002): 38–43. ———. “Derrida: An Ally et Un Ami.” Log, no. 4 (Winter 2005): 117–19. ———. “Diasync.” In Anytime, edited by Cynthia Davidson, 168–75. Cambridge, MA: MIT Press, 1999. ———. “Disjonction. Une hypothèse à partir d’œuvres récentes pour montrer comment un design actuel peut être produit de la théorie.” Archithese 18, no. 1 (February 1988): 33–41. ———. Event-Cities: Praxis. Cambridge, MA: MIT Press, 1994. ———. “Henri Lefebvre’s Le Droit à la ville.” Architectural Design 42, no. 9 (September 1972): 581–83. ———. “Homeless Representation: Peter L Wilson—Bridge-Buildings + the Shipshape.” AA Files, no. 9 (Summer 1985): 93–96. ———. “Illustrated Index: Themes from The Manhattan Transcripts.” AA Files, no. 4 (July 1983): 65–74. ———. “Joyce’s Garden in London: A Polemic on the Written Word and the City.” Architectural Design 50, no. 11–12 (1980): 22. ———. “La Stratégie de l’autruche.” L’Architecture d’aujourd’hui, no. 176 (December 1974): 71– 72. ———. “L’Architecture et son double.” In Mélusine. Le Surréalisme sans l’architecture, edited by Henri Behar and Emmanuel Rubio. Paris: L’Âge d’homme, 2009. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. “Le Jardin de Don Juan ou la ville masquée.” L’Architecture d’aujourd’hui, no. 187 (November 1975): 82–83. ———. “Lecture at the Conceptual Architecture Symposium, January 18, 1975.” Architectural Association, 1975. ———. “Les Délices de l’anti-architecture.” L’Architecture d’aujourd’hui, no. 176 (December 1974): 96–105. ———.“Madness and the Combinative.” Precis 5 (Fall 1984): 148–57. ———. “Materialization of Concepts.” In Solid States: Concrete in Transition, edited by Michael Bell and Craig Buckley, 209–17. New York: Princeton Architectural Press, 2010. ———. “Notes towards a Theory of Architectural Disjunction.” A + U 216, no. 9 (September 1988): 12–23. ———. “On Delirious New York: A Critique of Critiques.” International Architect 1, no. 3 (1980): 68–69. ———. “Parc de La Villette, Paris.” Architectural Design 58, no. 2 (1988): 32–39. ———. “Performance/Architecture: An Interview with Bernard Tschumi.” By Omar Khan, and Dorita Hannah. Journal of Architectural Education 61, no. 4 (May 2008): 52–58. ———. Questions of Space: Lectures on Architecture. London: Architectural Association, 1990. ———. “Questions of Space: The Pyramid and the Labyrinth (or the Architectural Paradox).” Studio International 190, no. 977 (October 1975): 136–42. ———. “Sanctuaries.” Architectural Design 43, no. 9 (1973): 575–90. ———. “Six Concepts.” In D 2. New York: Columbia University Press, 1992. ———. “Talking with Bernard Tschumi.” By Joan Ockman. Log, no. 13–14 (2008): 159–70. ———. “Ten Points, Ten Examples.” Any 1, no. 3 (December 1993): 40–43. ———. Textes parallèles. Paris: Institut français d’architecture, 1985. ———. “The Architecture of the Event.” Architectural Design 62, no. 1–2 (February 1992): 24–27. ———. “The Environmental Trigger.” In A Continuing Experiment: Learning and Teaching at the AA, edited by James Gowan. 89–99. London: Architectural Press, 1975. ———. The Manhattan Transcripts. London: Academy Editions; New York: St. Martin’s Press, 1981. ———. “The Pleasure of Architecture.” Architectural Design 47, no. 3 (1977): 214–18. ———. “Through a Broken Lens.” In Anyhow, edited by Cynthia Davidson, 236–41. Cambridge, MA: MIT Press, 1999. ———. Tschumi Parc de La Villette. London: Artifice, 2014. ———. “Urban Pleasures and the Moral Good.” Assemblage, no. 25 (December 1994): 6–13. Tschumi, Bernard, and Matthew Berman, eds. Index Architecture: A Columbia Book of Architecture. Cambridge, MA: MIT Press, 2003. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Bourg, Julian. From Revolution to Ethics: May 1968 and Contemporary French Thought. Montreal: McGill-Queen’s University Press, 2007. Braudel, Fernand. “Histoire et sciences sociales : La Longue durée.” Annales 13, no. 4 (1958): 725– 53. Buchanan, Ian, and Gregg Lambert, eds. Deleuze and Space. Edinburgh: Edinburgh University Press, 2005. Carnap, Rudolf. Der logische Aufbau der Welt. Berlin-Schlachtensee: Weltkreis-Verlag, 1928. Translated by Rolf A. George as The Logical Structure of the World: Pseudoproblems in Philosophy. Berkeley: University of California Press, 1967 ———. Logische Syntax der Sprache. Wien: J. Springer, 1934. Translated by Amethe Smeaton as The Logical Syntax of Language. New York: Harcourt, Brace, 1937. Cassirer, Ernst. Philosophie der symbolischen Formen, Bd. I, Die Sprache. Berlin: B. Cassirer, 1923. Translated by Ralph Manheim as The Philosophy of Symbolic Forms, vol. 1. Language. New Haven, CT: Yale University Press, 1955. ———. Philosophie der symbolischen Formen, Bd. II., das mythische Denken. Berlin: B. Cassirer, 1925. Translated by Ralph Manheim as The Philosophy of Symbolic Forms, vol. 2. Mythical Thought. New Haven, CT: Yale University Press, 1955. ———. Philosophie der symbolischen Formen, Bd. III., Phänomenologie der Erkenntnis. Berlin: B. Cassirer, 1929. Translated by Ralph Manheim as The Philosophy of Symbolic Forms, vol. 3. The Phenomenology of Knowledge. New Haven, CT: Yale University Press, 1957. Coyne, Richard. Derrida for Architects. Abingdon; New York: Routledge, 2011. De Man, Paul. “Sign and Symbol in Hegel’s Aesthetics.” Translated by Andrzej Warminski, 91–104. Critical Inquiry 8, no. 4 (Summer 1982): 761–75. Debord, Guy. La Société du spectacle. Paris: Buchet; Chastel, 1967. Translated by Ken Knabb as Society of the Spectacle. London: Rebel Press, 2005. Deleuze, Gilles. “A Propos des nouveaux philosophes et d’un problème plus général.” Minuit, no. 24 (May 1977). ———. Différence et répétition. Paris: Presses Universitaires de France, 1968. Translated by Paul Patton as Difference and Repetition. New York: Continuum, 2001. ———. Francis Bacon: Logique de la sensation. Paris: Éditions de la Différence, 1981. Translated by Daniel W. Smith as Francis Bacon : The Logic of Sensation. Minneapolis: University of Minnesota Press, 2003. ———. Le Pli: Leibniz et le Baroque. Paris: Éditions de Minuit, 1988. Translated by Tom Conley as The Fold: Leibniz and the Baroque. Minneapolis: University of Minnesota Press, 1993. ———. L’Île déserte et autres textes: textes et entretiens 1953–1974. Edited by David Lapoujade. Paris: Éditions de Minuit, 2002. ———. L’Image-mouvement. Cinéma 1. Paris: Éditions de Minuit, 1983, and L’Image-temps. Cinéma 2. Paris: Éditions de Minuit, 1985. Translated by Hugh Tomlinson and Barbara Habberjam as Cinema. Minneapolis: University of Minnesota, 1986. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. Logique du sens. Paris: Éditions de Minuit, 1969. Translated by Mark Lester and Charles Stivale as The Logic of Sense. London: The Athlone Press, 1990. Deleuze, Gilles, and Félix Guattari. L’Anti-Œdipe. Capitalisme et schizophrénie, t. 1. Paris: Éditions de Minuit, 1972. . Translated by Robert Hurley, Helen R. Lane, and Mark Seem as AntiOedipus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press, 1983. ———. Mille plateaus. Capitalisme et schizophrénie, t. 2. Paris: Éditions de Minuit, 1980. Translated by Brian Massumi as A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press, 1987. ———. Qu’est-ce que la philosophie? Paris: Editions de Minuit, 1991. Translated by Hugh Tomlinson and Graham Burchell as What Is Philosophy? New York: Columbia University Press, 1994. Derrida, Jacques. “A Letter to Peter Eisenman.” Translated by Hilary P. Hanel. Assemblage, no. 12 (1990): 7–13. ———. De la grammatologie. Paris: Éditions de Minuit, 1967. Translated by Gayatri Chakravorty Spivak as Of Grammatology. Baltimore: Johns Hopkins University Press, 1998. ———. De l’esprit: Heidegger et la question. Paris: Galilée, 1987. ———. “Faxitexture.” In Anywhere, edited by Cynthia C. Davidson, 18–33. New York: Rizzoli, 1992. ———. “Force et signification.” Critique 19, no. 193–194 (July 1963): 483–99. Translated by Alan Bass as “Force and Signification.” In Writing and Difference, 3–30. Chicago: University of Chicago Press, 1978. ———. Glas. Paris: Éditions Galilée, 1974. Translated by John P. Leavey and Richard Rand as Glas. Lincoln: University of Nebraska Press, 1986. ———. “Hostipitality.” Translated by Barry Stocker and Forbes Morlock. Angelaki 5, no. 3 (2000): 3–18. ———. “Interview, Architettura ove il desiderio può abitare.” By Eva Meyer. Domus, no. 691 (April 1986): 407–14. ———. “Khôra.” In Poikila, Etudes Offertes à Jean-Pierre Vernant. Paris: Éditions de l’EHESS, 1987. ———. Khôra. Paris: Galilée, 1993. ———. La Carte postale: de Socrate à Freud et au-delà. Paris: Flammarion, 2003. ———. La Dissémination. Paris: Seuil, 1972. Translated by Barbara Johnson as Dissemination. Chicago: University Press, 1981. ———. La Vérité en peinture. Paris: Flammarion, 1978. Translated by Geoff Bennington and Ian McLeod as The Truth in Painting. Chicago: University of Chicago Press, 1987. ———. La Voix et le phénomène: introduction au problème du signe dans la phénoménologie de Husserl. Paris: Presses universitaires de France, 1967. Translated by Leonard Lawlor as Voice and Phenomenon: Introduction to the Problem of the Sign in Husserl’s Phenomenology. Evanston, Ill: Northwestern University Press, 2011. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. L’Écriture et la différence. Paris: Seuil, 1967. Translated by Alan Bass as Writing and Difference. Chicago: University of Chicago Press, 1978. ———. Les Arts de l’espace: écrits et interventions sur l’architecture. Edited by Ginette Michaud and Joana Masó. Paris: Différence, 2015. ———. “Lettre Manuscrite et Dactylographiée de Jacques Derrida à Peter Eisenman,” May 30, 1986. Fonds Jacques Derrida, DRR 210-1/3. Archives Institut Mémoires de l’édition contemporaine. ———. Limited Inc. Paris: Galilée, 1990. Translated by Samuel Weber as Limited Inc., Abc. Baltimore: Johns Hopkins University Press, 1977. ———. Mal d’archive: une impression freudienne. Paris: Galilée, 1995. Translated by Eric Prenowitz as Archive Fever : A Freudian Impression. Chicago: University of Chicago Press, 1996. ———. Marges de la philosophie. Paris: Éditions de Minuit, 1972. Translated by Alan Bass as Margins of Philosophy. Chicago: University of Chicago Press, 1982. ———. “POINT DE FOLIE—MAINTENANT L’ARCHITECTURE. Bernard Tschumi: La Case Vide— La Villette, 1985.” AA Files, no. 12 (1986): 65–75. ———. Psyché: Inventions de l’autre. II. Paris: Galilée, 2003. Translated by Peggy Kamuf and Elizabeth Rottenberg as Psyche: Inventions of the Other. Stanford, CA: Stanford University Press, 2007. ———. Spectres de Marx: L’État de la dette, le travail du deuil et la nouvelle internationale. Paris: Galilée, 1993. Translated by Peggy Kamuf as Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. New York: Routledge, 1994. Derrida, Jacques, and Peter Eisenman. “Séquence 2 - Scène 2.” Cahiers du CCI, no. 1 (1985): 51– 54. Engels, Friedrich. Die Lage der arbeitenden Klasse in England. Leipzig: Verlag Otto Wigand, 1845. Translated by Florence Kelley Wischnewtzky as The Condition of the Working-Class in England in 1844: With Preface Written in 1892. London: Allen and Unwin, 1892. Eyers, Tom. Post-Rationalism: Psychoanalysis, Epistemology, and Marxism in Post-War France. London ; New York: Bloomsbury Publishing, 2013. Foucault, Michel. Histoire de la folie à l’âge classique. Paris: Gallimard, 1972. Translated by Jean Khalfa and Jonathan Murphy as History of Madness. London; New York: Routledge, 2006. ———. L’Archéologie du savoir. Paris: Gallimard, 1969. Translated by Alan Sheridan as The Archaeology of Knowledge. New York: Pantheon Books, 1972. ———. Les Mots et les choses: une archéologie des sciences humaines. Paris: Gallimard, 1966. Translated by Alan Sheridan as The Order of Things: An Archaeology of the Human Sciences. London: Routledge, 2002. ———. “Préface à la transgression.” Critique, no. 195–96 (September 1963): 751–69. Translated by Donald F. Bouchard and Simon Sherry as “A Preface to Transgression.” In Language, version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Counter-Memory, Practice : Selected Essays and Interviews, 29–52. Ithaca, NY: Cornell University Press, 1977. ———. Raymond Roussel. Paris: Gallimard, 1963. Translated by Charles Ruas as Death and the Labyrinth: The World of Raymond Roussel. New York: Continuum, 2004. ———. Surveiller et punir: naissance de la prison. Paris: Gallimard, 1975. Translated by Alan Sheridan as Discipline and Punish: The Birth of the Prison. New York: Pantheon Books, 1977. Ferry, Luc, and Alain Renaut. La Pensée 68: essai sur l’anti-humanisme contemporain. Paris: Gallimard, 1985. Freud, Sigmund. “Die Verneinung.” Imago 11, no. 3 (1925): 217–21. Translated by Joan Riviere as “The Negation.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 19, 235–39. London: Hogarth Press, 1971. Freud, Sigmund, and Carl Gustav Jung. Briefwechsel. Edited by William McGuire and Wolfgang Sauerländer. Frankfurt am Main: Fischer, 1984. Translated by Ralph Manheim and R. F. C. Hull as The Freud/Jung Letters: The Correspondence between Sigmund Freud and C. G. Jung. Princeton, NJ: Princeton University Press, 1974. Fukuyama, Francis. The End of History and the Last Man. New York: Free Press; Toronto: Maxwell Macmillan Canada, 1992. Goldstein, Rebecca. Incompleteness: The Proof and Paradox of Kurt Gödel. New York: W.W. Norton, 2005. Halbwachs, Maurice. La Mémoire collective. Paris: Presses universitaires de France, 1950. Translated by Francis J. Ditter and Vida Yazdi Ditter as The Collective Memory. New York: Harper & Row, 1980. Hallward, Peter, and Knox Peden, eds. Concept and Form. London ; Brooklyn, NY: Verso, 2012. Hegel, Georg Wilhelm Friedrich. Die Phänomenologie des Geistes. Bamberg: Joseph Anton Goebhardt, 1807. Translated by Arnold V. Miller as Phenomenology of Spirit. Oxford ; New York: Oxford University Press, 1977. ———. Georg Wilhelm Friedrich Hegel’s Vorlesungen über die philosophie der Geschichte. Berlin: Verlag von Duncker und Humblot, 1837. Translated by H. B. Nisbet and Johannes Hoffmeister as Lectures on the Philosophy of World History : Introduction, Reason in History. York: Cambridge University Press, 1975. ———. Vorlesungen über die Aesthetik. Berlin: Duncker & Humblot, 1835. Translated by T. M. Knox as Aesthetics: Lectures on Fine Art, vol. 1. and Aesthetics: Lectures on Fine Art, vol. 2. Oxford: Clarendon Press, 1988. Husserl, Edmund. Edmund Husserl, L’Origine de la géométrie. Translated in French by Jacques Derrida. Paris: Presses universitaires de France, 1962. Jdey, Adnen, ed. Derrida et la question de l’art: déconstructions de l’esthétique. Nantes: Cécile Defaut, 2011. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Kant, Immanuel. Kritik der reinen Vernunft. Riga: Hartknoch, 1781. Translated by Paul Guyer and Allen W. Wood as Critique of Pure Reason. Cambridge ; New York: Cambridge University Press, 1998. Koffka, Kurt. Principles of Gestalt Psychology. New York: Harcourt, Brace & Company, 1935. Lacan, Jacques. Écrits. Paris: Seuil, 1966. Translated by Bruce Fink as Écrits: The First Complete Edition in English. New York; London: W. W. Norton, 2007. ———. Le Séminaire de Jacques Lacan, L’éthique de la psychanalyse 1959–1960, tome VII. Paris: Seuil, 2019. Translated by Dennis Porter as The Seminar of Jacques Lacan, The Ethics of Psychonalysis, 1959–60, vol. 7. New York: Norton and Company, 1992. Lahiji, Nadir. Adventures with the Theory of the Baroque and French Philosophy. London ; New York: Bloomsbury, 2016. Latour, Bruno. Nous n’avons jamais été modernes: essai d’anthropologie symetrique. Paris: La Découverte, 1991. Translated by Catherine Porter as We Have Never Been Modern. Cambridge, MA: Harvard University Press, 1993. Lefebvre, Henri. Critique de la vie quotidienne. Paris: L’Arche, 1958–81. Translated by John Moore and Gregory Elliot as Critique of Everyday Life. London: Verso, 2008. ———. La Production de l’espace. Paris: Éditions Anthropos, 1974. Translated by Donald Nicholson-Smith as The Production of Space. Cambridge, MA: Blackwell, 1991. ———. Le Droit à la ville. Paris: Anthropos, 1968. ———. “L’Irruption de Nanterre au sommet.” L’Homme et la Société 8, no. 1 (1968): 49–99. ———. Toward an Architecture of Enjoyment. Edited by Łukasz Stanek. Translated by Robert Bononno. Minneapolis: University of Minnesota Press, 2014. Leibniz, Gottfried Wilhelm. Leibniz’s Monadology: A New Translation and Guide. Translated by Lloyd Strickland. Edinburgh: Edinburgh University Press, 2014. Lyotard, Jean-François. La Condition postmoderne: Le Rapport sur le savoir. Paris: Éditions de Minuit, 1979. Translated by Geoff Bennington and Brian Massumi as The Postmodern Condition: A Report on Knowledge. Minneapolis: University of Minnesota Press, 1984. Maniglier, Patrice, ed. Le Moment philosophique des années 1960 en France. Paris: Presses universitaires de France, 2011. Marx, Karl. Das Kapital: Kritik der politischen Ökonomie. Hamburg: Meissner, 1872. Translated by Ben Fowkes as Capital: A Critique of Political Economy. New York: Penguin Books, 1990– 1993. Marx, Karl, and Friedrich Engels. Manifest Der Kommunistischen Partei. London: BildungsGesellschaft für Arbeiter von J. E. Burghard, 1848. Translated by Samuel Moore as The Communist Manifesto. New York: Penguin, 2002. McDonough, Tom. “The Beautiful Language of My Century”: Reinventing the Language of Contestation in Postwar France, 1945–1968. Cambridge, MA: MIT Press, 2007. ———, ed. The Situationists and the City. London; New York: Verso, 2009. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Nesbitt, Nick, ed. The Concept in Crisis: Reading Capital Today. Durham, NC: Duke University Press, 2017. Ndiaye Berankova, Jana, Michal Hauser, and Nick Nesbitt, eds. Revolutions for the Future: May ’68 and the Prague Spring. Lyon: Suture Press, 2020. Planck, Max. Wissenschaftliche Selbstbiographie. Leipzig: Johann Ambrosius Barth Verlag, 1948. Translated by Frank Gaynor as Scientific Autobiography, and Other Papers. New York: Philosophical Library, 1949. Plato. Timaeus and Critias. Translated by Robin Waterfield. New York: Oxford University Press, 2008. Rancière, Jacques. La Leçon d’Althusser. Paris: Gallimard, 1974. Translated by Emiliano Battista as Althusser’s Lesson. New York: Continuum, 2011. Ross, Kristin. May ’68 and Its Afterlives. Chicago: University of Chicago Press, 2002. Silverman, Hugh J., ed. Derrida and Deconstruction. New York ; London: Routledge, 1989. Starr, Peter. Logics of Failed Revolt: French Theory after May ’68. Stanford, CA: Stanford University Press, 1995. Wittgenstein, Ludwig. Tractatus Logico-Philosophicus. London: K. Paul, Trench, Trubner & co., 1922. Translated by D. F. Pears and B. F. McGuinness as Tractatus Logico-Philosophicus. London : New York, NY: Routledge, 2002. Structuralism, linguistics, literary theory, and literature Barthes, Roland. “Éléments de sémiologie.” Communications 4, no. 1 (1964): 91–135. Translated by Annette Lavers and Colin Smith as Elements of Semiology. New York: Hill and Wang, 1977. ———. “Introduction à l’analyse structurale des récits.” Communications 8, no. 1 (1966): 1–27. Translated by Lionel Duisit as “An Introduction to the Structural Analysis of Narrative.” New Literary History 6, no. 2 (1975): 237–272. ———. “L’Activité structuraliste.” Lettres nouvelles, no. 32 (February 1963): 71–80. Translated by Stephen Bann as “The Activity of Structuralism.” Form, no. 1 (Summer 1966): 12–13. ———. “L’Ancienne rhétorique.” Communications 16, no. 1 (1970): 172–223. ———. Le Plaisir du texte. Paris: Seuil, 1973. Translated by Richard Miller as The Pleasure of the Text. New York: Hill and Wang, 1975. ———. Mythologies. Paris: Seuil, 1957. Translated by Annette Lavers as Mythologies. New York: Noonday Press, 1972. ———. “Rhétorique de l’image.” Communications, no. 4 (1964): 40–51. Translated in English as “The Rhetoric of the Image.” In Classic Essays on Photography, edited by Alan Trachtenberg, 269–285. Stony Creek: Leete Island’s Books, 1980. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. Sade, Fourier, Loyola. Paris: Seuil, 1971. Translated by Richard Miller as Sade, Fourier, Loyola. New York: Hill and Wang, 1976. ———. Sarrasine de Balzac: Séminaires à l’Ecole pratique des hautes études, 1967–1968, 1968– 1969. Edited by Claude Coste and Andy Stafford. Paris: Seuil, 2011. ———. “Semiologia e urbanistica,” Op. Cit., no. 10 (1967): 7–17. Translated in by Richard Howard as “Semiology and Urbanism.” Via 2 (1973): 155–57. ———. Système de la mode. Paris: Seuil, 1967. Translated by Matthew Ward and Richard Howard as The Fashion System. New York: Hill and Wang, 1983. ———. S/Z. Paris: Seuil, 1970. Translated by Richard Miller as S/Z. New York: Hill and Wang : The Noonday Press, 1974. ———. “The Death of the Author (1967).” In Image, Music, Text, translated by Stephen Heath, 142–148. New York: Noonday Press, 1988. ———. La Tour Eiffel. Paris: Delpire, 1964. Translated in English as “The Eiffel Tower.” In The Eiffel Tower, and Other Mythologies, 3–17. Berkeley: University of California Press, 1997. Bataille, Georges. “La Notion de dépense.” La Critique Sociale 7 (1933): 7–15. Translated by Allan Stoekl as “The Notion of Expenditure.” In Visions of Excess, edited by Allan Stoekl, 116–29. Minneapolis: University of Minnesota Press, 1985. ———. Le Bleu du ciel : roman. Paris: J. Pauvert, 1957. Translated by Harry Mathews as Blue of Noon. London: Grafton Books, 1988. ———. “L’Érotisme.” In Œuvres complètes, v. X., L’érotisme. Le procès de Gilles de Rais. Les larmes d’Eros., by Georges Bataille, 1–270. Paris: Gallimard, 1970. Translated by Mary Dalwood as Death and Sensuality: A Study of Eroticism and the Taboo. New York: Walker, 1962. Baudelaire, Charles. “Correspondances.” In Les Fleurs du mal. Paris: Poulet-Malassis et de Broise, 1857. Translated by Richard Howard as “Correspondences.” In Les Fleurs Du Mal: The Complete Text of The Flowers of Evil. Boston: D.R. Godine, 1983. Benveniste, Émile. “La Nature des pronoms.” In For Roman Jakobson: Essays on the Occasion of His Sixtieth Birthday, 11 October 1956, edited by Morris Halle, 34–37. The Hague: Mouton, 1956. Translated by Mary Elizabeth Meek as “The Nature of Pronouns.” In Problems in General Linguistics, 217–22. Coral Gables: FA: University of Miami Press, 1971. Blanchot, Maurice. La Folie du jour. Montpellier: Fata Morgana, 1973. Translated by Lydia Davis as The Madness of the Day. Barrytown, NY: Station Hill Press, 1981. Culler, Jonathan D. Ferdinand de Saussure. New York: Penguin Books, 1977. ———. On Deconstruction: Theory and Criticism after Structuralism. Ithaca, NY: Cornell University Press, 1982. ———. Structuralist Poetics: Structuralism, Linguistics and the Study of Literature. Ithaca, NY: Cornell University Press, 1975. Cusset, François. French Theory : How Foucault, Derrida, Deleuze, & Co. Transformed the Intellectual Life of the United States. Minneapolis: University of Minnesota Press, 2008. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Chatman, Seymour Benjamin, Umberto Eco, and Jean-Marie Klinkenberg, eds. A Semiotic Landscape: Proceedings of the First Congress of the International Association for Semiotic Studies, Milan, June 1974. The Hague ; New York: Mouton, 1979. Chomsky, Noam. Aspects of the Theory of Syntax. Cambridge, MA: MIT Press, 1965. ———. Cartesian Linguistics: A Chapter in the History of Rationalist Thought. New York: Harper & Row, 1966. Dosse, François. Histoire du structuralisme. Paris: Editions la Découverte, 1991. Translated by Deborah Glassman as History of Structuralism. Minneapolis, MN: University of Minnesota Press, 1997. Eco, Umberto. “A Componential Analysis of the Architectural Sign /Column/.” Translated by David Osmond-Smith. Semiotica 5, no. 2 (1972): 97–117. ———. La Struttura assente: Introduzione alla ricerca semiologica. Milan: Bompiani, 1968. ———. Opera aperta: forma e indeterminazione nelle poetiche contemporanee. Milan: Bompiani, 1962. Translated by Anna Cancogni as The Open Work. Cambridge, MA: Harvard University Press, 1989. ———. Semiotica e filosofia del linguaggio. Turin: G. Einaudi, 1984. Translated as Semiotics and the Philosophy of Language. Bloomington: Indiana University Press, 1984. Ffrench, Patrick. The Time of Theory: A History of Tel Quel (1960–1983). Oxford ; New York: Clarendon Press, 1995. Godard, Jean-Luc and Jean-Pierre Gorin. A Letter to Jane: Investigation about a Still. Groupe Dziga Vertov, 1972. Guerlac, Suzanne. “Bataille in Theory: Afterimages (Lascaux).” Diacritics 26, no. 2 (1996): 6–17. Haroche, Claudine, Paul Henry, and Michel Pêcheux. “La sémantique et la coupure saussurienne : langue, langage, discours.” Langages 6, no. 24 (1971): 93–106. Harris, Roy. Saussure and His Interpreters. Edinburgh: Edinburgh University Press, 2003. Huyssen, Andreas. “Mapping the Postmodern.” New German Critique, no. 33 (1984): 5–52. Hollier, Denis. La Prise de La Concorde: Essais Sur Georges Bataille. Paris: Gallimard, 1974. Translated by Betsy Wing as Against Architecture: The Writings of Georges Bataille. Cambridge, MA: MIT Press, 1989. Jakobson, Roman. “Closing Statement: Linguistics and Poetics.” In Style in Language, edited by Thomas Sebeok, 350–77. Cambridge, MA: Technology Press of Massachusetts Institute of Technology, 1960. ———. “Shifters, Verbal Categories, and the Russian Verb.” In Russian and Slavic Grammar : Studies, 1931–1981, 41–58. New York: Mouton Publishers, 1984. ———. “Two Aspects of Language and Aphasic Disturbances (1956).” In Selected Writings, vol. II., Word and Language, 239–59. The Hague: Mouton, 1971. Kristeva, Julia. “Du sujet en linguistique.” Langages 6, no. 24 (1971): 107–26. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. ———. “Introduction: Le Lieu sémiotique.” In Essays in Semiotics. Essais de sémiotique, edited by Julia Kristeva, Josette Rey-Debove, and Donna Jean Umiker, 1–8. The Hague: Mouton, 1971. ———. La Révolution du langage poétique; l’avant-garde à la fin du XIXe siècle, Lautréamont et Mallarmé. Paris: Seuil, 1974. Translated by Margaret Waller as Revolution in Poetic Language. New York: Columbia University Press, 1984. ———. “La Sémiologie: science critique et/ou critique de la science.” In Théorie d’ensemble, 80– 93. Paris: Seuil, 1968. Translated by Séan Hand as “Semiotics: A Critical Science and/or Critique of Science.” In The Kristeva Reader, edited by Toril Moi, 74–88. New York: Columbia University Press, 1986. ———. “Le texte clos.” Langages 3, no. 12 (1968): 103–25. ———. Le Texte du roman ; approche sémiologique d’une structure discursive transformationnelle. The Hague: Mouton, 1970. ———. “Objet, complément, dialectique.” Critique, no. 285 (February 1971): 99–131. ———. “Pour une sémiologie des paragrammes.” Tel Quel, no. 29 (Spring 1967): 53–75. Translated by Roland-François Lack as “Towards a Semiology of Paragrammes.” In Tel Quel Reader, edited by Patrick Ffrench and Roland-François Lack, 25–49. London: Routledge, 1998. ———. Pouvoirs de l’horreur: essai sur l’abjection. Paris: Seuil, 1983. Translated by Léon S. Roudiez as Powers of Horror: An Essay on Abjection. New York: Columbia University Press, 1982. ———. Sēmeiōtikē: recherches pour une sémanalyse. Paris: Seuil, 1969. ———. “Stabat Mater.” In Histoires d’amour, 225–47. Paris: Denoël, 1983. Translated by Arthur Goldhammer as “Stabat Mater.” Poetics Today 6, no. 1/2 (1985): 133–52. ———. The Kristeva Reader. Edited by Toril Moi. New York: Columbia University Press, 1986. Lechte, John. Julia Kristeva : Live Theory. New York: Continuum, 2004. Lévi-Strauss, Claude. Anthropologie structurale. Paris: Plon, 1958. Translated by Claire Jakobson and Brooke Grundfest Schoepf as Structural Anthropology. New York: Basic Books, 1963. ———. Anthropologie structurale, t. II. Paris: Plon, 1973. Translated by Monique Layton as Structural Anthropology, vol. 2. Chicago: University of Chicago Press, 1983. ———. La Pensée sauvage. Paris: Plon, 1962. Translated by George Weidenfeld as The Savage Mind. London: Weidenfeld and Nicholson, 1966. ———. Le Cru et le cuit. Paris: Plon, 1964. Translated by Doreen Weightman and Weightman John as The Raw and the Cooked. New York: Octagon Books, 1979. ———. “The Structural Study of Myth.” The Journal of American Folklore 68, no. 270 (1955): 428– 44. ———. Tristes Tropiques. Paris: Plon, 1955. Translated by John Russell as Tristes Tropiques. New York: Criterion Books, 1961. Lyons, John. Introduction to Theoretical Linguistics. London: Cambridge University Press, 1968. version 1.0 Tento výsledek byl finančně podpořen z Operačního programu Jan Amos Komenský a je součástí výzkumného projektu „ArchConcepts. Form Follows Language, Theory of Architecture and Continental Philosophy 1960-1990“, identifikační kód: EH22_010/0008600. Mallarmé, Stéphane. “Quelques médaillons et portraits en pied.” In Œuvres complètes. Paris: Gallimard, 1998 Metz, Christian. Langage et cinéma. Paris: Librairie Larousse, 1971. Translated by Donna Jean Umiker-Sebeok as Language and Cinema. The Hague: Mouton, 1974. ———. “Le Signifiant imaginaire.” Communications 23, no. 1 (1975): 3–55. Morris, Charles W. Foundations of the Theory of Signs. Chicago: The University of Chicago Press, 1938. Mukařovský, Jan. “Estetická funkce, norma a hodnota jako sociální fakty.” In Studie z estetiky, edited by Felix Vodička, 17–54. Prague: Odeon, 1966. Musil, Robert. Tagebücher. Edited by Adolf Frisé. Reinbek: Rowohlt, 1976. Translated by Philip Payne as Diaries, 1899–1941. Edited by Mark Mirsky. New York, NY: Basic Books, 1998. Ogden, Charles Kay, and Ivor Armstrong Richards. The Meaning of Meaning; a Study of the Influence of Language upon Thought and of the Science of Symbolism. New York: Harcourt, Brace & Company, 1923. Piaget, Jean. Le Structuralisme. Paris: Presses universitaires de France, 1968. Translated by Chaninah Maschler as Structuralism. New York: Basic Books, 1970. Rimbaud, Arthur. Selected Poems and Letters. Translated by John Sturrock and Jeremy Harding. London: Penguin Books, 2004. Rousset, Jean. Forme et signification: essais sur les structures littéraires de Corneille à Claudel. Paris: J. Corti, 1962. Saussure, Ferdinand de. Cours de linguistique générale. Paris: Payot, 1916. Translated by Wade Baskin, Perry Meisel, and Haun Saussy as Course in General Linguistics. New York: Columbia University Press, 2011. Sollers, Philippe. L’Écriture et l’expérience des limites. Paris: Seuil, 1968. Translated by David Hayman as Writing and the Experience of Limits. New York: Columbia University Press, 1983. Sollers, Philippe, ed. Bataille. Paris: Union générale d’éditions, 1973. Sturrock, John, ed. Structuralism and Since: From Lévi Strauss to Derrida. Oxford; New York: Oxford University Press, 1979. Tomashevsky, Boris. “Thematics.” In Russian Formalist Criticism: Four Essays, edited and translated by Lee T. Lemon and Marion J. Reis. Lincoln, NE: University of Nebraska Press, 1965. Theory and history of art Alberti, Leon Battista. Leon Battista Alberti: On Painting: A New Translation and Critical Edition. Translated by Rocco Sinisgalli. New York: Cambridge University Press, 2011. Barr, Alfred H. “Is Modern Art Communistic?” New York Times, December 1952.