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Network degradation effects on different codec types and characteristics of video streaming

Frnda, Jaroslav

Abstract

Nowadays, there is a quickly growing demand for the transmission of voice, video and data over an IP based network. Multimedia, whether we are talking about broadcast, audio and video transmission and others, from a global perspective is growing exponentially with time. With incoming requests from users, new technologies for data transfer are continually developing. Data must be delivered reliably and with the fewest losses at such high speed. Video quality as part of multimedia technology has a very important role nowadays. It is influenced by several factors, where each of them can have many forms and processing. Network performance is the major degradation effect that influences the quality of resulting image. Poor network performance (lack of link capacity, high network load…) causes data packet losses or different delivery time for each packet. This work focuses exactly on these network phenomena. It examines the impact of different delays and packet losses on the quality parameters of triple play services, to evaluate the results using objective methods. The aim of this work is to bring a detailed view on the performance of video streaming over IP-based networks.

Full text

DIGITAL IMAGE PROCESSING AND COMPUTER GRAPHICS VOLUME: 12 |NUMBER: 4 |2014 |SPECIAL ISSUE Ne wo k Deg ada ion E ec s on Di e en Codec Types and Cha ac e is ics o Video S eaming Ja osla FRNDA1, Lukas SEVCIK1, Mi osla UHRINA2, Mi osla VOZNAK1 1Depa men o Telecommunica ions, Facul y o Elec ical Enginee ing and Compu e Science, VSB–Technical Uni e si y o Os a a, 17. lis opadu 15, 708 00 Os a a-Po uba, Czech Republic 2Depa men o Telecommunica ions and Mul imedia, Facul y o Elec ical Enginee ing, Uni e si y o Zilina, Uni e zi na 8215/1, 010 07, Zilina, Slo akia ja osla[email p o ec ed], lukas.se [email p o ec ed], mi osla[email p o ec ed], mi osla . [email p o ec ed] Abs ac . Nowadays, he e is a quickly g owing de- mand o he ansmission o oice, ideo and da a o e an IP based ne wo k. Mul imedia, whe he we a e alking abou b oadcas , audio and ideo ansmis- sion and o he s, om a global pe spec i e is g owing exponen ially wi h ime. Wi h incoming eques s om use s, new echnologies o da a ans e a e con in- ually de eloping. Da a mus be deli e ed eliably and wi h he ewes losses a such high speed. Video qual- i y as pa o mul imedia echnology has a e y impo - an ole nowadays. I is in luenced by se e al ac o s, whe e each o hem can ha e many o ms and p ocess- ing. Ne wo k pe o mance is he majo deg ada ion e - ec ha in luences he quali y o esul ing image. Poo ne wo k pe o mance (lack o link capaci y, high ne - wo k load. . . ) causes da a packe losses o di e en deli e y ime o each packe . This wo k ocuses ex- ac ly on hese ne wo k phenomena. I examines he impac o di e en delays and packe losses on he qual- i y pa ame e s o iple play se ices, o e alua e he esul s using objec i e me hods. The aim o his wo k is o b ing a de ailed iew on he pe o mance o ideo s eaming o e IP-based ne wo ks. Keywo ds Delay a ia ion, packe loss, PSNR, SSIM, ideo quali y assessmen . 1. In oduc ion The g ow h o he In e ne ne wo k is using mo e and mo e esou ces o pe o mance analysis. This is simu- la ed using di e en models. This wo k compa es he pe o mance o he ne wo k om an expe imen al iew- poin . The objec i e o his wo k is o analyse a ious impac s on ansmi ed ideo, such as packe loss, ji - e , eo de ing. The wo k ocuses on he p esence o ideo and da a packe s in he ne wo k. I compa es he impac o da a loss and ou o o de da a. The esul s show whe he i is be e o ge he packe s in a di e en o de o comple ely los . I compa es s a ic and dynamic ideo; a ying quali y o he ansmi - ed ideo. We compa e he impac o he size o he ansmi ed da a. We deal wi h objec i e me hods o he e alua ion o he quali y o ideos in he wo ks. The e a e many a ibu es o he ideo image. These can be compa ed; he e o e, o measu e he exploi s o se e al o he mos well-known me hods o he e alua ion o image qual- i y. Each me hod has di e en p ocedu es and di e en me ic e alua ion sys em. We apply packe loss o e p ede e mined s eps on s eam. The indi idual objec- i e me hods will e alua e he cap u ed s eams. The aim o he pape is o e alua e he impac o loss du ing ansmission using di e en comp ession echnologies om se e al di e en pe spec i es. 2. S a e o he A The ecen ly g owing in e es in eal- ime se ice (such as audio and ideo) ans e h ough packe ne wo ks based on IP p o ocol has led o analyses o hese se - ices and hei beha io in such ne wo ks becoming mo e in ensi e. Logically, he g ea es emphasis is be- ing pu on he ans e o oice, since his se ice is he mos sensi i e o he o e all ne wo k s a us. Bu on he o he hand, ideo has become he majo i y pa o all da a a ic sen ia IP ne wo ks. In gene al, a ideo se ice is one-way se ice (excep e.g. ideo calls) so ne wo k delay is no such an impo an ac- o as in oice se ice. Dominan ne wo k ac o s ha in luence he inal ideo quali y a e especially packe loss, delay a ia ion and he capaci y o he ansmis- c 2014 ADVANCES IN ELECTRICAL AND ELECTRONIC ENGINEERING 377 DIGITAL IMAGE PROCESSING AND COMPUTER GRAPHICS VOLUME: 12 |NUMBER: 4 |2014 |SPECIAL ISSUE sion links [1]. Analysis o ideo quali y concen a es on he esis ance o ideo codecs o packe loss in he ne wo k, which causes a e ac s in he ideo [2], [3]. On he o he hand, a ew ac o s s ill lack, such as a complex iew o ideo pa ame e s on he inal ideo quali y. In ou p e ious wo ks [4], [7], we ocused on he quali y o he iple play se ice p edic ion model implemen a ion, whe e one pa was dedica ed o he quali y o he ideo se ice. The main mo i a ion behind his wo k is o ex end he men ioned compu a ional model and b ing a com- plex iew o all ideo pa ame e s like codec ype, cha - ac e and esolu ion, and hei in luence on nega i e ne wo k ac o s esis ance. In addi ion o packe loss, we ocused on ano he ne wo k dis up ion phenomenon called delay a ia ion (also known as ji e ). This phe- nomenon is e y o en o e looked due o de-ji e bu e implemen a ion on he ecei ing side, bu o be e p ocess o ne wo k si ua ion modeling and p edic ion, i is good o know how i in luences he inal ideo quali y. 3. Me hodology 3.1. Video P ocessing 1) Size o Digi al Image Da a The olume o digi al ideo da a is usually desc ibed in he e minology o bandwid h o ans e a e. Band- wid h o a classical digi al ideo ansmission wi hou comp ession is up o hund eds o Mbps. The amoun o da a o he pic u e signal is highe wi h an inc ease in esolu ion. The olume o da a is a majo p oblem in he ansmission, p ocessing, s o age and display o ideo in o ma ion. Digi al ideo compa ed wi h s a ic images is e y sensi i e o memo y needed sa ing [5]. S anda d ele ision b oadcas ing has a ame a e o a leas 25 ps ( ames pe second), [6]. I is su icien o he delay in pe cep ion o he human eye. E e y second o he mo ie a esolu ion 1080p (Full HD) o uncomp essed ideo can ake up o ens o megaby es o memo y. Video ypically con ains a la ge amoun o edundan da a. Those can be emo ed using he app op ia e comp ession algo i hms [5]. 2) Video T ansmission To ans e ideo iles, undamen ally un eliable p o o- cols a e used. The p inciple consis s in sending and e- cei ing da a wi hou eedback be ween he sende and he ecipien . Fac o s a ec ing he ideo ansmission a e: •La ency: This is he ime ha elapses be ween sending a message om he sou ce and adop ion o he des ina ion node. •Packe o de : Va iabili y in he packe deli e y ime o he des ina ion node causes inco ec o - de . •Packe loss: This is he a e age numbe o packe s ha a i e a he des ina ion node due o he s a e o he ne wo k. I is mos o en exp essed as a pe cen age. •Bandwid h: This exp esses he capaci y o he ansmission channel. •Delay: This is caused by o e c owding he packe queue on he ou going in e ace [5]. 3) Me hods o E alua ing he Quali y In he wo k, we used he objec i e me hods - PSNR and SSIM. Objec i e e alua ion me ic in ol es he use o he me ic’s compu a ional me hods, which o m a "sco e" o he quali y o he in es iga ed ideo. These me hods measu e he physical cha ac e is ics o he ideo signal, such as he ampli ude, iming and signal- o-noise a io. PSNR (Peak signal- o-noise a io) is he a io be- ween he maximum signal ene gy and noise ene gy. I is exp essed on a loga i hmic scale because di e - en signals ha e di e en dynamic anges. PSNR in decibels is de ined by he o mula [7]: PSNR = 10 log10 MAX2 I MSE [dB],(1) whe e MAX is he maximum alue ha he pixel can ake (e.g. 255 o 8-bi image) and MSE is he di e ence be ween wo gay-le el images o ideo se- quences. Technically, MSE e lec s he di e si y o he image, while PSNR exp esses i s iden i y. The s onges PSNR me hod is an easy and as calcula- ion, which is he eason why i is s ill used e y o en in scien i ic pape s al hough he co ela ion wi h he human pe cep ion is wo se han SSIM [6], [8]. The SSIM (S uc u al Simila i y Index) me hod in- cludes h ee componen s - he simila i y o he in en- si y, he co esponding con as and he co espond- ing s uc u e. The combina ion o hese h ee ac o s o ms one alue. This demons a es he quali y o he es ideo. This me hod di e s by e alua ing s uc- u al dis o ion and no e o a e. The main eason o his di e ence is cha ac e is ic o he human i- sual sys em. This pe cei ed dis o ion changes in he s uc u e o he ame much be e han he e o a e. Since he SSIM me hod achie es a good co ela ion o c 2014 ADVANCES IN ELECTRICAL AND ELECTRONIC ENGINEERING 378 DIGITAL IMAGE PROCESSING AND COMPUTER GRAPHICS VOLUME: 12 |NUMBER: 4 |2014 |SPECIAL ISSUE he subjec i e imp ession, a ing is de ined in he in- e al [0–1], whe e 0 ep esen s he wo s alue and 1 he bes one (iden i y), [7]. 3.2. Video Quali y E alua ion The aim o he measu emen was o simula e he e ec o packe loss and ji e o he ideo o ma s MPEG-2 and MPEG-4, o de e mine he impac on he esul - ing image using objec i e me hods o measu ing he quali y o he ideo and compa ing he esul s. We made measu emen s o one s a ic and wo dynamic ideos o 25 seconds. All he mo ies we e measu ed a a esolu ion o 720×576 (PAL), 1280×720 (HD) and 1920×1080 (Full HD). S a ic ideo was ep esen ed by TV news (slow mo ion), he i s dynamic ideo by a space shu le launch and he hi d ideo wi h he highes bi a e (60 Mbps) by an open sou ce anima ed mo ie called Big Buck Bunny. The whole p ocess o measu ing is shown in he Fig. 1 and Fig. 2. To e alu- a e he quali y we used he me hods SSIM and PSNR. SSIM co ela es be e wi h he pe cep ion o he hu- man eye [6]. We e alua ed hese me hods using MSU VQM Tools. As a i s s ep, we c ea ed a s eam in he VLC Playe . As o he ideo con en , s eaming p ocess RTP/UDP/IP me hod wi h MPEG2(TS) and H.264(MP4) was used. This b oadcas he ideo s eam on he local com- pu e in e ace. We cap u ed and sa ed he s eam o disk using ano he VLC Playe . We sa ed his ans e ideo and agged i as he o iginal ideo. Ou es ing scena ios e lec he si ua ion ha can ac ually hap- pen in he ne wo k. Especially he mobile ne wo ks capable o using IP a chi ec u e like UMTS and LTE each high alues o packe loss and delay a ia ion [10]. Fo he pu pose o se ings o ou scena ios, we used Linux ool called Ne em. Ne em p o ides Ne - wo k Emula ion unc ionali y o es ing p o ocols by emula ing he p ope ies o wide a ea ne wo ks. The cu en e sion emula es a iable delay, loss, duplica- ion and e-o de ing [9]. 1) Packe Loss We se he packe loss o 1 on he in e ace using Ne em and hen epea ed he whole measu emen . Then we epea ed his s ep o packe loss in inc emen s o 1 %, 2 %, ..., 10 %. 2) Ji e We se ha 25 % o packe s will be delayed ( esul s o ou p e ious wo k [4] showed ha app oxima ely 25 % o all a ic had di e en one-way delay). We epea ed he measu emen s o 10, 20, 30, 50, 75 and 100 ms delay a ia ion. By s eaming he ideos, we se he alue o he de-ji e bu e o 0 in VLC, so ha he delays we e eal. Fig. 1: Measu emen p ocedu e. Tab. 1: Pa ame e s o measu emen s. Used codecs MPEG-2, MPEG-4 - H.264 Video esolu ion [pixels] 720×576, 1280×720, 1920×1080 E alua ion me hods PSNR, SSIM Se ing packe loss on local in e ace: •# cqdisc add de lo oo ne em loss 1 %. Change packe loss on local in e ace: •# cqdisc change de lo oo ne em loss 2 %. This causes ha 2 % (i.e., 2 ou o 100) packe s a e andomly d opped. Videos o measu emen we e in hese o ma s, so we did no se any addi ional anscoding by c ea ing o cap u ing a s eam. Se ing packe delay on local in e ace: •# cqdisc add de e h0 oo ne em delay 10 ms eo de 75 % 50 %. In his example, 75 % o he packe s (wi h a co e- la ion o 50 %) will ge sen immedia ely, he o he s will be delayed by 10 ms. In ou case, co ela ion 50 % means ha he delayed pa o all da a a ic is oscil- la ed a ound a alue o 25 %. This se ing simula es he ne wo k pe o mance beha iou mo e exac ly. Change packe delay on local in e ace: •# cqdisc change de e h0 oo ne em delay 20ms eo de 75 % 50 %. c 2014 ADVANCES IN ELECTRICAL AND ELECTRONIC ENGINEERING 379 DIGITAL IMAGE PROCESSING AND COMPUTER GRAPHICS VOLUME: 12 |NUMBER: 4 |2014 |SPECIAL ISSUE 3) E alua ion o he Resul s By using he p og am MSU VQMT, we compa ed he o iginal sample and he es ed sample, which included damage caused by ou se ings. The p og am expo s esul s in o a CSV o ma , whe e we can ind he alue o e e y compa ed ame and he o al a e age alue o he whole ideo. Fig. 2: Compa ing s eam wi h o iginal ideo. 4. Resul s The esul s o he measu emen s e i ied ou p edic ion ha no only he ype o ideo codec has a deg ada ion impac on ideo quali y. On he o he hand, ideo esolu ion was no p o en as a signi ican pa ame e o ideo obus ness. The mos impo an ac o was shown o be he ideo code ype. Video codec H.264 (MPEG-4 Pa 10) is mo e p one o packe loss a e in he ne wo k in as- uc u e han he olde MPEG-2. Acco ding o he esul s o he s a ic ideo measu emen s, he e is no big di e ence be ween he esolu ions used. We de- ec ed a sligh dec ease in highe esolu ion. Du ing he s a ic scene, whe e changes we e e y slow, mainly he P and B ames con ained app oxima ely he same in o ma ion ega dless o he esolu ion used [8]. The i s es ed dynamic ideo achie ed wo se esul s han he s a ic ideo. Again, he di e ences be ween he used esolu ions we e small. All he GOP ames con ain mo e in o ma ion, so packe loss signi ican ly a ec s he pic u e dis o ion. Tha is he eason why dynamic ideo is gene ally mo e sensi i e o da a loss [5], [8]. The hi d ideo has a dynamic cha ac e , oo, bu a e y high bi a e compa ed o he p e ious wo ideos. Pe o mance o his ideo was e y poo . High bi a e means a lo o in o ma ion con ained in he I, B and P ames and i s loss causes signi ican deg ada ion o he ideo quali y. Fo a be e illus a ion, igu es o he numbe 3 and 4 demons a e he ideo quali y esul s o ull HD eso- lu ion. This pape ollows on om ou p e ious wo k [4] and ex ends he ideo p edic ion model ha was used he e. All hese men ioned esul we e p ocessed in o he ollowing eg essi e equa ions. Fig. 3: SSIM esul s o MPEG-2. Fig. 4: SSIM esul s o MPEG-4(H.264). 4.1. Slow-Mo ion Video 1) MPEG-2 SSIM = α(a+b·(X2)) + β(a+b·√X)+ +γ(a+b·(X2)).(2) 2) MPEG-4 SSIM = α a+b X!+β1 a+b·X+ +γ(exp(a+b·X)). (3) All he necessa y coe icien s a e p esen ed in Tab. 5. Because measu emen s we e pe o med on wo dy- namic ideos, he ollowing eg essi e equa ions ep e- sen a p edic ion model o bo h o hem. 4.2. Dynamic Video wi h O dina y and High Bi a e 1) MPEG-2 SSIM = α1 a+b·X+β(a+b·ln (X)) .(4) c 2014 ADVANCES IN ELECTRICAL AND ELECTRONIC ENGINEERING 380 DIGITAL IMAGE PROCESSING AND COMPUTER GRAPHICS VOLUME: 12 |NUMBER: 4 |2014 |SPECIAL ISSUE Tab. 2: S a ic ideo measu emen s esul s. Packe loss [%] PSNR ([dB])/SSIM 720×576 1280×720 1920×1080 MPEG-2 MPEG-4 MPEG-2 MPEG-4 MPEG-2 MPEG-4 129.20/0.914 23.84/0.805 26.25/0.942 17.87/0.742 27.45/0.905 17.63/0.774 228.73/0.876 15.05/0.688 25.84/0.894 17.36/0.730 23.54/0.885 16.94/0.776 323.320.877 13.21/0.52 22.02/0.839 14.43/0.709 20.86/0.876 15.70/0.673 422.89/0.8 13.90/0.529 20.03/0.830 15.13/0.713 21.28/0.821 13.69/0.648 523.74/0.77 12.72/0.514 14.29/0.743 12.64/0.555 16.69/0.820 14.59/0.450 620.36/0.721 11.34/0.499 14.36/0.726 11.36/0.539 14.84/0.812 11.92/0.362 717.98/0.669 12.12/0.486 13.08/0.707 10.34/0.534 15.53/0.800 12.44/0.255 815.44/0.536 10.33/0.485 12.43/0.660 9.37/0.483 15.53/0.740 10.86/0.225 915.68/0.481 9.96/0.463 13.90/0.658 8.46/0.444 15.51/0.569 11.64/0.205 10 13.40/0.452 8.55/0.362 13.08/0.638 9.77/0.421 12.46/0.481 10.33/0.184 Tab. 3: PSNR and SSIM esul s o i s es ed dynamic ideo. Packe loss [%] PSNR ([dB])/SSIM 720×576 1280×720 1920×1080 MPEG-2 MPEG-4 MPEG-2 MPEG-4 MPEG-2 MPEG-4 121.22/0.864 17.71/0.777 21.75/0.859 16.29/0.736 19.00/0.915 15.90/0.817 219.08/0.830 16.30/0.738 19.27/0.837 15.89/0.750 17.99/0.875 13.59/0.715 319.08/0.746 14.89/0.692 17.90/0.789 14.73/0.745 14.96/0.809 13.25/0.715 418.65/0.754 14.84/0.686 18.23/0.766 14.83/0.714 15.86/0.808 11.51/0.657 517.38/0.716 14.73/0.683 18.37/0.752 14.69/0.699 14.41/0.781 12.24/0.649 616.23/0.711 14.73/0.645 16.07/0.741 15.07/0.663 14.95/0.799 12.62/0.637 715.02/0.706 13.83/0.644 14.83/0.717 13.21/0.582 15.29/0.764 12.97/0.632 815.27/0.709 12.60/0.651 14.73/0.701 12.66/0.545 14.10/0.728 12.15/0.605 914.29/0.693 12.46/0.622 14.83/0.694 10.57/0.502 14.13/0.703 11.46/0.604 10 14.70/0.686 11.65/0.605 14.73/0.678 11.72/0.485 13.20/0.683 12.11/0.582 Tab. 4: PSNR and SSIM esul s o he second dynamic es ed ideo. Packe loss [%] PSNR ([dB])/SSIM 720×576 1280×720 1920×1080 MPEG-2 MPEG-4 MPEG-2 MPEG-4 MPEG-2 MPEG-4 127.0/0.923 21.32/0.695 27.63/0.927 16.10/0.530 24.72/0.806 15.56/0.589 226.51/0.9 17.72/0.551 22.79/0.765 15.75/0.511 22.41/0.737 15.16/0.501 321.59/0.714 15.36/0.446 22.56/0.745 15.30/0.422 22.0/0.694 14.42/0.487 421.26/0.718 15.28/0.447 21.43/0.7 14.92/0.421 22.01/0.699 13.8/0.474 520.73/0.705 15.33/0.441 21.10/0.664 14.04/0.428 19.84/0.614 13.37/0.446 619.97/0.668 15.21/0.405 21.10/0.597 12.05/0.393 18.72/0.589 13.02/0.458 720.07/0.618 14.28/0.338 19.15/0.566 11.46/0.372 18.22/0.564 12.17/0.429 819.14/0.575 14.41/0.333 17.90/0.531 10.91/0.353 17.59/0.558 12.09/0.425 917.97/0.562 11.08/0.303 17.65/0.528 10.91/0.352 18.28/0.552 11.09/0.387 10 17.81/0.493 10.95/0.326 17.29/0.511 10.87/0.326 18.07/0.545 10.70/0.364 Tab. 5: Coe icien s o s a ic ideo. Coe . MPEG-2 MPEG-4 (H.264) 720×576 1280×720 1920×1080 720×576 1280×720 1920×1080 a0.89957 1.08748 0.9216 0.146704 1.1027 0.08596 b−0.004924 −0.143973 −0.00389 0.528499 0.12312 −0.1839 α1 0 0 1 0 0 β0 1 0 0 1 0 γ0 0 1 0 0 1 2) MPEG-4 SSIM = α(a+b·ln (X)) + β1 a+b·X.(5) Table 6 and Tab. 7 con ain he coe icien s o hese wo equa ions. All eg essi e models desc ibed he e gained an R-squa e ac o (R2) highe han 90 %, which ep esen s a high le el o e aci y. The second g oup o measu emen s led o an analysis o he deg ada ion e ec o delay a ia ion – Ji e . The esul s o he pe o med es s unco e a c i ical bounda y o 20 ms. Abo e his alue, a signi ican educ ion o inal ideo quali y is obse ed. Due o he p ocess o decomp essing and p ocessing he ideo c 2014 ADVANCES IN ELECTRICAL AND ELECTRONIC ENGINEERING 381 DIGITAL IMAGE PROCESSING AND COMPUTER GRAPHICS VOLUME: 12 |NUMBER: 4 |2014 |SPECIAL ISSUE Tab. 6: Coe icien s o MPEG-2 dynamic ideos. Coe . Lowe bi a e dynamic ideo High bi a e dynamic ideo 720×576 1280×720 1920×1080 720×576 1280×720 1920×1080 a0.858125 0.875076 0.927705 0.9538 0.924954 0.819482 b−0.076882 −0.080159 −0.00389 0.094724 −0.179784 −0.1216 α0 0 0 1 0 0 β1 1 1 0 1 1 Tab. 7: Coe icien s o MPEG-4 (H.264) dynamic ideos. Coe . Lowe bi a e dynamic ideo High bi a e dynamic ideo 720×576 1280×720 1920×1080 720×576 1280×720 1920×1080 a0.783421 1.12248 0.800991 0.678364 1.8151 00.5818 b−0.073105 0.086301 −0.092020 −0.169198 0.122547 −0.0833 α1 0 0 0 0 0 β0 1 1 1 1 1 s eam on he end use side cos ing some ime, bo h codecs a e ole an o small delay a ia ion. Fig. 5: Resul s o delay a ia ion measu emen s, HD esolu ion. Fig. 6: Resul s o delay a ia ion measu emen s, Full HD eso- lu ion. The beha iou o dynamic ideos is app oxima ely on he same le el, wi h bigge di e ences be ween he MPEG-2 and MPEG-4 codec when he s a ic ideo was used. Typically in he eal wo ld, de-ji e bu e is used o elimina ion o his phenomenon, bu i is good o know how big a deg ada ion e ec on ideo quali y has been caused pa icula ly by he delay a ia ion. 5. Conclusion The aim o his wo k was o b ing a de ailed iew o he pe o mance o ideo s eaming o e an IP-based ne wo k. The measu ed esul s showed he ela ion be ween he ideo codec ype and bi a e o he i- nal ideo quali y. These esul s helped us o c ea e and ex end ou p e ious ma hema ical models o ideo s eaming beha iou . The second pa o he measu e- men s was dedica ed o ano he ad e se ne wo k im- pac on ideo quali y called Ji e . The esul s p o ed he impo ance o De-ji e bu e implemen a ion no only o oice se ices bu also o ideo s eaming se - ices. Ou u u e wo ks will ocus on wo di ec ions: Fi s ly, he new gene a ion o ideo codecs such as H.265 and VP9. Due o he limi a ions o ou e alua- ion MSU VQMT p og am, we a e cu en ly awai ing he o icial suppo o hese new ideo codecs. The second pa will be ocused on analysis o he impac o secu i y mechanisms, and on he enc yp ion algo- i hm implemen ed o QoS pa ame e s. Secu i y is a highly discussed opic nowadays, and p o ocols such as IPsec, VPN/SSL and SRTP a e becoming mo e and mo e equen ly used o secu e he con en o oice o ideo, so compu a ional ma hema ical models should handle his new si ua ion. Acknowledgmen This wo k was suppo ed by G an o he SGS No. SP2014/72 and was pa ially suppo ed by he Eu opean Regional De elopmen Fund in he IT4Inno a ions Cen e o Excellence p ojec (CZ.1.05/1.1.00/02.0070) and by he De elopmen o human esou ces in esea ch and he de elopmen o la es so compu ing me hods and hei applica ion in p ac ice p ojec (CZ.1.07/2.3.00/20.0072) unded by c 2014 ADVANCES IN ELECTRICAL AND ELECTRONIC ENGINEERING 382 DIGITAL IMAGE PROCESSING AND COMPUTER GRAPHICS VOLUME: 12 |NUMBER: 4 |2014 |SPECIAL ISSUE he Ope a ional P og amme Educa ion o Compe i- i eness. Re e ences [1] CHIKKERUR, S., V. SUNDARAM, M. REISSLEIN and L. J. KARAM. Objec i e Video Quali y Assessmen Me hods: A Classi- ica ion, Re iew, and Pe o mance Compa ison. IEEE T ansac ions on B oadcas ing. 2011, ol. 57, iss. 2, pp. 165–182. ISSN 0018-9316. DOI: 10.1109/TBC.2011.2104671. [2] YIM, C., A. C. BOVIK, M. REISSLEIN and L. J. KARAM. E alua ion o empo al a ia ion o ideo quali y in packe loss ne wo ks: A Classi- ica ion, Re iew, and Pe o mance Compa ison. Signal P ocessing: Image Communica ion. 2011, ol. 26, iss. 1, pp. 24–38. ISSN 0923-5965. DOI: 10.1016/j.image.2010.11.002. [3] FEAMSTER, N. and H. BALAKRISHNAN. Packe Loss Reco e y o S eaming Video. In: 12 h In e na ional Packe Video Wo kshop. Pi s- bu gh: ACM, 2002. [4] FRNDA, J., M. VOZNAK, J. ROZHON and M. MEHIC. P edic ion model o QoS o T iple play se ices. In: 2013 21s Telecommunica- ions Fo um Tel o (TELFOR). Belg ade: IEEE, 2013, pp. 733–736. ISBN 978-1-4799-1419-7. DOI: 10.1109/TELFOR.2013.6716334. [5] BOVIK A. Handbook o image and ideo p ocess- ing. 2nd ed. Bu ling on: Else ie Academic P ess, 2005. ISBN 01-211-9792-1. [6] UHRINA, M., J. HLUBIK and M. VACULIK. Co ela ion Be ween Objec i e and Subjec i e Me hods Used o Video Quali y E alua ion. Ad- ances in Elec ical and Elec onic Enginee ing. 2013, ol. 11, no. 2, pp. 135–146. ISSN 1804-3119. DOI: 10.15598/aeee. 11i2.775. [7] FRNDA, J., M. VOZNAK and L. SEVCIK. Ne - wo k Pe o mance QoS P edic ion. In: P oceed- ing o he Fi s Eu o-China Con e ence on In el- ligen Da a Analysis and Applica ions. Shenzen: IEEE, 2012, pp. 165–174. ISBN 978-3-319-07776- 5. DOI: 10.1007/978-3-319-07776-5_18. [8] UHRINA, M., J. HLUBIK and M. VACULIK. Impac o Comp ession on he Video Quali y. Ad ances in Elec ical and Elec onic Engi- nee ing. 2012, ol. 10, no. 4, pp. 251–258. ISSN 1804-3119. DOI: 10.15598/aeee. 10i4.737. [9] Ne em. Linux Founda ion [online]. 2009. A ail- able a : h p://www.linux ounda ion.o g/ collabo a e/ wo kg oups/ne wo king/ne em. [10] CHAN, M. C. and R. RAMJEE. TCP/IP pe - o mance o e 3G wi eless links wi h a e and delay a ia ion. In: P oceedings o he 8 h an- nual in e na ional con e ence on Mobile compu - ing and ne wo king - MobiCom ’02. New Yo k: ACM P ess, 2002, pp. 71–82. ISBN 1-58113-486- X. DOI: 10.1145/570645.570655. Abou Au ho s Ja osla FRNDA was bo n in 1989 in Ma in, Slo- akia. He ecei ed his M.Sc. om he VSB–Technical Uni e si y o Os a a, Depa men o Telecommu- nica ions, in 2013, and now he is con inuing his Ph.D. s udy a he same place. His esea ch in e es s include Quali y o T iple play se ices and IP ne wo ks. Lukas SEVCIK was bo n in 1989 in Cadca, Slo akia. He ecei ed his M.Sc in In o ma ics om he Facul y o Managemen Science and In o ma ics, Uni e si y o Zilina, in 2013. Now, he is con inuing his Ph.D. s udy a he Depa men o Telecommunica ions, VSB– Technical Uni e si y o Os a a. His esea ch in e es s include Quali y o T iple play se ices and IP ne wo ks. Mi osla UHRINA was bo n in 1984 in Zilina, Slo akia. He ecei ed his M.Sc and Ph.D. deg ees in Telecommunica ions om he Depa men o Telecommunica ions and Mul imedia, Uni e si y o Zilina, in 2008 and 2012, espec i ely. Nowadays, he is an assis an lec u e a he men ioned Depa men o Telecommunica ions and Mul imedia. His esea ch in e es s include audio and ideo comp ession, TV b oadcas ing (IPTV. DVB-T, DVB-H) and IP ne - wo ks. Mi osla VOZNAK is an associa e p o esso a he Depa men o Telecommunica ions, VSB– Technical Uni e si y o Os a a. He ecei ed his Ph.D. in elecommunica ions, and his disse a ion hesis was en i led “Voice a ic op imiza ion wi h ega d o speech quali y in ne wo ks wi h VoIP echnology” in 2002. Topics o his esea ch in e es s a e Nex Gene a ion Ne wo ks, IP elephony, speech quali y and ne wo k secu i y. c 2014 ADVANCES IN ELECTRICAL AND ELECTRONIC ENGINEERING 383