Alfonso X de Castilla, patrono de las letras y del saber [Reseña]
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E elyn S. P oc e , Al onso X de Cas illa, pa ono de las le as y
del sabe . T aducción y no as po Manuel González Jiménez;
aducción e isada po Ma y O’Sulli an. Mu cia: Real
Academia Al onso X el Sabio, 2003. ISBN: 84-88996-76-4
Al onso X de Cas illa, pa ono de las le as
y del sabe
A e all he a en ion he many ace s o he eign o Al onso X and his
omni o ous in ellec ual appe i e ha e ecei ed since 1951, i may seem
ema kable ha a slim olume on he subjec published by an English lady
–a e y English lady– in ha yea should be hough o me i a ansla ion
in o Spanish in he yea 2003. Ye , o all he schola ly sophis ica ion (no
o say mys i ica ion) ha codicologis s and s uden s o science, his o y and
jus abou e e y hing else ha e la ished on he enigma ic mona ch o e he
in e ening hal -cen u y, E elyn P oc e ’s s udy o he man e ains i s eshness
s ill – a guably indeed, and pa adoxically, a eshness sha pe e en han he
Cu ia and Co es in León and Cas ile 1072-1295 possessed a he ime o i s
pos humous publica ion in 1980. By he ligh s o he ime, Miss P oc e ’s
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ÈPe e Linehan
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own his o y was ema kable oo. Tha an Ox o d spins e should ha e chosen
medie al Spain as a subjec o esea ch jus a e he Fi s Wo ld Wa , and
(e en i she en u ed no u he a ield) ha e aken he chances in he s a e
a chi es o Ba celona, Lisbon, Mad id and Pamplona, a he han de o ing
he sel o he edi ion o an English bishop’s egis e o he ela i e secu i y
o he Public Reco ds O ice speaks olumes. ‘Muje de apa iencia ímida’
she may ha e been, as he ansla o epo s in he P esen ación o his elegan
li le book, bu she could p o e obdu a e oo, as he cus odians o he Sección
de Manusc i os o he Biblio eca Nacional disco e ed when hey ied o
igh en he o wi h ho o s o ies abou he e being no ladies’ la a o ies in
he building, and as he P incipal o S Hugh’s College needed o be in he
man’s wo ld ha Ox o d was a e 1945. Though on he small numbe o
occasions on which I me he she was d y-eyed, legend had i ha she was
e y good a u ning on he wa e wo ks and mel ing he pe i ied hea s o
he male colleague. As Shakespea e’s Desdemona sang, ‘He sal ea s ell om
he , and so en’d he s ones.’ And, mo e han ha , she was clea -minded, as
academic adminis a o s we e once upon a ime, and e e -conscious o he
need o dis inguish whea om cha and wood om ees. Hence pe haps
wha s ands ou as one o he p incipal i ues o he Al onso X o Cas ile, Pa on
o Li e a u e and Lea ning (Ox o d: Cla endon P ess, 1951): i s exposi o y
quali y. (And be i emembe ed, he book s a ed li e as he No man Maccoll
Lec u es in he Uni e si y o Camb idge o he yea 1948-49, and he e can
be no exe cise mo e demanding o a schola w es ling wi h a complex subjec ,
e en an Ox o d schola , han ha o ha ing o o ganize his o he hough s in o
a o m in elligible o a Camb idge lec u e audience.) Tha pa icula i ue
o he cau iously s a ed accoun emains sca cely less admi able han he
acknowledgemen o he need o seek o econcile he a ious aspec s o he
p o ean subjec . Many a e he mo e ecen oile s in he ield o Al onsine
s udies who migh ha e p o i ed by aking he co espondence cou se. Time
and again –as o example in he iden i ica ion o he di e en componen s
o he C ónica de Al onso X– she demons a ed ha ex s long in p in can be
made o yield hei sec e s o an acu e and unclu e ed in elligence. Finally,
jus conside how po e y-s icken he English-language li e a u e on he
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ALFONSO X DE CASTILLA, PATRONO DE LAS LETRAS Y DEL SABER
1As he Camb idge Uni e si y P ess e en ually disco e ed o i s ho o , hey we e la gely
plagia ized wo k by A. González Palencia o whom he G ea Man had delega ed his
commission. See my ‘The Making o he Camb idge Medie al His o y’. Speculum, 57 (1982)
[ ep . Pe e Linehan, Pas and P esen in Medie al Spain, Alde sho 1992], pp. 479-81.
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subjec was a he ime a which Miss P oc e en e ed he ay: li le mo e
han ansla ions o Ma iana and Al ami a’s chap e s in he old Camb idge
Medie al His o y, which we e no by Al ami a anyway. 1 O cou se he wo k
is da ed now, as P o esso González Jiménez indica es wi h he assis ance o
some mo e ecen bibliog aphy. Bu a e i y yea s whose wo k isn’ ? Tha is
no he poin . The poin –and he eason why, wha e e ex ual ad ances may
meanwhile ha e been made in Madison WI. and poin s eas , his ansla ion
o he Al onso X is so wa mly o be welcomed– is ha he s is his o y ha li es.
Pe e Linehan
S John’s College, Camb idge