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Ancient Adornments of Central Asia Influenced by the Greek Jewellery of the Classical and Hellenistic Period

Petra Belaňová

Abstract

Central Asia absorbed the stimuli of shifting cultural influences and for many centuries created an original artistic expression, which can be observed in all branches of arts and crafts. One of these branches is jewellery production. Many pieces of jewellery were largely inspired by the culture of the ancient Mediterranean. The attention of the article is focused on the Central Asia jewellery finds, the production of jewellery and examples of the influence of ancient Greek jewellery of the Classical and Hellenistic period on the jewellery production in Central Asia from the points of view of technology (production and decoration processes), typology (types of jewellery) and iconography (frequently occurring themes as inspirations from the ancient mythology).

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STUDIA HERCYNIA XX/1, 111–126 Ancien Ado nmen s o Cen al Asia In luenced by he g eek Jewelle y o he Classical and Hellenis ic Pe iod Pe a Belaňo á ABS AC Cen al Asia abso bed he s imuli o shi ing cul u al in luences and o many cen u ies c ea ed an o iginal a is ic exp ession, which can be obse ed in all b anches o a s and c a s. One o hese b anches is jewelle y p oduc ion. Many pieces o jewelle y we e la gely inspi ed by he cul u e o he ancien Medi e anean. The a en ion o he a icle is ocused on he Cen al Asia jewelle y inds, he p oduc ion o jewelle y and examples o he in luence o ancien G eek jewelle y o he Classical and Hellenis ic pe iod on he jewelle y p oduc ion in Cen al Asia om he poin s o iew o echnology (p oduc ion and deco a ion p ocesses), ypology ( ypes o jewelle y) and iconog aphy ( equen ly occu ing hemes as inspi a ions om he ancien my hology). KEyWO DS Cen al Asia; G eek; jewelle y; a s and c a s; Bac ia; Gandha a. IN ODuC ION The e i o y o Cen al Asia was, due o i s loca ion on he c oss oads o ancien ade ou es and o i s his o ical de elopmen , in luenced by many cul u es ha uled o ansi ed h ough i . The s o my poli ical de elopmen s in he cen u ies a ound he u n o he e as b ough cul u al in luences he e bo h om nea and emo e a eas– Pa hian, Indian, Eas Asian (Chinese and ha o Eas Asian nomadic ibes), Eu asian nomadic– which amalgama ed wi h he a o ea lie pe iods, ha is Pe sian and local o Cen al Asian. These e ec s a e also e lec ed in he p oduc ion o jewelle y. As one o he signi ican impac s in he p oduc ion o jewelle y and o namen s du ing he se e al cen u ies be o e and a e he u n o he e as we can obse e also he a is ic adi ions o he ancien Medi e anean. We can ind i in he o ms o jewelle y, iconog aphy and he use o deco a i e mo i s o echniques. O e ime, sig‑ ni ican ans o ma ions occu ed he e in some o he employed iconog aphic mo i s, which we e ailo ed o he local adi ions, ideas and as es. The ollowing o e iew in oduces he ancien jewelle y o Cen al Asia and p esen s se e al examples o gold jewelle y, building on he jewelle s’ a is ic adi ions o he ancien Medi e anean. Acco ding o many iconog aphic sou ces, he jewelle y in Cen al Asia was wo n by bo h men and women. In gene al, we can say ha male jewelle y was mo e inspi ed by he end o Asia ( he p e ious Achaemenid, cu en ly Pa hian, Eu asian nomadic en i onmen s; Musche 1988). I seems ha especially men om he uppe classes wo e pe sonal o namen s mo e o en in Cen al Asia han in he Medi e anean, whe e jewelle y was he domain o women. This male jewelle y o en had asymbolic unc ion, highligh ing he s a us o i s owne ( o que, bel , bel and shoe buckles). Female jewelle y on he o he hand shows as onge in luence o he Medi e anean, Pa hian and nomadic en i onmen s in bo h iconog aphy and he ypes o jewelle y. 112 STUDIA HERCYNIA XX/1 ANCIEN JEWEllE y O CEN Al ASIA– INDS, CH ONOlOgy, SOu CES Mos Cen al Asian jewelle y inds come om he his o ical egions o Bac ia and Gandha a loca ed in he e i o y o oday’ssou he n pa o he o me So ie Republics o Uzbekis an and Tajikis an, no he n and eas e n A ghanis an and no he n Pakis an. These a eas we e he hub o mili a y ac i i ies and poli ical o ma ions, e e ing in many espec s o he Med‑ i e anean adi ions, and so hey con ibu ed o he dissemina ion and p ese a ion o some elemen s o ancien G eek cul u al he i age in a chi ec u e, sculp u e, bu also in small a c a s. The known pieces o jewelle y om he e i o y o Cen al Asia can be da ed om he 3 d cen u y BC un il he ea ly 4 h cen u y AD. The spec um o jewelle y hus co e s he pe iod om he campaign o Alexande he G ea , h ough asho Seleucid ule and he pe iod o he G eco ‑Bac ian Kingdom, he Indo ‑G eek Kingdom and he nume ous in asions o nomadic ibes un il he cons i u ion and lo ui o he Kushan Empi e. Mos o he inds o jewelle y om p ecious ma e ials come om he ela i ely u bulen pe iod o he 1s cen u y AD, when he a ea o Cen al Asia was he scene o he g adual o ma ion o he Kushan Empi e. Th ee si es om ancien Bac ia and Gandha a s and ou in e ms o he numbe and wo k‑ manship o local jewelle y inds: he jewel hoa d om he si e o Dal’ e zin epa in sou he n Uzbekis an; he gold easu e om six g a es o Tillya Tepe in no he n A ghanis an; and he huge amoun o jewelle y om Taxila in Pakis an. Each o hese comes om adi e en cul u al con ex : Tillya Tepe, anec opolis o ap obably small ibe wi h close ies o Pa hia bu also o eas Asia, emphasizing i s nomadic adi ions; Dal’ e zin epa, a own unde he Kushan ule wi h agolden easu e hidden unde ahouse loo ; and Taxila wi h ich jewelle y hoa ds in he houses o weal hy ci izens in he Saka/Pa hian laye s. Also wo h men ioning in his con ex is he in e es ing simila i y o some iconog aphical, echnological and deco a i e elemen s in he jewelle y o hose h ee si es. DAL’VERZINTEPA Dal’ e zin epa (e.g. Pugachenko a 1978; Pugachenko a– R eladze 1978), ase lemen loca ed in he Su khanda ya egion abou 60 km no heas o Te mez, lou ished especially in he 2nd o he i s hal o he 3 d cen u ies AD. Du ing he exca a ions in aweal hy dis ic o he ci y, an in ac po e y essel was ound con aining 150 hidden gold objec s. The en i e hoa d is da ed o he second hal o he 1s cen u y AD. The easu e con ained se e al ypes o jewelle y, e.g. gold ea ings (Lune a 2005, 66–67, Fig. 5:1–3), a o que, anecklace and b acele s (Pugachenko a– R eladze 1990, 119), some o hem inspi ed by G eek models.1 In addi ion o he jewelle y, pieces o solid gold o a ious shapes we e ound in Dal’ e zin epa, p obably eady as aw ma e ial o jewelle y making. TILLYA TEPE The nec opolis o Tillya Tepe (Sa ianidi 1985; Cambon– Ja ige 2006; Schil z 2011, 219–293) is loca ed in no he n A ghanis an, nea he si e o Emshi Tepe. The six ombs ( i e o hem emale, one male) con ained excep ionally ich une a y equipmen including mo e han 1 E.g. plain o e lap b acele s wi h wis ed wi e spi als (Lune a 2005, 74, Fig. 9:2,4), he shape eme ging in Hellenism and popula also in he Roman jewelle y (Ogden 1990, 225–226); eng a ed gem, inse ed in he cen al pa o he o que, ep esen s aschema ic male head in p o ile, in e p e ed as He acles (Pugachenko a– R eladze 1978, 41), which was employed seconda ily in he piece. 113PETRA BELAŇOVÁ 20,000 objec s made o gold. Acco ding o acoin o Empe o Tibe ius (min ed in Lugdunum in 14–37 AD: Hiebe – Cambon 2011, 261, no. 176), he bu ials can be da ed o he second hi d/ second hal o he 1s cen u y AD. The amoun o he golden jewelle y in almos all he ombs is spec acula . Many pieces a e massi e and made o gold shee in low and high elie . An in e es ing elemen in Tillya Tepe jewelle y deco a ion is he e y ich use o u quoise and ga ne inlays and he la ge numbe o pendan s in he o m o asmoo h ci cula disk. O e all, i is possible o dis inguish se e al sou ces o inspi a ion o p o enances in he Tillya Tepe ma e ial– om China and p esen ‑day Mongolia o India, h ough he Eu asian s eppe and he Black Sea a ea, Pa hian I an o he ela i ely s ong in luence o Medi e anean jewelle s’ a . TAXILA Gandha an Taxila (Ma shall 1951) is loca ed in no h ‑wes e n Pakis an. The i s se lemen was si ua ed on he Bhi Mound, by he ime o he G eek con ol o he a ea he se lemen mo ed ac oss he i e o he si e o Si kap. The e i las ed un il he end o he Saka ‑Pa hian pe iod a e he mid‑1s cen u y AD. The si e has p oduced a o al o 213 pieces o jewelle y om p ecious me als, mos o which is made o gold. 180 pieces come om he la e laye s on Si kap and a e da ed o he 1s cen u y AD, ano he 27 pieces come om Bhi Mound and a e da ed om he 5 h o he 2nd cen u ies BC (Ma shall 1951, II, 616). In compa ison wi h he highly inc us ed jewelle y om Tillya Tepe, he jewelle y om Taxila uses colou ul s ones ( u quoise, whi e o hoclase) o alesse ex en . The jewelle y design is sub le , wi h mo e em‑ phasis on he de ail; he o namen a ion is wo ked ou in he spi i o he Indian en i onmen , bu wi h aclea ela ionship o he Hellenis ic jewelle y a in he o ms and iconog aphy. COLLECTIONS AND THE OTHER FINDS O he examples o ancien Cen al Asian jewelle y include pieces om he nomad bu ial si es o sou he n Tajikis an2 (Tulkha , A uk au o Bishken bu ial places and o he s) o he ecen inds om he si e o Mes Aynak (Fa iconi 2014, 23–36); jewelle y o an ea lie pe iod is ep esen ed o example by he objec s om he so ‑called Oxus easu e (Dal on 1926). O he pieces o jewelle y a e also kep o displayed in he collec ions o he wo ld’smajo museums such as he B i ish Museum, he Me opoli an Museum in New Yo k, he Ashmolean Museum in Ox o d and he Miho Museum in Japan. Many o hem we e ob ained h ough pu chases om public auc ions, p i a e sales o as gi s and he e o e hey a e o en wi hou p o enance and exac a chaeological con ex (Ogden 1992, 9–13). The s ylis ic analysis o he unp o enanced gold pieces depends mainly on he compa ison wi h o he i ems wi h known p o enance. I is e y likely ha alo o o he jewelle y om ancien Cen al Asia can be ound in p i a e collec ions.3 The pic u e desc ibed so a can be complemen ed by pe sonal o namen s om less ex‑ pensi e ma e ials, which could be inspi ed by and su ely o en ollowed he ends o he gold jewelle y. The examples o he iches deposi s o o namen s om con en ional ma e ials such as b onze, bone and o he s a e he bu ial si es o he Bishken a ea (e.g. Mandel’sh am 1966) o se lemen s such as Kampy epa (Lune a 2001) o Za epa (Za ’yalo 1993) in sou he n Uzbekis an. 2 Many o hese inds a e documen ed by pho og aphs in Zejmaľ 1985. 3 Fo example, he pendan wi h adi ine igu e holding wo d agons, which is supposed o ha e come om he easu e o Mi Zakah (Boa dman 2012, 102–111). 114 STUDIA HERCYNIA XX/1 THE ICONOgRAPHIC SOURCES In addi ion o he ac ual inds o jewelle y, he iconog aphic sou ces p o ide impo an in o ‑ ma ion on he o m and manne in which he jewelle y was wo n: his is he case o example o he mu al pain ings om Khalchayan (Pugachenko a 1966, 144–153), Top akkala (Tols o 1964, рис. 28, 30), Dal’ e zin epa (Pugachenko a– R eladze 1978), he mo e ecen Balalyk Tepe (Al’baum 1960, рис.98, 100), o o he sculp u es om Ai am (Fakh e dino a 1988, 25; Lune a 2005, рис. 1–2), Dal’ e zin epa (Pugachenko a– R eladze 1978), and Taxila (Ma shall 1951), o he Gandha a sculp u e ( om he iew o jewelle y see e.g. Fab égues 1991), as well as he jewelle y images on sculp u e om he Pa hian Empi e (Musche 1988) and o he sou ces. MA E IAlS AND ECHNIQuES The mos widely used ma e ial o Cen al Asian jewelle y is gold. Pieces om sil e do no occu ha o en. Cheape pe sonal o namen s we e, as in o he a eas, p oduced om less aluable me als (b ass, i on, coppe , b onze), o glass, bone, and o he a ailable o ganic and ino ganic ma e ials. Higgins claims he a eas o A abia and Bac ia as asou ce o gold o he Hellenis ic wo ld om Alexande ’sconques o he pe iod a ound he u n o e as. He also eminds us o he o he gold ‑ ich egions o Sibe ia and Al ai, which had been in cons an con ac wi h Cen al Asia due o he equen mig a ions o po en ial business ela ions (Higgins 1981, 9). I is widely suppo ed e en by he cu en analyses o mine al esou ces, ha he egion o Cen al Asia is iche in gold han in sil e (E ing on– C ibb 1992, 258–259). Se e al ma e ial analyses o jewels om he e i o y ha e been ca ied ou so a . On he occasion o he exhibi ion A ghanis an– les éso s e ou és in Musée Guime , Pa is, he XRF analysis o ou chosen pieces om Tillya Tepe was ca ied ou . The analysed pieces included ame al gem ing wi h an image o a emale igu e and he insc ip ion ΑΘΗΝΑ, pendan s wi h he Mas e o D agons; a ing wi h an o al u quoise gem wi h aschema ic A hena and an appliqué wi h he so ‑called Kushan Aph odi e, all he i ems came om he emale g a e II. The esul s we e p esen ed by T. Calliga o in he exhibi ion ca alogue (Calliga o 2006, 292–293). Th ee pieces showed ahigh gold con en (95–97%) wi h asmall admix u e o sil e and coppe (Hickman 2012, 80). Acco ding o T. Calliga o and J. Hickman his composi ion indica es he use o na u al gold (a leas in he analysed objec s), because me al in i s na u al o m is o en ound jus wi h he admix u es o hese wo elemen s (Calliga o 2006, 293; Hickman 2012, 80). This ac could co espond wi h he ancien epu a ion o Bac ia as agold ‑bea ing egion. O he ma e ials, which ichly complemen ed he p oduc ion o gold jewelle y, we e p e‑ cious s ones o a ious colou s ha we e inse ed in o boxes. Tu quoise was especially in g ea ogue he e (Hickman 2012, 80). The sou ces o u quoise we e p obably si ua ed in he p esen ‑day I an and on he lowe igh cou se o he Oxus Ri e (Calliga o 2006, 293, Fig. 3); o he deposi s we e known also in Egyp (Nubia and he Sinai). The u quoises used in he deco a ion o he Tillya Tepe jewelle y a e supposedly o I anian o igin, mo e p ecisely om he Nishapu egion (Calliga o 2006, 292), om whe e he s one was impo ed h ough he Middle Eas (P ice– Walsh 2006, 133). Ano he p ecious s one, o en employed in he Cen al Asian jewelle y, is he da k ed ga ne , as one also highly popula in he Hellenis ic jewelle y. Ga ne s a e mainly used in he shape o o al cabochons. The examples om Tillya Tepe con aining aces o i on a e mo e p ecisely almandines (Calliga o 2006, 29). The XRF 115PETRA BELAŇOVÁ analysis o se e al Tillya Tepe jewelle y pieces also helped o de e mine he p ecise elemen composi ion o he inse ed s ones. The place o o igin o he almandines was es ablished p obably as India, Rajas han (Jaipu o Udaipu si e: Calliga o 2006, 292). The ga ne s om India and S i Lanka we e o good quali y and also common in he Medi e anean jewelle y p oduc ion (Ogden 1992, 38). The da k blue lapis lazuli was also used in Cen al Asian jewelle y, o en wi h golden colou addi ions. Gi en ha i s bigges deposi s a e loca ed in he moun ains o Badakhshan in A ghanis an, i s ela i ely a e use in he deco a ion o local jewelle y is ema kable. One possible explana ion is ashion: i is possible ha he people o Cen al Asia did no ega d lapis lazuli as anoble s one o he aluable gold jewelle y (Hickman 2012, 80). Among o he ma e ials py i e, a ie ies o chalcedony, ame hys (bo h p obably also om he Indian Deccan pla eau) and o he s occu ed in Tillya Tepe (Calliga o 2006, 292–293). The use o jade and ambe is in e es ing. Pea ls and nac e also belonged o he well ‑liked ma e ials in he deco a ion and p oduc ion o pe sonal o namen s. As men ioned abo e, whi e o hoclase is widely used in he Taxila jewelle y. Ano he ma e ial composi ion analysis examined he elemen al composi ion and echnical speci ica ions o gold jewelle y da ing back o he Kushan pe iod o he Na ional Museum o An iqui ies o Tajikis an (Gue ae al. 2009, 177–185). The PIXE/PIGE analysis included i e pieces o jewelle y om he Bishken and Danga alleys, all coming om he 1s cen u y BC–2nd cen u y AD ceme e ies: An ampho a ‑shaped and aci cula pendan om he Bish‑ ken bu ial place V; apendan wi h cloisonné deco a ion om he Bishken bu ial place VII; an ea ing om he bu ial place Ksi o III; and an ea ing om he I i ok bu ial place. The pendan om he Bishken bu ial place VII con ains an a e age o 82 ± 1.2% gold, 1.0 ± 14.7% sil e and 3.1± 1.1% coppe . The o he ou objec s ha e lowe gold con en o 76.3 ± 2.1% gold, 2.3±21.8% sil e and 1.7 ± 0.8% coppe . The elemen al composi ion o hese jewels shows o he alues han he analysed inds om Tillya Tepe. In he a icle he au ho s men ioned o he a e analyses o a ew objec s o aCen al Asian o igin, such as he analysis o he Kanishka coin and medallion made o an alloy o gold (wi h he gold con en di e ing om ha o he analysed jewelle y; Gue ae al. 2009, 183; Sachse al. 2003) o he analysis o some objec s om he Xiong ‑nu nec opolis (Gue ae al. 2009; Gue a– Calliga o 2003). The p oduc ion o gold jewelle y was ce ainly ahighly specialized ac i i y. Today, he doc‑ umen a ion o he jewelle ’swo k and ad anced deco a i e echniques a e isible di ec ly on he jewelle y pieces, some imes also on he inds o c a ools and pa s o he si es ha could ha e se ed o jewelle y p oduc ion. Golden ingo s we e ound in Dal’ e zin epa and in Ai‑ ‑Khanoum4 (Be na d 2011, 107). S one moulds o he p oduc ion o pe sonal o namen s come om Dal’ e zin epa om he laye s o he 1 s cen u y AD; hey we e p obably used o p oduce e y simple objec s (Pugachenko a– R eladze 1978, 204–205). Ano he sla e mould wi h ou ci cula g oo es comes om he 2nd cen u y BC om Ai ‑Khanoum (Guillaume– Rou‑ geulle 1987, 79, Pl. 26, Fig. 15). In Taxila, se e al moulds o jewelle y p oduc ion we e ound oo (Ma shall 1951, III, 142). Two hoa ds o objec s om Si kap in Taxila we e e e ed o by Ma shall as “ he jewelle s’ equipmen ” (Ma shall 1951, II, 505). Bo h g oups included small objec s om s one (pieces o u quoise, lapis lazuli) o shells ha p obably se ed as apa o jewelle y, as well as me al samples and me al cas moulds o p oduc ion o jewelle y deco a i e elemen s om me al shee s. The me al pieces a e mos ly made o shee ( hey can se e as es ing samples), bu also o cas me al (e.g. coppe ). O e all, hey con ain 102 and 66 4 Elemen al composi ion o agolden ingo om Ai ‑Khanoum was analysed by XRF me hod, i s composi ion shows simila i ies wi h he a o emen ioned jewelle y om Tillya Tepe (mo e in o ma ion in Calliga o 2006, 293). 116 STUDIA HERCYNIA XX/1 pieces. As a as hei shapes a e conce ned, hey ind simila i y wi h almos e e y piece o he golden jewelle y om Taxila (Ma shall 1951, I, 189). Two moulds om a o emen ioned g oups om Taxila in he shape o a ish (Ma shall 1951, III, Pl. 180:109) ound hei pa allel in he oblong ish mould o Beg am (Fig. 1; E ing on 1999, 229, Pl. 8.34), da ed o he same pe iod o he 1s cen u y AD. They can p esen e idence o ansmission o liking o he same mo i s among he di e en pa s o he e i o y o Cen al Asia. Fig. 1: Fish ‑shaped pendan , Beg am (B i ish Museum, Museum Numbe 1880.3678.c. In o ma ion and pho og aphy a ailable online: h p://www.b i ishmuseum.o g/ esea ch/collec ion_online/collec‑ ion_objec _de ails/collec ion_image_galle y.aspx?asse Id=709425001 & objec Id=179681 & pa ‑ Id=1 ( isi ed 10/10/2015). The majo i y o he Cen al Asian jewelle y, as i was also in he Medi e anean, was es ablished by o ming om gold shee s a he han cas ing. Gold wi e was also an impo an elemen , especially o ixing g ea amoun s o pendan s (mos o en o asimple ci cula shape) o he body o he jewel. Chains o he loop ‑in ‑loop ype which a e e y likely a esul o he Medi e anean in luences o en occu ed in he jewelle y o Cen al Asia om he i s cen‑ u ies AD (Chand a 1979, 33). These chains appea ed ei he as asingle piece o jewelle y (e.g. Sa ianidi 1985, 227, no. 8; Ma shall 1951, III Pl. 192:68), o in he o m o sho chains wi h pendan s which hung om ea ings ( o example Ma shall 1951, III Pl. 190). The deco a i e echniques whose a ou inc eased in his a ea h ough he in luence o G eek jewelle y a e ilig ee and g anula ion (Chand a 1979, 33). G anula ion especially occu s widely in he jewelle y om Tillya Tepe and Taxila, in he o m o simple geome ic designs, co e ing he chosen pa o he objec ’ssu ace o as a im a ound he inlays, which is ce ainly he mos popula deco a ion echnique o he Cen al Asian jewelle y. ExAMPlES O CEN Al ASIAN JEWEllE y INSPI ED By HE MEDI E ANEAN ENVI ONMEN O he en i e spec um o jewelle y ha comes om he si es in Cen al Asia, some a e appa ‑ en ly inspi ed by G eek o Roman jewelle y om a echnological, ypological o iconog aphical poin o iew. The ollowing examples such as ea ings wi h animal heads o igu es, ea ings wi h pendan s in he shape o ampho ae o sewn ‑on appliques wi h he goddess Aph odi e ep‑ esen di e en app oaches o he adi ion o he ancien G eek jewelle y– adop ion o ace ain ype o jewelle y (ea ings in he o m o ape ing hoops wi h animal heads o igu es, ampho a pendan s), use o my hological mo i s (appliques wi h Aph odi e, pai clasps wi h E o es iding dolphins) o single deco a i e elemen s (e.g. hea shaped inlay, schema ic dolphins). 117PETRA BELAŇOVÁ EARRINgS IN THE FORM OF TAPERINg HOOPS TERMINATINg WITH AHEAD, PROTOME OR FIgURE Ea ings in he o m o ape ing hoops e mina ing on one side wi h ahead (animal, less commonly human), ap o ome, o a igu e, belong o he mos popula and widesp ead o ms o Hellenis ic ea o namen s (Higgins 1981, 159–161). Se e al pieces o his kind come om Cen al Asia, e.g. he pai wi h acoiled hoop in he o m o small E o es om Tillya Tepe (Fig. 2; Schil z 2011, 281, no. 209). Olde examples o his ype da ed o he 3 d c. BC a e ep esen ed in he Oxus easu e (Cunningham 1881, 156, T. 16,1; P omme 1990, 190) and in he collec ion o he Miho Museum (Inagaki 2002, 131, T. 179 , w).5 Ano he ind e mi‑ na ing wi h ap o ome o asphinx was disco e ed in he Babashow bu ial V(Fig. 3; Zejmaľ 1985, 99, 252; Belaňo á 2015, 89), he igu e is deco a ed wi h ilig ee. Asimila elabo a e example wi h asphinx p o ome o igina es om he Punjab o no he n India o he 2nd c. AD (Hansen– Wieczo ek– Tellenbach 2009, Ka . N . 272); i s in ica e deco a ion is p o ided by g anula ion, ilig ee and wis ed wi es. P omme indica es he ype o ea ings wi h an E os body as a a ian o Hellenis ic ea ings wi h animal o emale heads (P omme 1990, 187–193). Acco ding o V. Schil z he shape and ype o ea ings mainly ollows he wo ks om Ta an o (Hiebe – Cambon 2011, 289). They we e among he mos popula shapes ha , especially in he Eas , su i ed he all o he Seleucid Empi e. The ype appea ed in he i s hal o he 3 d cen u y BC (Higgins 1981, 159). Specimens a e known om he a ea o Asia Mino , Sy ia and o he a eas o he Seleucid Empi e, Macedonia, no he n Black Sea a ea, I aly and he Pa hian en i onmen (Musche 1988, Ta . X–XIII). The specimens om Cen al Asia p o e ha ea ing ype appea ed in his dis an pa o he Hellenis ic wo ld and i s popula i y con inued appa en ly also in he i s cen u ies o ou e a. 5 Inagaki 2002, 249: he publica ion men ions ano he simila ea ing wi h E os om Tu kmenis an, Uzboy. Fig. 2: Tillya Tepe ea ings wi h E o es (Hiebe – Cambon 2011, 289, no. 219). 118 STUDIA HERCYNIA XX/1 AMPHORA EARRINgS Ano he widesp ead ype o ea o namen o ea ing pendan in Cen al Asia is asmall ampho a, o en wi h handles in he o m o dolphins o spi als, which can ep esen asche‑ ma ic con e sion o adolphin’sbody. This o m– again clea ly inspi ed by he o ms o he Hellenis ic a – is known in Cen al Asia in se e al e sions o a ying quali y, no only in gold combined wi h colou ul s ones bu also in less p ecious me als. Mos o he examples om Cen al Asia show bo h he local pe sis ence and he popula i y o his o m o ea ings a e he Hellenis ic e a. This ype is ep esen ed e.g. by he ea ing wi h ampho a pendan and handles in he o m o asmall E o es iding sea lions, which was ound in Si kap, Taxila (Fig. 4; con ex da ed o a ound he middle o he 1s cen u y AD, Ma shall 1951, III Pl. 190, no. 2). The massi e pen‑ dan wi h aleng h o abou 9.5 cm ce ainly belongs among he mos beau i ul jewels om Cen al Asia. The uppe pa o he ea ing pendan consis s o agold ec angula ame wi h inse ed ose e. I consis s o ou hea ‑shaped pe als deco a ed on hei en i e su ace wi h delica e g anula ion, mo e pe als g ow om he ose e’scen e, which c ea es abase o aminia u e eclining igu e o E os. In he co ne s o he ame, ou smalle six ‑pe al ose es a e a anged. A he bo om o he ame he ci cula hook holds an elabo a e am‑ pho a pendan , whose body is deco a ed wi h u quoise pas e inse s and g anula ion. The pendan has as epped squa e base, accompanied in he bo om by gold beads o a ious sizes in py amidal composi ions. The handles o he ampho a a e o med by cas gold pieces o high quali y– asmall E o es iding he sea mons e s. I is possible o dis inguish he wings o small gods, wis ed ails o my hical c ea u es and de ails o he body deco a ed wi h u quoise inse s. Fou loops wi h chains a e as ened o he lowe pa o he c ea u es, each plai ed chain e mina es in apendan consis ing o apea l and gold lea . On his splendid ea pendan we can ind se e al elemen s o G eek jewelle y adi ion which we e popula in he hea o Asia– g anula ion, single loop -in -loop chains, ose es, hea ‑shaped boxes, ampho as, E o es lying on ose es o iding sea lions. Ano he gold ea ing pendan o simila shape, bu less o na e, was ound in Taxila on he Bhi mound. I is da ed ea lie o he 3 d–2nd cen u y BC (Ma shall 1951, III Pl. 190, no. 1). The Fig. 3: An ea ing wi h ap o ome o asphinx (Zejmaľ 1985, 99, 252). 119PETRA BELAŇOVÁ pendan again consis s o wo pa s– he uppe hal is linked o he ampho a by a ing. The uppe pa is asix ‑pe al ose e, pa ly deco a ed wi h g anula ion. The body o he ampho a in he lowe pa is deco a ed wi h g anula ion in simple iangle shapes and a he bo om, handles a e ep esen ed by schema ic dolphins. Two inds o simila shape and de ails o deco a ion om di e en s a a can p o e he popula i y o his o m o ea ing pendan s in Taxila o e alonge pe iod o ime. Ano he se en examples o ampho a ‑shaped pendan s come om he Tulkha bu ial place (Go buno a 2001, 130). They a e made o gold, inlaid o comple ed wi h whi e s ones and da ed o he 2nd–1s cen u ies BC.O he examples a e known om he ceme e ies o Bishken ( h ee examples om he Bishken bu ial place V; wo examples om Bishken IV) and om he A uk au bu ial place (apai o ea ings: Go buno a 2001, 130). These ampho a pendan s om sou h Tajikis an show he endency o ace ain simpli ica ion o o m, which is especially no iceable in he de ails o he dolphins. The pendan s a e made o gold, combined wi h o he me als o colou ed s ones. The ea ings a e deco a ed wi h simple chains wi h small pendan s, a ached o he ampho ae o dolphin ‑like handles, and py amidal g anula ion clus e s a ached o he bo om o he ampho a also appea ed. In one case, he uppe ing o he ea ings is deco a ed wi h as ylized He acles kno , supplemen ed wi h whi e glass pas e (Fig. 5; Bisken bu ial place V, ku gan 46, Li inskij– Sedo 1984, Fig. 32). The ceme e ies o he Bishken a ea can be possibly da ed o he 1s –2nd cen u ies AD (Li inskij– Sedo 1984, 129–132) while Go buno a da es he Tulkha nec opolis and he Bishken bu ial place V o he 2nd cen u y AD, and he Bishken bu ial place IV o he 1s –2nd cen u ies AD (Go buno a 2001, 143). One example Fig. 4: Ea ing wi h ampho a pendan , Taxila, Na i‑ onal Museum o Pakis an, Ka achi. Pho og aphy by Ch is ian Luczani s a ailable online: h p:// www.pbs.o g/newshou /a /asia ‑socie y‑ ‑exhibi ‑explo es ‑pakis ans ‑buddhis ‑pas / (accessed 20/12/2014). 126 STUDIA HERCYNIA XX/1 Yacenko 2006 = Яценко, C.A. 2006: Костюм древней Евразии (ираноязычные народы). Москва. Za ’yalo 1993 = Завьялов, В.А. 1993: Костяные предметы туалета из памятников Средней Азнн кушанского ипосткушанского времени. Краткие сообщения института истории материальной культуры 209. Москва. Zejmaľ 1985 = Зeймaль, Е.В. 1985: Древности Таджикистана. Kаталог выставки. Душанбе. Pe a Belaňo á Na ional Museum Václa ské náměs í 68, CZ‑11579 P ague 1 pe a_belano [email protected]