Interpreting identity impressions through community making: From Brussels’ autonomous collective through the ethnic Albanian triangle
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Interpreting identity impressions through community making: From Brussels’ autonomous collective through the ethnic Albanian triangle Trime Halili ABSTRACT This paper, as part of astudy explores the reinvention of identity and culture through community making, specifically in the process of creation and way of functioning of autonomous temporal groups and intentional communities through socio-cultural spaces. The analysis makes use of anetwork of four different organized communities from Western and South-Eastern Europe, namely Toestand (Brussels, Belgium), Termokiss (Prishtina, Kosova), Space Tetova (Tetova, North Macedonia), with aspecific focus on the performance of the project − event Uzina (Tirana, Albania). Through an ethnographic approach, based on active participant observation and interviews that are shown below, this research is an attempt to engage the participating members of the different groups in the construction of the thorough insight of the research. The patterns of intercultural contact and reflexive behaviors in this collective’s endeavors, accentuate the complexity of relationships that arise in the course of the collaboration of the network and wider, revealing the ‘agonistic’ dynamics of Self and Other, West and East, unity and diversity, giver and receiver, hierarchy and equality, global and local, concentrating on new social movements and contemporary identity practices in Europe. KEYWORDS: community making, culture, identity, autonomous, collective, social movement, dichotomy The Belgium based NGO Toestand, while seeking creative DIY solutions to reactivate empty buildings and forgotten spaces into temporary autonomous socio-cultural centers, have helped build several centers locally (in Belgium) and internationally. For several years, their international projects have been intentionally concentrated in environments where the (cultural) needs and interests of youth are being neglected, therefore, no accessible spaces to create and perform their creative identity is being available to them, apart from the ‘bar and coffee-shop’ culture. The aim of this organization is to push these youths, through community and space making, towards urban and civil exchange, reflection and change making, along with dialogue, creation, autonomy and action. They focus essentially on the transformation of abandoned spaces into temporary socio-cultural centers, making these spaces useful for the neighborhood and its inhabitants. Lately their international projects have been concentrated in the Balkans, namely in the mentioned above, three ethnic Albanian speaking regions: Prishtina (Kosova), Tetova (North Macedonia) and Tirana (Albania). Taking into account the different ethnic, professional and cultural background of the participants in this event, it is important to notice that Toestand, being the lead organization, and also securing the financial means for the realization of the project OPEN ACCESS
44 STUDIA ETHNOLOGICA PRAGENSIA 1/2022 (which include the work discipline and sometimes the sense of community that they mean to transfer), have an advantage on experience, as well as on the environment they live and are active in. Ethnicity, being more accentuated in the Balkans, contrasts with the reality of the Belgian crew, who currently act in an environment where the politicization of culture has extended beyond ethnicity, and has been concentrated on amore ideological cultural identity. This assertion will serve as alens in analyzing the realization of the project, where the main sources come from the Belgian organization and are allocated into ‘developing’ regions and communities. Regarding the notions of self and the other, this research takes into account the shaping of the self through otherness specifically through alens of cultural and ethnic identification. HOW DID EVERYTHING START? In order to include and explain the historical context of the happening of the practical part of this event and how the groups got together, the question was brought up intentionally, during the interview with the main coordinator of Toestand, the Belgian organisation. Through this question, the aim was to have aclear chronological view of the process of creation of this network of all the organisations during the project making: Well, as astory, we first got invited to Ukraine and we found funding, so we went. It seemed fun to go to Ukraine. Then the first really international connection we had was because Iknow Fjolla [his Albanian girlfriend], but also because of [other Albanian friends] who are friends of us that are living in Brussels since, 30 years or longer, and that we were in high school with them. They also had avery good connection with alot of people In Kosova. So that was the next step. The third step was Granada in Spain, and that was because some of the people here had agood connection there. And then after that came you guys [the community of Tetova], because Arta went to Termokiss and she contacted us so…. It’s kind of acoincidence and because of having Tetova and because of having Prishtina Ithink the next step was Tirana because there are more and more concrete propositions coming. This story illustrates the ways of the created partnership and network of these four communities and social centers, as well as the main idea of how the expansion of this network operates. From the implementation of all the projects initiated by Toestand, the only ones that survived and developed into communities were the three ethnic Albanian based ones. IDENTIFICATION OF THE SELF, FROM THE PERSPECTIVE OF THE OTHER: CONCEPTUALIZATIONS OF CULTURAL/ETHNIC BELONGING When the participants of all the four different groups meet in the event of the project making, they gradually create their first impressions and ideas of the other, based on OPEN ACCESS
TRImE HALILI 45 what they see, the interactions they’re involved in and also on their previous experiences. The different historical backgrounds and socio-political realities of the places the participants live in and act, can also be afactor of defining their ideas about the other. In this case the main duality in these conceptualisations consists on one hand of the Belgian group, seen as the “western” from the part of the Albanians and on the other hand the Albanian groups seen as the “balkan— eastern” people. ALBANIAN UNDERSTANDING OF THE WEST To give aclear idea of the ethnic identity and cultural background of the three Albanian participating groups, it is important to briefly explain the context of differences from ahistorical perspective. Recent, drastic but gradual transformation of political systems of the ethnic Albanian states of South-East Europe happened for the last 30 years; Albania getting out of the communist regime, Kosova coming out of awar in 90’, and both Kosova and North Macedonia getting out of asocialist federative system, where especially Kosova and Albanians of North Macedonia in general, had been under specific treatment from this regime. Starting the transition period to ademocratic political system much later than Western/European countries, in an era of globalization, the public discontent grew to adistrust for the governing structures and the state. This phenomena drove the social development into areliance of the society and people between each other, instead of depending on the state or the system, creating thus acollective autonomous survival system, instead of one streaming from the ‘republic’ concept which is the individual. To illustrate an example of how this difference is expressed in everyday life behavior, and what it means to live and act in such an environment, amember of the socio cultural center Uzina, from Albania says: Definitely adifference in culture was very obvious. For me, Ialways feel it, anytime Itravel in some Western European country, that they’re not very … mmm… for example Ididn’t feel very free to just go to aBelgian and hug them and be like [exciting voice]: “ heyy how are you? How are you feeling today?” Give them akiss in the cheek, and stuff, you know, it would be more like… more calmed down like [official voice]: “Hey, how are you? How’s your day?” You know, kind of like that, which for me is not that natural, but when you’re working with people from acompletely different background, which you don’t really know, like what are their boundaries? How do they function? What is not the norm for them? Here the interviewer highlights the differences felt and taken into consideration when she greets someone from the Belgian group, which for her is not anatural way and it cannot be as ‘familiar’ and warm, as she would normally do it with the people that surround her in aclose encounter. This due to the difference of the background and the unfamiliarity with the boundaries and norms of this ‘otherness’. This process of creating and defining the ideas of the other can often be interpreted based on stereotypes and stigmas, but also, the “different background” is picOPEN ACCESS
46 STUDIA ETHNOLOGICA PRAGENSIA 1/2022 tured through demonstrations of the behaviors in the course of the everyday life, during the project, starting from the way of greeting someone, the communication, working together, the perception of time etc. As much nonstatic as this perception is (because after every meeting aclearer idea of the other appears on amore individualistic level), during the project making and the procedure of working together this interpretation can create conflicts or misunderstandings. During an observation made in the process of the project building, amember of the Termokiss, the Kosova group says: We’re warm like the Middle East or somewhere in South America… They’re more organised but they just want to finish work, not teach or help… yeah…. This is the last time I’m participating in this kind of project. According to the participant, the Albanians are more heartwarming, comparing them thus with people from the Middle East or South America, whereas the Belgian for her are organized but very asocial, tending to appear more bound to the work but also more egoistic in the process of it, while not helping the others. This view can create adiscontent to apoint when, in the process of work where the interactions are inevitable, the differences tend to explode in impulsive conclusions regarding future decisions, like in this case. Due to the difficulty of the work, sometimes the cultural differences that influence the behavior and thus the necessary teamwork, become boundaries and divisive, making the participants find themselves out of their comfort zones. For some Albanian participants, this distance that Belgian group members show in their behavior and social interaction, is part of their culture and thus, it transmits also in their objective of the project, where the main goal for the Belgians becomes utilitarian, which is to finish the work and the building, whereas for Albanians the socializing part of the project is the most important one. Here are two examples from both parts: — One of the members of the Belgian organization: There’s alot of people, me as well, who like the aspect of coming and just working hard and doing things with their hands and creating things, and they want to limit the part of discussion to aminimum. — One of the participants from the Tirana group: For example the Albanians, Ihave seen them more often sitting in the couches and benches and stuff, and it is maybe because we really enjoy having conversations. Considering that the making of the project lasts for two week of intensive building, there is adistinction in the dynamic of the work and this dynamics again translates through the system the participants function in the places they live in. Hence, one of the most recurring characteristics that Albanian participants see in the Belgians are “hardworking”, “strict” and focusing on their work. Aperception of work culture in this case includes its identification with the general western stereotype: “they’re like machines”. In its relation to the work ethics, it comprises the systematization of the work OPEN ACCESS
TRImE HALILI 47 and time, the planning, the coordination of the people, the behavior during work, as well as the way the tools are classified and used. One of the youngest members of the Kosova group says: “Us Albanians, we are very hardworking, we could work anything, but them, as to say, their way is more „schooled“, they have more work culture, as you can see”. This impression seems to be based on the contrast with the understanding of their own culture, their rituals of work and everyday life, as well as their surroundings, where the importance of work and the sense of time takes adifferent dimension. Here is one example of this perception from amember of the Tirana crew: We usually take our time, drinking acoffee in the morning, then one at work, and then during the breaks, slowly… and for example Idon’t think that us Albanians we identify with work ethic as being one of the most important things in our culture. But from what Ihave seen in western countries, is that the work ethic is very much, like work, work, work. It’s very strict. But for me, growing up in Kosova and now living in Albania, Ihave never felt like we associate with work ethic as the first trait. When we think of Albanians, we think about hosting each other, we think of „Besa“1 , we think of how we love guests, how we love being with people, going out for acoffee, being social and that’s where we get our energy from. From this perspective, the Albanian cultural identity correlates firstly with an ethnic aspect, but also aregional one. Due to the current socio-political realities in the Balkan region and the fact that Albania, Kosova and North Macedonia are countries that are not part of European Union, historically because of the insufficient possibilities the state systems had to offer to it’s populations, the people have massively, through time, migrated to European countries in search of abetter quality of life and future. This situation has also been afactor in the creation of this perception of cultural differences. Amember of Termokiss, illustrates this condition like this: What can be different between us and them is the level of collective and social development, which in our case is much more behind, because of the isolation that we have had as aregion. Even though in this example the development of culture appears to be perceived in alinear way, what comes out during the observation is asense of cultural development which is immediate and dynamic. This phenomenon seems to be the result of the intense digitalization that Balkan region is, as the rest of the globalized world, also going through. While western cultural dynamics have been moving and developing slowly, throughout the past 50 years, the Balkans being during that time in much more different political realities, will experience the development gap much quicker. This cultural transformation and progress are happening faster due to the digitalization era where information is served ready, an occurrence which reflects clearly the materialistic living and working conditions of the region. Another Albanian participant from the Termokiss Kosova group states: 1 Besa: pledge of honor— is an Albanian cultural precept, usually translated as „trust“, that means „to keep the promise“ and „word of honor“. (Kushova, A, 2004). OPEN ACCESS
48 STUDIA ETHNOLOGICA PRAGENSIA 1/2022 And for me, for example, what Ihave learned from this is that if Iwould’ve had their tools, Iwould’ve been able to do the things like them, but all Ihave in Termokiss is just asaw and adrill machine, but If we would’ve had their conditions, we would’ve been able to do more than them or just as much as them. What highlights this perception of the ‘West’ is the cultural development which occurred as aconsequence of afunctioning state, thus placing them in the so-called ‘developed countries’ spectrum, something that granted the people the conditions for further possibilities. On this topic, one of the Albanian participants of the Tirana group recalls amoment when the Belgians would talk about their political problems in Belgium, the Albanians would joke, among them saying: “uff if only we had those kinds of problems the situation here would be just fine.” It was ageneral idea among the Albanians, that as people, they are being perceived as, she describes “overly warm, and very enthusiastic, very out there, very intense, very much in your face, very friendly and very social”. While perceptions of the generally friendly social characteristics remain obvious on the idea of the foreign view, nevertheless, it remains unclear to them about how Belgians perceive the socio-economic status of the hosts. As the interviewee from the Tirana group exclaims: “Iwonder though, if they have those assumptions when it comes to for example privilege or economic status…” This uncertainty (insecurity) seems to be ageneral phenomenon which eventually is the result of the ideas of inferiority present in the region, which links agreat amount of the complete cultural values to the materialist success and efficiency that the Western countries have in comparison to the Balkans. Another Albanian participant comments: This is avery big generalization but most of the time Ifeel like people in the Balkans perceive anybody that is not apart of the Balkans as somebody that’s alot more authoritative and has alot more to say and to teach. For some, this impression is unfortunate because it leads to afalse judgment of generalizing the intentions and objectives of the other as well as the creation of hierarchical ideas about the other. Aparticipant of the Kosova group, Termokiss, says: “sometimes we perceive them as very good, and very perfect, but they’re not. No one is perfect, you know and we should perceive them simply as collaborators and we should go with the same flow and same energy with them”. This generalization which applies to alot of people, additionally gives place to an understanding of the reasons for these perceptions. Functioning in an environment where the ethnic and cultural identification have crossed the initial common limited view and comprehension, Belgian people are faced with avariety of cultures, which, according to the Albanian viewpoint as aparticipant from the Kosova group notes: “they’ve taken what they wanted and given up what they don’t like about their culture so to speak and so now they kind of found themselves on apersonal level maybe.” The general idea from the Albanian perspective −including members from all groups − with regard to their Belgian counterparts, appears to be amixed impression of values, be them working values or general cultural ones, streaming from their socio-cultural reality. This mixed impression of values tends to be full-heartedly acOPEN ACCESS
TRImE HALILI 49 ceptable, and this not always as aresult of the actual behavior of the other group but rather for two explicit reasons: 1) the Albanian groups’ need for hope for social change in their locality; 2) their overexposed cultural trait of hospitality with the regard to the notion of the guest. These two reasons are also (counter) reflected in the Belgian perception of the Albanians, as such. The way that they have been hosted influences their perspective on the Albanians and the impressions they have accumulated before and after working together with them. BELGIAN PERSPECTIVE OF ALBANIANS/BALKANS In the course of the discussions with the Belgian participants in an attempt to understand the perception they have of the Balkans and in particular the Albanian people they have worked with, many differences come to sight. Along with general cultural particularities, such as way of communication, way of work and questions of politeness, ethnic identity is seen as being one of the most important cultural identifications in Albanian culture. ABelgian participant, having many Albanian friends and acquaintances, and who has been part of all three projects involving the Albanian groups says: “Albanians tend to be very proud of their nationality. And Brussels people tend to really not give acrap about their nation.” Another Belgian participant in the project, adds to this idea: “like our identity is more in the diversity, but then again, when we come with agroup there, apparently we are really Belgians.” This view is coherent with the multiethnic reality Belgians live in, where being ‘Belgian’ does not represent an ethnic identity but rather anational one, where ‘nation’ has the meaning of citizenship/statehood. While in the Balkans this ‘nationality’ is expressed as statehood, whereas ethnic background is often interpreted as national background, thus nationality. One of the coordinators of Toestand is in along-term relationship with an Albanian girl. Living with her, having many Albanian friends in Brussels, as well as working with Albanians of different regions during the projects of International Toestand for the last 4 years, he has elaborated an idea of the cultural differences between Albanians and Belgians, even though “this is avery hard question” because he is “abit more sucked into it than the average person”. He explains how he and his girlfriend find adifference in politeness, or the way of communicating it through language in everyday life, depending on the cultural difference: For example, when my girlfriend asks for something, not saying please. She will not say, “give me the salad, please”. But she will say “can you give me the salad”. Belgians tend to say please after everything, while Albanians take it for granted you help. And if they say please, it’s because they really need it. Our politeness is in the words, yours in the action. And it is maybe acultural difference, but this is just the Balkan way of saying something. This perception of the culture is based on language. Geertz (1973) in the Interpretation of Cultures, suggests that human beings can be acomplete enigma to each other on account of different spoken languages (p.13). To illustrate adifference: in AlbaOPEN ACCESS
50 STUDIA ETHNOLOGICA PRAGENSIA 1/2022 nian language, the politeness displays in the form of intonation during the question, instead of an additional word such as “please” to show gratitude. Moreover the simple ‘services’ that come to show by default in everyday common life, are not counted as services that demand aconsiderable effort from the other, but more as everyday exchanges that are inevitable for acommunal routine. While discussing the language barrier with the participants in the project, and considering that the communication is mostly held in English, the language issue often comes as aresult of misunderstandings about other concepts of culture. Amember of Toestand, the Belgian organisation, shares his views on cultural differences between the two groups, highlighting the language part, especially regarding work efficiency: We are different. We have another surrounding, we have another way of talking, you guys can talk with people from here, we cannot. This means you have more capacity to understand what they really really want. Disintegrating this quotation while analysing the context, it appears that according to him what makes the difference between the two groups is not only connected to the language barrier but also an understanding barrier. Due to the nature of the work, the communication between the Belgian participants of the project and the rest of the participants who do not speak English, has to happen through the Albanian speaking participants who also can speak English. This includes the exchange between the Belgian and for example truck drivers who bring the work materials, the locals etc. The indicated procedure shows that language barrier creates misunderstandings and communication discrepancies and the message that is meant to be transmitted, often undergoes substantial changes. One of the Toestand coordinators speaks of difference in ways of organizing and commitment as well on the fact that when working with the majority of the Albanian people, the communication is not always very easy because the response is not immediate, the date and hour for the meetings are more flexible and not fixed, and this makes the continuation of the procedure harder. For him, it is easier to work with people who are “more organized”, and he prefers to work with Albanians who are more organized. Given his cultural background and the place he comes from, when he highlights these problems, he uses as areference point Western European countries. This is an idea (or practice) that is shared by some members of the Belgium crew: their sense of work, organization and communication is based on the societies they live in or are more familiar with and the system they’re part of. He remarks the encounters he experiences when visiting Termokiss, in Kosova: When Igo to Termokiss [Kosova social center] nowadays, it’s so funny to see them working because they’re just chilling all day and drinking coffee. And it seems so unorganized, but in away, it’s just another way of organizing. They also are 100% horizontal when it comes to decision making and it’s super nice and maybe I’m jealous of the way they work. It’s like …no stress at all. OPEN ACCESS
TRImE HALILI 51 From this point of view, what can be clearly seen is asense of comparison between different ways of organisation and asurprising positive outcome from the activity of the Kosova group during the Tirana project. During the making of the project, the understanding of time and its management is being challenged for both parts in acollective but also individual matter. Aprevalent impression of Albanian behavior and sense of work seems to be based on stigmas and generalizations but also, as amember of the Belgian organization says, “quick judgements”: Isaw alot of people from the Termokiss crew like taking breaks to smoke joints. And Iwas working really hard and Iwas thinking, „God damn, they’re so lazy, ahh they’re always taking breaks and blah, blah, blah… and we’re working and all, that’s not fair! In this case, the judgment of what is fair and not fair, is based on apersonal assumption of the present perception of the other, but also constructed throughout experience and previous beliefs built upon general stereotypes. What is demonstrated to have helped in the transformation/change of already defined conceptualizations in the mind, is the continuous interactions and cooperation as well as time and place (place being unusual from the natural environment that one is used to performing in). Spatiality, in this way, plays an important role in the identity formation and meaning of identification of the other. According to Kevin Hetherington (1998) identity involves an identification with particular places: “certain spaces act as sites for the performance of identity” (p.105). To illustrate an example of how the process of this transgression, especially when the challenge is faced with an experience on apersonal level, the above-mentioned Belgian participant comments: And then the last day Iwanted to take abreak. So Iwent to the Kosova people and Ilistened to their conversation. And we kind of talked, too. And they made me realize that, yes, sure, they might not rush as much as we in the process, but that does not mean that it’s better or worse, it’s just adifferent approach. And they were just questioning why everything has to be so rushed? And then Iwas like, Oh, yeah, that is so true. Why does it have to be so rushed? And Ididn’t really think about that before. The perception of the Belgian girl about the Albanians being “lazy” was initially based on her own idea about work and time, as well as the major importance of it in this project, but also from what she has heard “other Belgian people say”. The moment she got physically exhausted from the work and decided to take abreak she realized: ”Iwas kind of judging them for taking breaks, when Ishould have better taken abreak once or two”. Through this break and conversation with the Albanians she realized that her judgment was positioned outside of the context of the experience of these people, and even though she thinks that “sometimes stereotypes are based on truth, they can be very harmful and dangerous”. On another occasion, after amonth of the completion of the project in Tirana, several participants of the Belgian group, including her, returned to the Uzina social center for avisit. While looking at the place, where very little additional work was done, based on their stereotypical conceptualizations, she recalls her first thoughts upon entering the space: “What? They OPEN ACCESS
58 STUDIA ETHNOLOGICA PRAGENSIA 1/2022 CONCLUSION In an attempt to understand how different conceptualizations of cultural/ethnic belonging and individual/collective performativities operate based on different sociocultural backgrounds, in aparticular social setting, the identification of the self from the perspective of the other is inspected based on the internal logic of cultural practices of the different participants − members of each community participating − for the time of the project and in their everyday life. Whereas the main highlights of the differences encountered in the dichotomy of perception were rooted in ‘Albanian’ vs. ‘Belgian’ perspective, internal differences between members of each group (within the Albanian groups and within the Belgian group), regardless of the ethnic identity, are another component that questions the presence of collective identity that can overpass different socio-cultural realities of individuals. Photo N. 1:Collage of moments of work, community building, and activities throughout the years (2018–2022) in Space Tetova, by the involved network. Source: Trime Halili OPEN ACCESS
TRImE HALILI 59 LITERATURE Barth, F. (1989). The analysis of culture in complex societies. Ethnos: Journal of Anthropology, 54:3–4, 120–142. Barth. F. (1966). Models of Social Organisation. Occasional Paper no.23, London: Royal Anthropological Institute. Brubaker, R. (2002). Ethnicity without groups. European Journal of Sociology, 43(2), 163–189. Cohen, A.P. (1982). ‘Belonging: The Experience of Culture’, in A.P.Cohen (ed.) Belonging: Identity and Social Organisation in British Rural Cultures,Manchester: Manchester University Press. Cohen, A.P. (1985). The Symbolic Construction of Community, London: Tavistock. Cohen, A.P. (1986). ‘Of Symbols and Boundaries, or, Does Ertie’s Greatcoat Hold the Key?’, in A.P.Cohen (ed.) Symbolising Boundaries: Identity and Diversity in British Cultures, Manchester: Manchester University Press. Cohen, A.P. (1993). Culture as identity: an anthropologist’s view. New literary history, 24(1), 195–209. Geertz, C. (1973). The interpretation of cultures (Vol. 5019). Basic books. Hetherington, K. (1998). Expressions of identity: Space, performance, politics. Sage. Jenkins, R. (2008). Social identity. Routledge. Kushova, A(2004). „Besa“. Open Democracy. Retrieved 2009-11-08 Mead, G.H. (1934). Mind, Self and Society from the Standpoint of aSocial Behaviorist, ed. C.W.Morris, Chicago: University of Chicago Press. Trime Halili is PhD candidate in Cultural Anthropology and Ethnography in the University of Debrecen in Hungary; she finished her MA in Cultural Anthropology at ELTE, Budapest and her Ba studies in Political Science in South-east European University in Tetovë, North Macedonia. As asocial activist and volunteer in acommunity space, she is interested in applied anthropology, in order to research intentional community making as new forms of sociality, social movements and identity politics through self-determination, and the impact ethnicity and the East-West dichotomy have in this endeavor. Contact: [email protected] OPEN ACCESS